Starting Quotes - page 11
![The rectangular picture-plane indicates the starting point of Suprematism; a new realism of color conceived as non-objective creation. The forms of Suprematist art live like all the living forms of nature. This is a new plastic realism, plastic precisely because the realism of hills, sky, and water is missing. Every real form is a world. And any plastic surface is more alive than a (drawn or painted) face from which stares a pair of eyes and a smile. [1914]. (Kazimir Malevich)](https://cdn.quotesdtb.com/img/quotes_images_webp/04/kazimir-malevich-art-color-427604.webp)
A fundamental part of the non-proliferation bargain is the commitment of the five nuclear States recognized under the non-proliferation treaty - Britain, China, France, Russia and the United States - to move toward disarmament. Recent agreements between Russia and the United States are commendable, but they should be verifiable and irreversible. A clear road map for nuclear disarmament should be established - starting with a major reduction in the 30,000 nuclear warheads still in existence, and bringing into force the long-awaited Comprehensive Nuclear Test Ban Treaty.
Mohamed ElBaradei
Instead of starting from the individuality of the technical object, or even from its specificity, which is very unstable, try to define the laws of its genesis in the framework of this individuality or specificity, it is better to invert the problem: it is from the criterion of the genesis that we can define the individuality and the specificity of the technical object: the technical object is not this or that thing, given hic et nunc but that which is generated.
Gilbert Simondon
Now I can say that I have sampled the spectrum of the pleasure system at both ends - none and all there is - and I think the rest of my life I will dedicate myself to the middle of the road and see how that works out. Starting with the very weak tea and toast I'm going to ask you to bring me in another ten minutes or so. With maltose. But as for this other stuff, this joy thing, that I would like to begin learning about, as much as I can. I don't really know a God damned thing about it, but I understand it has something to do with sharing and caring and what did you say your name was?
Spider Robinson
Much has been said of Mahomet's propagating his Religion by the sword. It is no doubt far nobler what we have to boast of the Christian Religion, that it propagated itself peaceably in the way of preaching and conviction. Yet withal, if we take this for an argument of the truth or falsehood of a religion, there is a radical mistake in it. The sword indeed: but where will you get your sword! Every new opinion, at its starting, is precisely in a minority of one. In one man's head alone, there it dwells as yet. One man alone of the whole world believes it; there is one man against all men. That he take a sword, and try to propagate with that, will do little for him. You must first get your sword! On the whole, a thing will propagate itself as it can. We do not find, of the Christian Religion either, that it always disdained the sword, when once it had got one.
Thomas Carlyle
I have thought a lot about the question of titles. I must confess that I find any for works that take off from an arbitrary starting point and end with something real.... [Miro allowed Pierre Matisse to make titles, based on the] real things.... [if they do] not evoke some tendency or other, something I want to avoid completely [very probably Miro meant here: the Surrealists ]. [advising Pierre Matisse; who showed then several modern European painters in New York].
Joan Miró
![One needs a medium. The best is, one is his own medium. But don't be serious because seriousness belongs to a passed time. This medium, called you yourself will tell you to take absolutely the wrong material. That is very good, because only the wrong material used in the wrong way, will give the right picture, when you look at it from the right angle. Or the wrong angle. That leads us to the new ism: Anglism. The first art starting from England [the country of Schwitters' forced stay, when he wrote this quote], except the former shapes of art. (Kurt Schwitters)](https://cdn.quotesdtb.com/img/quotes_images_webp/99/kurt-schwitters-angle-art-481799.webp)
I was attracted to Romanesque sculptures, to the complete re-invented figures and the freedom with which the Romanesque artist constructed them. He does not copy, he creates in a totally anti-Renaissance fashion can say that in Romanesque sculpture I have found a starting point for distortion.
Fernand Léger
Empty heads, cognitive science has taught us, learn nothing. The powerful cultural and personal flexibility of our species is owed at least in part to our starting off so well-informed; we are good learners because we know what to pay attention to and what questions are the right ones to ask.
Paul Bloom
Tradition is only a readymade. It's for us to make a new gesture-to use it as a reference, more as a starting point than conclusion. Of course, there are very different attitudes and interpretations about our past and our memory of it. And ours is never a complete one, but is broken. In China, but also in my practice.
Ai Weiwei
A mind of a certain size can feel only exasperation toward a city. Nothing can drive me more fully into despair. The walls first of all, and even then all the rest is only so many horrid images of selfishness, mistrust, stupidity, and narrow-mindedness. No need to memorize the Napoleonic code. Just look at a city and you have it. Each time I come back from the country, just as I am starting to congratulate myself on my calmness, there breaks out a furor, a rage... And I come upon my mark, homo sapiens, the acquisitive wolf. Cities, architectures, how I loathe you! Great surfaces of vaults, vaults cemented into the earth, vaults set out in compartments, forming vaults to eat in, vaults for sex, vaults on the watch, ready to open fire. How sad, sad...
Henri Michaux
So I started to paint like crazy, from figurative to abstract. Then after a year, I put it all on a bonfire in the courtyard of the academy. I suppose there was some ritual involved, but I didn't tell anyone before I did it, so it wasn't public, and I felt the work had to be burned because people were already taking things and paintings were starting to circulate. I had to prevent that because I realized it was time to start from scratch. Photographs were the way forward. I'm shocked now that the story seems clear, because it didn't seem clear at the time.
Gerhard Richter
I think the ideas [as starting point for his paintings] are based upon very obvious physical facts – notions that are also simple-minded, such as, in the 'White Paintings', wanting to know if that was a thing to do or not, or in 'Factum', wondering about what the role of accident is. Those aren't really very involved ideas.
Robert Rauschenberg
One thing I learned a long time ago was my fretboard, in terms of all the scales in all the positions...You have to learn it - there are no two ways about it. I shift between positions so easily now that I really don't have to think about them much...I would suggest starting your scale education with the major and minor scales, and after that, diminished, augmented and whole-tone. Then depending on what kind of music you want to play, the modes should be learned. My theory about this kind of thing is that you should learn it all. Once you've learned it you can play whatever you want to play, and I think that your playing will be more advanced, and you'll have a better understanding of the instrument.
Al Di Meola
I don't like that word 'finish'. When something is finished, that means it's dead, doesn't it? I believe in everlastingness. I never finish a painting – I just stop working on it for a while. I like painting because it's something I never come to the end of. Sometimes I paint a picture, then I paint it all out. Sometimes I'm working on fifteen or twenty pictures at the same time. I do that because I want to – because I like to change my mind so often. The thing to do is always to keep starting to paint, never finishing painting. [quote of 1948].
Arshile Gorky
