Identity Quotes - page 40
Some of the [band's] work has a genuine feeling behind it. Some of it is probably just being funny for the sake of being funny. Obviously, there are elements to "Detachable [Penis]" about male identity that are there, but not really overtly there. For the person who wants to find it, it's there. I don't know. I don't think... I like to think I'm not obvious about the humor, and I'm not obvious about the feelings, either. There's a certain degree of subtlety to what I'm doing; even in very obvious things, there's something underneath that's interesting. I think [the band is] guilty of being clever at times, to the detriment of conveying something more important, more real, more honest. I'll cop to that. But I will also say that there's also stuff that does have meaning.
John S. Hall
The biblical understanding of the human person is holistic. It makes no distinction between body and soul. The human person is not a soul living in a body, but an animated body, so perfectly integrated that the person in his totality can express himself/herself and be apprehended in any part. "It is the body rooted in the cosmos and related to other human beings, which gives the person his or her identity.”.
Kurien Kunnumpuram
Life may unfold chronologically for the body and for bureaucracies that keep track of such things as births, marriages, deaths, visas, tax returns, expulsions, and identity cards, but memory does not play this game in quite the same way, always manages to confound the desire for tidiness.
Ariel Dorfman
I think the genre decides for me-which sounds like a way of avoiding the question unless I explain first that this chameleon-like border crossing, this shifting of genre identities is, I realize, parallel to, or anticipates, or recollects my own life. I'm probably fluctuating across genres perhaps because my identity itself is always in flux...
Ariel Dorfman
If the dangers of racism are apparent, even in a non-violent form, then it was the same for Islamism. Communalist identity politics, self-segregation and group-think are far more damaging to societies in the long run than the odd bomb going off here or there, because it is such a milieu that keeps breeding bomb-makers.
Maajid Nawaz
The way we work, the way we talk, the way we watch television or walk down the street, even the way we fuck, or maybe that especially-each of those is part of the problem of identity. We can't do any of those things authentically until we find out who we really are and be that person, inside and out, instead of the person other people want us to be. Usually those other people, if they want us to be something we aren't, are using us as a laboratory for working out their own identity problems.
Thomas M. Disch
A universal spiritual art would be art that any person would recognize as having a spiritual intention. It could speak to the heart and soul of the individual and orient them toward the greater aspect of their own being, their interconnectedness with all life and the cosmos. A universal spiritual art would return the viewer to their own ultimate identity, which lies beyond representation, but can be pointed to when our inspired visions are brilliantly transmitted. The challenge to artists today is to integrate the vast history of art from as many cultures as possible, to reach deep inside themselves for their own personal insights into the transcendental and allow this to coalesce into the most powerful imagery possible.
Alex Grey
I may remark that the curious transformations many formulae can undergo, the unsuspected and to a beginner apparently impossible identity of forms exceedingly dissimilar at first sight, is I think one of the chief difficulties in the early part of mathematical studies. I am often reminded of certain sprites and fairies one reads of, who are at one's elbows in one shape now, and the next minute in a form most dissimilar.
Ada Lovelace
I'm a writer who plays the piano. As I write, I find new things I like. I make them into what I call principles, and they become part of my playing vocabulary. That's the secret of what you get from composing. You get to discover things that you wouldn't ordinarily do. Much like a speech pattern, your improvisation patterns can get stale if you don't keep building your vocabulary. Each time you re voice something, you change the sound. When you do this enough, you get used to those sounds, and they start to come out as you play. You end up using voicings that aren't common, which gives you an auditory identity.
Clare Fischer
But the bilingualists simplistically scorn the value and necessity of assimilation. They do not seem to realize that there are two ways a person is individualized. So they do not realize that while one suffers a diminished sense of private individuality by becoming assimilated into public society, such assimilation makes possible the achievement of public individuality. Supporters of bilingual education thus want it both ways. They propose bilingual schooling as a way of helping students acquire the skills of the classroom crucial for public success. But they likewise insist that bilingual instruction will give students a sense of their identity apart from the public. Behind this screen there gleams an astonishing promise: One can become a public person while still remaining a private person. At the very same time one can be both! There need be no tension between the self in the crowd and the self apart from the crowd! Who would not want to believe such an idea?
Richard Rodriguez
For me... the notion of an intimate relationship between music and society functions not as a distant goal but as a starting point of great immediacy, and not as an hypothesis but as an assumption. It functions as an idea about a relationship which in turn allows the examination of that relationship from many points of view and its exploration in many directions. It is an idea that generates studies the goal of which (or at least one important goal of which) is to articulate something essential about why any particular music is the way it is in particular, that is, to achieve insight into the character of its identity.
Rose Rosengard Subotnick
The man who comes home exhausted because he has been taught to believe without question that his male identity is based on nine-to-five loyalty and the giving of his best energies to the corporation has made a decision about his sexuality. He sacrifices his corpus to the corporation. His chosen method of expending energy and structuring time disallows afternoon dalliance with his wife or lover.
Sam Keen
