Director Quotes - page 22
Advertising seemed almost natural to me because it was a business where you had to inform, persuade and educate. And so from being a junior copywriter to being the creative director of one of the largest advertising agencies in the country took me 4.5 years, which is, well, a fairly spectacular rise.
Bryce Courtenay
I think directing in a team is a really good idea because it stops the cult of the director as God straight away, and also you're discussing things on set so it opens it out to everyone and it becomes a totally collaborative thing. And you have someone who supports you when you're feeling a bit insecure.
Alan Cumming
When somebody who makes movies for a living - either as an actor, writer, producer or director - lives to be a certain age, you have to admire them. It is an act of courage to make a film - a courage for which you are not prepared in the rest of life. It is very hard and very destructive. But we do it because we love it.
John Carpenter
I staggered through my career and came out the other end, alive. I made some films that meant something to me. In my opinion, they weren't all great, and they weren't all successful, but they sure were ‘me'. And this is what I was going through or thinking or feeling as a director at the time, and I'm very proud of them. A lot of great directors just never had the chance to have their work appreciated and celebrated and watched, all these years after they were made. So, man, what do you want out of life? It's great!
John Carpenter
Believe me, I am still very surprised that I managed to make that film [Close-Up]. When I actually look back on that film, I really feel that I was not the director but instead just a member of the audience. Because the film made itself, to a large extent. The characters involved were very real, I wasn't directing the actors so much as being directed by them. So it was a very particular film.
Abbas Kiarostami
When I arrived, a hundred women were there [auditioning]... I raised my voice three registers, curled up in a chair, licked my hand and did ‘meow's, the director said, "I didn't tell her to do any of that stuff" – but the next day I got the part. Caesar Romero, Burgess Meredith, I was so lucky to work with all of them.
Lee Meriwether
Errol Flynn was an excellent fencer. He also knew his lines, something I greatly respect in an actor. Of course there was one glaring inconsistency with his professionalism. Errol also drank on the set, something I greatly disliked. You couldn't stop him. If the director prohibited alcohol on the set, then Errol would inject oranges with booze and eat during breaks. Everything good that we got on film was shot early in the day. He started gulping his water early in the morning and by four P. M. was in no shape to continue filming.
Maureen O'Hara
Owners are the shareholders, living outside the process of production, idling in distant countryhouse and maybe gambling at the exchange. A shareholder has no direct connection with the work. His property does not consist in tools of him to work; with his property consists simply in pieces of paper, in shares of enterprises of which he does not even know the hereabouts. His function in society is that of a parasite. His ownership does not mean that he commands and directs the machines; this is the sole right of the director. It means only that he may claim a certain amount of money without having to work for it. The property in hand, his shares, are certificates showing his right - guaranteed by law and government, by courts and police - to participate in the profits; titles of companionship in that large Society for Exploitation of the World, that is capitalism.
Antonie Pannekoek
It is to the director of workshops and factories that it is suitable to make, by means of geometry and applied mechanics, a special study of all the ways to economize the efforts of workers... For a man to be a director of others, manual work has only a secondary importance; it is his intellectual ability (force intellectuelle) that must put him in the top position, and it is in instruction such as that of the Conservatory of the Arts and Professions, that he must develop it.
Charles Dupin
