Reader Quotes - page 43
The character doesn't have to be exactly like them, but as an author you have to give something to the reader that shows the vulnerability and where the character's coming from...You can have characters do awful things, but you make them relatable or have some kind of backstory that makes their actions, even if it's not excusable, understandable...
Maurene Goo
I succeeded in making you care. If you feel nothing, I failed you as a storyteller. I love happy endings, but some readers need the darker stories, too. The stories that don't make them feel disturbed by their own reality because it doesn't reflect what they're used to seeing in fiction. There's some comfort in harsher stories, and witnessing how one character rebuilds after tragedy can provide hope for the reader.
Adam Silvera
Writing a book is so strange. You start off in one spot and end up in another. But I think when I first set out to write the book, there was a certain element of trying to right historical wrongs I saw as a voracious reader and representation of immigrants and children of immigrants...
Uzma Jalaluddin
![I think of novelists that I really return to and admire, you can almost sense that the book is somehow ahead of them, just a little bit ahead of them, no? You could write from the front: you could pull the book; there are masters that do that, and you can admire the architecture of it. [...] I suppose what I look for as a reader is a writer who's risky, who's putting themselves in a position that's vulnerable, where the text knows a little bit more, is a bit ahead of them. And so I aspire to write those books, and that's why I suppose I put myself in that position. (Hisham Matar)](https://cdn.quotesdtb.com/img/quotes_images_webp/79/hisham-matar-almost-architecture-867679.webp)
We know only too well that all over the world, from wayward undergraduate to B. B. C. producer to publisher's reader there are people, otherwise sensible and sane, people who would not believe in six-headed cats and blood-curdling spectral monsters, who yet read some folly about Noah's ark or Atlantis or cataclysmic world-tides, and say, with a contented sigh, "There may be something in it, you know."
Glyn Daniel
A book, once it is printed and published, becomes individual. It is by its publication as decisively severed from its author as in parturition a child is cut off from its parent. The book "means" thereafter, perforce, both grammatically and actually, whatever meaning this or that reader gets out of it.
James Branch Cabell
Who are you, reader, reading my poems an hundred years hence? I cannot send you one single flower from this wealth of the spring, one single streak of gold from yonder clouds. Open your doors and look abroad. From your blossoming garden gather fragrant memories of the vanished flowers of an hundred years before. In the joy of your heart may you feel the living joy that sang one spring morning, sending its glad voice across a hundred years.
Rabindranath Tagore
We may say that a poem in the first place should offer us new perceptions, not only of the exterior universe, but of human experience as well; it should add, in other words, to what we have already seen. This is the elementary function for the reader. The corresponding function for the poet is a sharpening and training of his sensibilities; the very exigencies of the medium as he employs it in the act of perception should force him to the discovery of values which he never would have found without the convening of all the conditions of that particular act, conditions one or more of which will be the necessity of solving some particular difficulty such as the location of a rhyme or the perfection of a cadence with disturbance to the remainder of the poem.
Yvor Winters
Somehow the inclination to write about my private life in public is related to the ability to do so. It is not enough to say that my mother and father do not want to write their autobiographies. It needs also to be said that they are unable to write to a public reader. They lack the skill. Though both of them can write in Spanish and English, they write in a hesitant manner. Their syntax is uncertain. Their vocabulary limited. The man who sits in his chair so many hours, and the woman at the ironing board-‘keeping busy because I don't want to get old'-will never be able to believe that any description of their personal lives could be understood by a stranger far from home.
Richard Rodriguez
My four years of high school were spent locked up inside "el campo.” I became a voracious reader and television-watcher, keeping to myself at such alarming extremes that I became invisible. My invisibility provided the perfect protection against harm of any sort. I walked to and from school past the gangsters as silently as a breeze, so disassociated from their tattoos and lingo that even they couldn't find a place for me in their lines of vision.
Rigoberto González
