Director Quotes - page 23
I love acting because it's my heart. I love playing characters. When I get on the set, something snaps in me, something different. It's what I was meant to do. I love working with other actors, I love working with directors, and I love creating something. From the DP [director of photography] to the director and the actors-and even down to the catering-you know, it's just a family.
Tara Reid
...this is not the only time that I have stuck out my neck for a Greek film director. With Nikos Nikolaides I introduced him to Mr Constantini as well, and undertook to send his XXX-rated movie "Singapore Sling" to two of the top film agents in the UK, Jenny Cassarotto and PDF who have now changed their name on account of a merger. Ms Cassarotto was indulgent, but the other agent was so shocked that he treated me as if I was peddling porn. The things I've done for Greece!
Angelique Rockas
The reason the Internationalist Theatre productions demanded attention was that the directors who had already worked at top theatres like the Royal Court and the Royal Shakespeare Company had agreed to take the risk of directing classical plays with multi-racial casts, that the performance was of a very good standard, and furthermore that many prominent members of the arts establishment, Lindsay Anderson, Cameron MacKintosh, John Barton, Richard Eyre, the great casting director Mary Selway, Stephen Berkoff, Nicolas Roeg, came to see performances by Internationalsit Theatre.
Angelique Rockas
What I do as a director is really create a safe environment that everyone can feel very comfortable in and experiment within so that they don't hold back anything. You never ever want someone to go, 'Oh I shouldn't have done that.' There isn't anything you shouldn't try. If it's terrible, who cares?
Paul Feig
[M]y main task when I was artistic director at Thomson for four years: to make the company virtuous. Not because there was a desire there to do evil, but because they had simply forgotten their purpose in life - to be of service, to use their skills to be of service. It is essential to try to play the role of a friendly "enemy within". That is, to catch the interest of these big companies so that they make money available, and research facilities, and distribution networks, for this return to what is the origin of all their activities - to serve others. It even means changing the words they use. One of the things I did at Thomson was to change their name. Thomson used to be called TCE, Thomson Consumer Electronic, and I asked them: who wants to be a "consumer of electronics?"
Philippe Starck
I wanted to be an actor or be a director since I was a very small child. I mean, my mother went into labor at a movie theater. There were, like, four movie theaters around us when I was growing up in Austin. Movies became my babysitter. I think I saw more films than I saw reality. Then I noticed something when I was in my late teens that really made my thinking shift in what I wanted to do with film. When I was watching a film as a young man, there would be a second or two when I drifted outside of myself. I noticed how for a moment, in the image and music and train of information, I was traveling through the film, leaving myself. And I knew that was something I wanted to do. I wanted to see how long I could make that feeling go on-if I could take someone outside themselves, outside their body for a minute, five minutes, maybe even 80 minutes, 90 minutes.
Tobe Hooper
I'll tell you what the most important and enjoyable thing for me is: getting notes. A director that enhances my performance by seeing things onscreen and then telling me, "Why don't we do that? Why don't we do this?" Directors who understand a little bit more of the psyche of what he's looking for and can put that in words. I work great with notes. I really am able to elevate with getting notes from other people and hearing other people's opinion and I think that's for me the best thing about working with a great director.
Oded Fehr
Yeah, I mean I've definitely had a bunch of action scripts sent to me, but again I'm a stickler for directors. If it's like an action flick with a great director then it's like 'Oh let's look at this thing,' but if it's just like a shoot-em'-up with a first time director. I don't know if that's the trajectory I want to take with what I'm doing.
Armie Hammer
Gallery visitors did not tell Picasso to invent cubism. Jazz fanatics did not suggest that Miles Davies should work with hip-hoppers. Moviegoers did not propose to Lars von Trier, the Danish film director, that he make Breaking the Waves. And customers sure as hell did not come up with the idea for CDNow or Amazon. com. If you want to do something really interesting and revolutionary, learn to ignore your customers.
Jonas Ridderstråle
