Reader Quotes - page 14
Is not just a faded echo of the feeble voice of decadent romanticism but an authentic Indian English utterance exquisitely tuned to the composite to Indian ethos, bringing home to the unbiased reader all the opulence, pageantry and charm of Indian life, and the spenders of Indian scene.
Sarojini Naidu
I don't think it's a good idea for a writer to psychoanalyze herself or try to explain why she writes what she writes-it's a reductive way of looking at oneself and one's work. Readers really participate in the writing of a book. As a writer I'm giving the reader signs to help create the story with me. The reader is bringing his or her own memories, intelligence, preconceptions, prejudices, likes, dislikes. So the characters in your copy of the book are going to look and sound different than in mine. I have my own ideas, but once the book is out there it's not really mine anymore, and my own idea isn't any more valid than yours. And then I begin the long process of disengaging.
Donna Tartt
He thought for a moment, brought back from his reflections. "It was only possible for me to do it," he said, "because it was necessary. I either had to write the book or be reduced to despair; it was the only means of saving me from nothingness, chaos and suicide. The book was written under this pressure and brought me the expected cure, simply because it was written, irrespective of whether it was good or bad. That was the only thing that counted. And while writing it, there was no need for me to think at all of any other reader but myself, or at the most, here and there another close war comrade, and I certainly never thought then about the survivors, but always about those who fell in the war. While writing it, I was as if delirious or crazy, surrounded by three or four people with mutilated bodies - that is how the book was produced."
Hermann Hesse
I was able to compare the sexual equipment of the various men I made love with and there were amazing differences, in both length and massiveness. One handsome married man, who used to arrive with two Danishes from a very good bakery, had a penis about the size and shape of a lead pencil; he shall remain nameless. In my experience there was usually a relation to height, as Philip Rahv and Bill Mangold, both tall men, bore out. There may be dwarfish men with monstrously large organs, but I have never known one. It was not until later, after my second divorce, that I met an impotent man or a pervert (two of the latter)... None of my partners, the reader will be relieved to hear, had a venereal disease.
Mary McCarthy
First, a good sex scene is about the exchange of emotions, not body fluids. In other words, what's going on physically is not really important. It's what's going on emotionally that's important. You use the physical attributes or setting, only as a means of anchoring the reader in the moment, but it's about what's going on between these two people. And that leads to the second principle, which is that a good sex scene can only happen between two unique and specific people...
Diana Gabaldon
I don't really like to work with literary allusions very much. I never want to be in a position where I'm saying, "You've got to read a lot of other stuff" or "You've got to have had a good education in literature to fully appreciate what I'm doing."... I actually dislike, more than many people, working through literary allusion. I just feel that there's something a bit snobbish or elitist about that. I don't like it as a reader, when I'm reading something. It's not just the elitism of it; it jolts me out of the mode in which I'm reading. I've immersed myself in the world and then when the light goes on I'm supposed to be making some kind of literary comparison to another text. I find I'm pulled out of my kind of fictional world, I'm asked to use my brain in a different kind of way. I don't like that.
Kazuo Ishiguro
Bit by bit, as the legend unfolds, the reader gets a more accurate picture of the human race. By degrees, one gains the conviction that here is a race which can be little more than pure fantasy. It is not the kind of race which could rise from humble beginnings to the eminence of culture with which it is gifted in these tales. Its equipment is too poor.
So far it lack of stability has become apparent. Its preoccupation with a mechanical civilization rather than with a culture based on some of the sounder, more worthwhile concepts of life indicates a lack of basic character.
And now, in this tale, we learn of the limited communications which it possessed, a situation which certainly is not conducive to advancement. Man's inability to understand and appreciate the thought and the viewpoint of another man would be a stumbling block which no amount of mechanical ability could overcome.
Clifford D. Simak
Few things leave a deeper mark on a reader than the first book that finds its way into his heart. Those first images, the echo of words we think we have left behind, accompany us throughout our lives and sculpt a palace in our memory to which, sooner or later--no matter how many books we read, how many worlds we discover or how much we learn or forget--we will return.
Carlos Ruiz Zafón
It was in the attempt to ascertain the interrelationships between species that experiments n genetics were first made. The words "evolution" and "origin of species" are now so intimately associated with the name of Darwin that we are apt to forger that the idea of common descent had been prominent in the mnds of naturalists before he wrote, and that, for more than half a century, zealous investigators had been devoting themselves to the experimental study of that possibility. Prominent among this group of experimenters may be mentioned Koelreauter, John Hunter, Herbert Knight, Gartner, Jordan. Naudin, Godron, Lecoq, Wichura--men whose names are familiar to every reader of Animals and Plants unders Domestication.
William Bateson
