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Bill Quotes - page 47 - Quotesdtb.com
Bill Quotes - page 47
The world's second-richest person called on Washington policymakers to adopt fundamental reforms on such costs to address what he called a "national emergency."
He said health care eats up 17 percent of U.S. gross domestic product, at a time when many other countries pay only nine or 10 percent of GDP but have more doctors, nurses and hospital beds per capita.
"It's like a tapeworm eating at our economic body," Buffett said on CNBC television.
"If it was a choice today between Plan A, which is what we've got, or Plan B, which is the Senate bill, I would vote for the Senate bill," he said. "But I would much rather see a Plan C that really attacks costs, and I think that's what the American public wants to see."
Rising costs, Buffett said, are holding back an economy that faced an "economic Pearl Harbor" in late 2008 when capital markets seized up.
Warren Buffett
We're standing at the steps of the United States Capitol. I'm looking at the Washington Monument and beyond it to the Lincoln Memorial. And, beyond that, to the left, to your right, the Jefferson Memorial. Abraham Lincoln was the 16th President of these United States and he was the man who allegedly freed us. Abraham Lincoln saw in his day, what President Clinton sees in this day. He saw the great divide between Black and White. Abraham Lincoln and Bill Clinton see what the Kerner Commission saw 30 years ago when they said that this nation was moving toward two Americas–one Black, one White, separate and unequal. And the Kerner Commission revisited their findings 25 years later and saw that America was worse today than it was in the time of Martin Luther King, Jr. There's still two Americas, one Black, one White, separate and unequal.
Louis Farrakhan
You will perceive by to-days paper that lord Malmsbury is about to return as wise as he went. Whatever the ministers object was in this ridiculous embassy, he has been apparently disappointed. It is a notorious fact that the embarrassments of government are beyond anything ever known. The treasury is unable to pay the smallest bill, though perpetually besieged by clamorous duns: and it turns out that even the miserable pittance collected from the police-offices (being the weekly amount of fees, fines, &c.) has, most rapaciously and dishonestly, been applied to the exigencies of the state, while the tradesmen, constables and other persons, who should be paid out of the money, are in the greatest distress and have actually advertised a general meeting to consider how they can obtain relief. Not a soul seems to have the remotest conception how Mr. Pitt will be able to weather the impending storm.
Joseph Ritson
McGraw was an improviser, a teacher. He brought much to the game that keeps baseball fresh and suspenseful today-the hit-and-run play, the steal, the squeeze play, the uses of the bunt and the defenses against it. He helped turn the game into a thing of fluid beauty, infielders charging the plate or roaming far from their bases, outfielders moving with each pitch, racing in for base hits before them, backing each other in the outfield, entering the infield itself on rundown plays. Yet when the game changed radically, with the introduction of the livelier baseball, McGraw naturally shifted to a power emphasis, founding his team about such men as George Kelly, Bill Terry, Mel Ott. He knew, too, that the old pitching style of permitting a man to hit a deadened ball because it would then be caught in the big fields had to be changed, and his staffs led the league year after year in strikeouts, in earned-runs.
John McGraw
Bill and I were pretty much the same age bracket, and strangely enough, we both went through the same influences, starting with Nat Cole, going into Bud Powell during the bebop period, and then getting into the Lennie Tristano school orienta-in my particular case, Lee Konitz more than Lennie. I mean, in an era when everybody else was playing funky piano, we... I suppose, in a general category, that made us both the same. Whereby [sic] to my mind, we were both radically different. But after I put out that first album, the reviews started off by saying, "Clare Fischer owes much to Bill Evans." And then, when I would write an album, they would say "Clare Fischer owes much to Gil Evans." And I would call that my Evans brothers syndrome.
Clare Fischer