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Method Quotes - page 45 - Quotesdtb.com
Method Quotes - page 45
That which we know as Yoga is the method by which evolution is quickened in the individual, and all the powers of the Self, up to the threshold of divinity, may by it be brought into manifestation in the man of the present. That is why Yoga training was necessary for the ancient scientist; he must develop in himself the three aspects of God, if he were to understand them as manifested in the universe around him. Now, at our own stage of evolution, it is specially the life of Brahmâ-or the Brahmâ aspect of God-with which the human mind is coming into touch, because the mind in man is the reflection of the universal mind in Kosmos. That life is the life that is the force in the atom, that vivifies every atom, nay, that brings the atom into existence, as we shall see, and remains during the whole of the growth of the universe as the fundamental life that keeps those atoms as active particles building up innumerable forms.
Annie Besant
As for "wattle and daub" I could wish that it had never been invented. The more it saves in time and gains in space, the greater and the more general is the disaster that it may cause; for it is made to catch fire, like torches. It seems better, therefore, to spend on walls of burnt brick, and be at expense, than to save with "wattle and daub," and be in danger. And, in the stucco covering, too, it makes cracks from the inside by the arrangement of its studs and girts. For these swell with moisture as they are daubed, and then contract as they dry, and by their shrinking cause the solid stucco to split. But since some are obliged to use it either to save time or money, or for partitions on an unsupported span, the proper method of construction is as follows. Give it a high foundation so that it may nowhere come in contact with the broken stone-work composing the floor...
Vitruvius
..as is also another [painting] of Diana, who, bathing in a fount with her Nymphs, transforms Actaeon into a stag.. ..He also painted Europa passing over the sea on the back of the Bull. All these pictures are in the possession of the Catholic King, held very dear for the vivacity that Tiziano has given to the figures with his colors, making them natural and as if alive. It is true, however, that the method of work which he employed in these last pictures is no little different from the method of his youth, for the reason that the early works are executed with a certain delicacy and a diligence that are incredible, and they can be seen both from near and from a distance, and these last works are executed with bold strokes and dashed off with a broad and even coarse sweep of the brush, insomuch that from near little can be seen, but from a distance they appear perfect.
Titian