Humor Quotes - page 15
Floating around the Internet these days, posted and e-mailed back and forth, are a number of writings attributed to me, and I want people to know they're not mine. Don't blame me.Some are essay-length, some are just short lists of one and two-line jokes, but if they're flyin' around the Internet, they're probably not mine. Occasionally, a couple of jokes on a long list might have come from me, but not often. And because most of this stuff is really lame, it's embarrassing to see my name on it.And that's the problem. I want people to know that I take care with my writing, and try to keep my standards high. But most of this "humor" on the Internet is just plain stupid. I guess hard-core fans who follow my stuff closely would be able to spot the fake stuff, because the tone of voice is so different. But a casual fan has no way of knowing, and it bothers me that some people might believe I'd actually be capable of writing some of this stuff.
George Carlin
It must have been in his teens, perhaps rather early, that he and his elder brother John, with William Bell (afterwards of Wylie Hill, and a noted drover) and his brother, all met in the kiln at Eelief to play cards. The corn was dried then at home. There was a fire, therefore, aud perhaps it was both heat and light. The boys had played, perhaps, often enough for trifling stakes, and always parted in good humor. One night they came to some disagreement. My father spoke out what was in him about the folly, the sinfulness, of quarreling over a perhaps sinful amusement. The earnest mind persuaded other minds. They threw the cards into the fire, and (I think the younger Bell told my brother James) no one of the four ever touched a card again through life. My father certainly never hinted at such a game since I knew him. I cannot remember that I, at that age, had any such force of belief. Which of us can?
Thomas Carlyle
In the Spring of 1926 I made some toy animals of curtain rods, broom handles, etc., and wire. Later, a few dolls, which I animated.... In the Winter of 1927–1928 I made some more toys for a friend to take home as gifts, and having shown them to De Creeft a Spanish sculptor with a very acute sense of humor, I was urged by him to make some more toys and to expose them at the Salon des Humoristes. I did this and then began to make more elaborate toys, with articulation, in which the movements got more and more realistic, always adhering to the same basic materials. In this way I have developed quite an elaborate circus of which animation is one of the chief characteristics....
Alexander Calder