Humor Quotes - page 20
I admire the proud and cold who go adventuring on the paths of great and demoniac beauty, and scorn "man" - but I do not envy them. For if anything is capable of making a poet out of a man of letters, it is this plebeian love of mine for the human, living, and commonplace. All warmth, all goodness, all humor is born of it, and it almost seems to me as if it were that love itself, of which it is written that a man might speak with the tongues of men and of angels, and yet without it be no more than sounding brass or a tinkling cymbal.
Thomas Mann
There's a crisis of ideas in art, which is felt by many, many people. Not only in art: in social thinking, in politics. That's one of the other things about this poll, one of the attempts to get out of this, by some maybe funny means - humor helps - because we really don't know where to go. and what our next step has to be.
Artists now.
Alexander Melamid
We developed a shorthand language of our own which we fell into for the rest of our lives whenever we met, no holds barred - all a matter of past reference, a common language, but basically affection, along with humor, and appreciation of each other's minds, and of Krazy Kat . Faced with England, and the New World, and Freud and all, we always managed to relax, and go back to the kidding, and bad punning, and drinking, to the end. It really was marvelous.
Conrad Aiken
You ask of me then for what reason it was that Pythagoras abstained from eating of flesh. I for my part do much admire in what humor, with what soul or reason, the first man with his mouth touched slaughter, and reached to his lips the flesh of a dead animal, and having set before people courses of ghastly corpses and ghosts, could give those parts the names of meat and victuals, that but a little before lowed, cried, moved, and saw; how his sight could endure the blood of slaughtered, flayed, and mangled bodies; how his smell could bear their scent; and how the very nastiness happened not to offend the taste, while it chewed the sores of others, and participated of the saps and juices of deadly wounds.
Plutarch
There is a rhetoric of knowledge, a characteristic way in which arguments, proofs, speculations, experiments, polemics, even humor are expressed. ...speaking or writing a subject is a performing art, and each subject requires a somewhat different kind of performance from every other. Historians, for example, do not speak or write history in the same way biologists speak or write biology. ...it is worth remembering that some scholars-one thinks of Veblen in sociology, Freud in psychology, Galbraith in economics - have exerted influence as much through their manner as their matter. The point is that knowledge is a form of literature, and the various styles of knowledge ought to be studied and discussed.
Neil Postman
The older I grow the more I distrust the familiar doctrine that age brings wisdom. . . . Certainly it would be difficult to imagine any committee of relatively young men, of thirty or thirty-five, showing the unbroken childishness, ignorance and lack of humor of the Supreme Court of the United States. The average age of the learned justices must be well beyond sixty, and all of them are supposed to be of finished and mellowed sagacity. Yet their knowledge of the most ordinary principles of justice often turns out to be extremely meager, and when they spread themselves grandly upon a great case their reasoning powers are usually found to be precisely equal to those of a respectable Pullman conductor.
H. L. Mencken
I was taking LSD periodically, every couple of months. I was in a strange state of mind, influenced by these visions. ... I was trying to draw it in my sketchbook, and that began to coalesce into these comic strips that were stylistically based on grotesque, vulgar humor comics of the thirties and forties. ... All of those characters came out of that crazy visionary period that I couldn't shut off. It was spontaneous, but I was so crazy, I was really out of my mind, it was like schizophrenia. It was like what produces art by crazy people in a madhouse. Anything could be an influence, anything I heard. I was in Chicago in early '66 and the radio was on, there was some tune playing, it was a black station, and this announcer said, That was Mr. Natural. I just started drawing Mr. Natural, this bearded guru-type character in my sketchbook, it just came out.
Robert Crumb
