Tradition Quotes - page 43
The leaders of this movement [The Religious Right in the United States], while accepting the biblical doctrine regarding the radical corruption of human nature by sin, in effect exempt themselves as "born-again Christians" from its operation. They identify their own cause unconditionally with the cause of God, regard their critics as agents of Satan, and are apparently prepared to see the human race obliterated in an apocalyptic catastrophe in which the nuclear arsenal of the United States is the instrument of Jesus for the fulfillment of his purpose against the Soviet Union as the citadel of evil. This confusion of a particular and fallible set of political and moral judgements with the cause of Jesus Christ is more dangerous than the open rejection of the claim of Christ in Islam [....] The "Religious Right" uses the name of Jesus to cover the absolute claims of one national tradition.
Lesslie Newbigin
[T]he 1919 uprising is memorialized in the North without a public holiday as an example of how badly things go when a nation lacks a parental leader. This doesn't stop propaganda from claiming the protests originated under the influence of Kim Hyŏng-jik, the father of Kim Il Sung, who himself impressed everyone at the age of six by ... but never mind. The Blue House is unlikely to quibble with this version of history on the day itself. With these meshing tendencies and measures the ruling camp evidently hopes to bond with the Kim regime over a shared anti-Japanese tradition, to present today's ROK and DPRK as branches of the same Shanghai tree, put nationalism above liberal-democratic principles, and minimize opposition to all these things. No less obvious is the larger goal.
Brian Reynolds Myers
Today we hear a great deal about Organizational Men, Mass Culture, Conformity, the Lonely Crowd, the Power Elite and its Conspiracy of Mediocrity. We forget that the very volume of this criticism is an indication that our society is still radically pluralistic. Not only are there plenty of exceptionalists who take exception to the stereotyping of the mass culture - but that very string of epithets comes from a series of books that have been recent best-sellers, symptoms of a popular, living tradition of dissent from things as they are.
Kenneth Rexroth
I chose to rewrite it in poetry because the original Ramayana was in poetry- the fact is, it's sort of been corrupted into prose. In its original form it was an epic poem rather like the Iliad or works of that sort. Rather than traditional poetry, it was a verse novel, without a traditional structure. What I most wanted to do was to preserve the essential musicality of the lines. Especially as the Ramayana like so many stories, was based on a fundamentally oral tradition.
Daljit Nagra
Tradition is not, as post-modernists maintain, a library or museum the artist plunders. It is the endless conversation between the living and the dead. Young artists enter into this conversation passionately - not merely intellectually, though study and analysis play a part. They live and breathe it. Tradition is not a public building. It is a love affair.
Dana Gioia
The great and present danger to American literature is the growing homogeneity of our writers, especially the younger generation. Often raised in several places in no specific cultural or religious community, educated with no deep connection to a region, history, or tradition, and now employed mostly in academia, the American writer is becoming as standardized as the American car--functional, streamlined, and increasingly interchangeable.
Dana Gioia
"The schism between Christianity and the arts has had two profound consequences, two vast impoverishments--one for the arts world, the other for the Church. First, for the arts world, the loss of a transcendent religious vision, a refined and rigorous sense of the sacred, the breaking and discarding of the two thousand years of Christian mythos, symbolism, and tradition has left contemporary American art spiritually diminished. The shallow novelty, the low-cost nihilism, and the vague and sentimental spiritual pretensions of so much contemporary art-in every medium-are the legacy of this schism, as well as the cynicism that pervades the arts world” (26).
Dana Gioia
