Paint Quotes - page 18
As I was painting today, some thoughts came to me and I want to write them down for people I love. I know that I shall not live very long. But I wonder, is that sad? Is a celebration more beautiful because it lasts longer? And my life is a celebration, a short, intense celebration. My powers of perception are becoming finer.... with almost every breeze I take, I get a new sense and understanding of the linden tree, of ripened wheat, of hay... I suck everything up into me. And if only now love would blossom for me, before I depart; and if I can paint three good pictures, then I shall go gladly, with flowers in my hair..
Paula Modersohn-Becker
Every so often, every artist feels: 'I'll never paint again. The muse has gone out the window.' In 1985 I hardly painted at all for three months, and it was agonizing. I looked at reproductions. I stared at Matisse. I stared at the Old Masters. I stared at the Quattrocento. And I thought to myself - Don't push it! If you try too hard to get at something, you almost push it away.
Helen Frankenthaler
Older children always sit down to paint or write after they have seen a picture or read a story that appeals to them, and attempt to create. So life ought to be a struggle of desire towards adventures whose nobility will fertilise the soul and lead to the conception of new, glorious things. To avoid the ordeal of emotion that leads to the conception is the impulse of death. Sterility is the deadly sin. Today so many of our activities are sterile. Our upper classes are impotent by reason of their soft living. Our lower classes have had their vitality sweated out of them by their filthy labours: they can only bear dead things.
Rebecca West
One could go on forever as to whether the paint should be thick or thin, whether to paint the woman or the square, hard-edge or soft, but after a while such questions become a bore. They are merely problems in aesthetics, having only to do with the outer man. But the painting I have in mind, painting in which inner and outer are inseparable, transcends technique, transcends subjects and moves into the realm of the inevitable.
Lee Krasner
![In 1946 what I call my 'Little Image' began breaking through this [former] gray matter of mine. I felt fantastic relief that something was beginning to happen after all this time when there was nothing, nothing, nothing... The canvas is down on a floor or table and I am working out of a tiny can. In other words, I have to hold the paint so I can move it. But I wouldn't have been using Duco [industrial paint, like Willem de Kooning did]. My paint would always have been oil and I could get the consistency of a thick pouring quality in it by squeezing it into a can and cutting it with turp [turpetine] – the way I use paint today... The only thing I can say with absolute assurance is that my 'Little Image' work starts about 1946 and ends in 1949. (Lee Krasner)](https://cdn.quotesdtb.com/img/quotes_images_webp/17/lee-krasner-absolute-assurance-448417.webp)
The better artists are original and obdurate; they're the gravel in the pea soup. ln Jackson Pollock's painting the particularity, the immediacy, is the dripped paint, which remains dripped paint as a phenomenon, for all the beauty of the small shapes it makes it makes. The generality is in the scale or proportion and in the large shapes. It's in the appearance of chaos. The gesture or the motion shown in the application of the paint varies from painting to painting from the particular to a middling generality. The size and the color generally occur in the middle between particularity and generality. At the same time as Pollock and since, almost all first-rate art has been based on an immediate phenomenon, for example the work of Dan Flavin and Larry Bell.
Donald Judd
I am not interested in the kind of expression that you have when you paint a painting with brush strokes. It's all right, but it's already done and I want to do something new. I didn't want to get into something which is played out and narrow. I want to do as I like, invent my own interests. Of course, that doesn't mean that people who, like Newman, still paint are worn out. But I think that's a particular kind of experience involving a certain immediacy between you and the canvass, you and the particular kind of experience of that particular moment. I think what I'm trying to deal with is something more long range than that in a way, more obscure perhaps, more involved with things that happen over a longer time perhaps. At least it's another area of experience.
Donald Judd
My name is Mrs. Smith, I've made apples out of bread and dripping, a bit of green paint, and corrugated iron." "No, these are horrible apples, Mrs. Smith. Go away, Mrs. Smith! Go away until your daughter has a baby." "Shag, daughter, shag! It's a marketing idea, shag for babies! [mimes running back] My daughter's had a baby, I'm Granny Smith now!" "Come in, Granny Smith! You wonderful idea, you! Come in with your shiny apples.
Eddie Izzard
Ugly. Is irrelevant. It is an immeasurable insult to a woman, and then supposedly the worst crime you can commit as a woman. But ugly, as beautiful, is an illusion. A matter of taste, a whim, an eye, a beholder, an opinion, a spin, light crossing the frame, paint, projection. The moment. Context.
Margaret Cho
![My first lesson in relativity:.. we had a still life set-up to paint. Suddenly I saw that the pitcher was so big [his hands outside the shape of a pitcher, then close in] and the glass was so big. From that time on everything was all right. [Tobey is remembering his Saturday morning painting class]. (Mark Tobey)](https://cdn.quotesdtb.com/img/quotes_images_webp/95/mark-tobey-big-class-324295.webp)
