Africa Quotes - page 17
I was honestly very nervous of Constance Wheatcroft. And I wasn't the only one. Her entire family was afraid of her. Dogs were afraid of her. Bindweed in the hedge would wither as she passed; birds would forget their nesting instincts and fly back to north Africa at the sound of her hideous cries.
Tom Baker
We had two masters of the spoken word in South Africa, General Smuts and his lieutenant J. H. Hofmeyr, whose life I wrote. Smuts spoke in a high-pitched voice, not the kind of voice that one would expect from a famous soldier, but he too could hold an audience in the hollow of his hand, partly because he was Smuts, partly because he could say nothing trite or shallow, partly because he knew how to speak to ordinary men and women.
Alan Paton
We had been talking about marriage for a while so it wasn't a massively big surprise. I took her up somewhere nice in Kenya and I proposed. ... I'd been planning it for a while but as any guy out there will know it takes a certain amount of motivation to get yourself going. I was planning it and then it just felt really right out in Africa. It was beautiful at the time. I had done a little bit of planning to show my romantic side.
William, Prince of Wales
The rulers of western Africa prior to the European empires were not running some kind of scout camp. They were engaged in the slave trade. They showed zero sign of developing the country's economic resources. Did Senegal ultimately benefit from French rule? Yes, it's clear. And the counterfactual idea that somehow the indigenous rulers would have been more successful in economic development doesn't have any credibility at all.
Niall Ferguson
Think, for a moment, of a cheetah, a sleek, beautiful animal, one of the fastest on earth, which roams freely on the savannas of Africa. In its natural habitat, it is a magnificent animal, almost a work of art, unsurpassed in speedor grace by any other animal. Now, think of a cheetah that has been captured and thrown into a miserable cage in a zoo. It has lost its original grace and beauty, and is put on display for our amusement. We see only the broken spirit of the cheetah in the cage, not its original power and elegance. The cheetah can be compared to the laws of physics, which are beautiful in their natural setting. The natural habitat of the laws of physics is higher-dimensional space-time. However, we can only measure the laws of physics when they have been broken and placed on display in a cage, which is our three-dimensional laboratory. We can only see the cheetah when its grace and beauty have been stripped away.
Peter Freund
There is but one alternative for Turkey. Either African barbarism, under Arabian direction, will burst around its head like an avalanche, or else it must re-establish strong leadership, thus putting twenty million heroes between itself and Africa and gaining a breathing spell for the accomplishment of its social regeneration.
Recep Tayyip Erdoğan
Aimee Teegarden: Recent polls have shown a fifth of Americans can't locate the U. S. on a world map. Why do you think this is?
Caitlin Upton: I personally believe that U. S. Americans are unable to do so because, uh, some people out there in our nation don't have maps and, uh, I believe that our education, like such as in South Africa and, uh, the Iraq, everywhere like such as, and I believe that they should-our education over here in the U. S. should help the U. S., uh, or, should help South Africa and should help the Iraq, and the Asian countries, so we will be able to build up our future, for our children.
Caitlin Upton
The point is, that the function of the novel seems to be changing; it has become an outpost of journalism; we read novels for information about areas of life we don't know - Nigeria, South Africa, the American army, a coal-mining village, coteries in Chelsea, etc. We read to find out what is going on. One novel in five hundred or a thousand has the quality a novel should have to make it a novel - the quality of philosophy.
Doris Lessing
I tour a bit in America and a lot in Europe, Holland especially, where they have this forward-looking music scene because they got through the barriers 15 years ago. They gobble up the things I do. I go to the Far East - I like working with the orchestra in Singapore - but my favourite places tend to be the ones where it's more than turning up and doing a big concert. Next month I go to the Sydney Festival, where I've persuaded them to do the Lou Harrison concerto. As penance, though I don't mind it, I have to play the Gershwin concerto in the first half. And I hope to return year after year to South Africa, where I've been with the National Symphony Orchestra into Soweto. Education work is being done there for the first time. Previously they had never bothered to find new audiences, and now they are staring into an abyss which we may face too. Events there are a fast-forward version of what could happen here.
Joanna MacGregor
We're really not very good about putting music in a social and political context, particularly classical music. It's all sort of above everything. But in South Africa, everything is politicised. You play a piece of classical music out there and you are making a real cultural statement. Or you play with a marimba band and you are saying something else. I think that's the way things should be. The way people write about music makes it seem completely devoid of social context. And audiences drift away as a result.
Joanna MacGregor
