Machine Quotes - page 49
I'm goin', what the fuck am I bustin' my ass for, doin' HBO specials, doin' fuckin' concerts, when I could just write rap songs? How hard is this shit to do?! Here's my first rap single: "Lick Me Where I Fuck and Pee". There it is! My first rap hit! 'Lick Me Where I Fuck and Pee!" I got a hit! That's where it's at! I got another song, for men, especially for men, in general: 'You Call That A Fuck, You Lazy Bitch?' Oh! OH! This song is gonna go through the fuckin' roof, trust me! We're talkin' about a song that's gonna go through the roof! They'll call me Grammy Sammy after that fuckin' song. Wait! I got another one! I got another one! 'Who Farted in My New Car?' You can't stop me! Fuck MC Hammer, 'You Can't Touch This'- YOU CAN'T STOP ME! I'm a rap song writing machine now, look out!
Sam Kinison
When we began our race for the presidency in April 2015, we were considered by the political establishment and the media to be a "fringe" campaign, something not to be taken seriously. After all, I was a senator from a small state with very little name recognition. Our campaign had no money, no political organization, and we were taking on the entire Democratic Party establishment. And, by the way, we were also running against the most powerful political operation in the country. The Clinton machine had won the presidency for Bill Clinton twice and almost won the Democratic presidential nomination for Hillary Clinton in 2008. When our campaign finally came to a close in July 2016, it turned out that the pundits had got it wrong-big-time. We had made history and run one of the most consequential campaigns in the modern history of the country-a campaign that would, in a very profound way, change America.
Bernie Sanders
What I am searching for... is some formula that would combine individual initiative with universal values, and that combination would give us a truly organic form. Form, which we discover in nature by analysis, is obstinately mathematical in its manifestations-which is to say that creation in art requires thought and deliberation. But this is not to say that form can be reduced to a formula. In every work of art it must be re-created, but that too is true of every work of nature. Art differs from nature not in its organic form, but in its human origins: in the fact that it is not God or a machine that makes a work of art, but an individual with his instincts and intuitions, with his sensibility and his mind, searching relentlessly for the perfection that is neither in mind nor in nature, but in the unknown. I do not mean this in an other-worldly sense, only that the form of the flower is unknown to the seed.
Herbert Read