Falling Quotes - page 41
From me you fly! Ah! let me crave,
By these poor tears, that hand you gave-
Since, parting with my woman's pride,
My madness leaves me nought beside-
By that our wedlock, by the rite
Which, but begun, could yet unite,
If e'er my kindness held you bound,
If e'er in me your joy you found,
Look on this falling house, and still,
If prayer can touch you, change your will.
John Conington
No doubt analytical psychologists could tear it all to bits and explain it in the jargon of this or that psychological school. Critics could trample on my dreams and say that it was too much in the realm of feeling to have any value, but so is falling in love. Is that not real, and highly significant, and life-changing? So is the state of mind induced by music, or by some of the glories of Nature, or by some of the works of man... All I can say is that to me it was an experience of God, never to be denied... No one who has had such an experience can ever doubt but that in the end good will triumph over every form of evil, and that every life, however humble, frustrated, indifferent or even careless, is in the care of this Power and within a Plan, vast beyond our power to imagine, which will work out in a blessedness which brings utter satisfaction and quality of bliss for which there are no words.
Leslie Weatherhead
A scene that has often come into my mind, both sleeping and waking - I am standing in the wings of a theatre waiting for my cue to go onstage. As I stand there I can hear the play proceeding, and suddenly it dawns on me that the lines I have learnt are not in this play at all, but belong to quite a different one. Panic seizes me; I wonder frenziedly what should I do. Then I get my cue. Stumbling, falling over the unfamiliar scenery, I make my way onto the stage, and then look for guidance to the prompter, whose head I can just see rising out of the floor-boards. Alas he only signals helplessly to me and I realise of course that his script is different from mine. I begin to speak my lines, but they are incomprehensible to the other actors and abhorrent to the audience, who begin to hiss and shout: "Get off the stage!”, "Let the play go on!”, "You're interrupting!”.
Malcolm Muggeridge