Tears Quotes - page 50
Punk (to a fan) :"Sir, you pay your ticket, you wanna boo - that's fine, but I dare you, I dare you to step in between these ropes, and you will never boo again, because I will render you a toothless, crying heap of a man. I am pissed off, and I wanna fight! So if you have the BALLS[censored], I dare you fatso, to step up, be a man, and fight CM Punk! Come on, son, come on! C'mon, c'mon, c'mon. I will render you to tears! C'mon, be a man, or sit down and be a bitch [censored] and shut your mouth"
Phil Brooks
Curzon told the Asiatic Society of Bengal: If there be any one who says to me that there is no duty devolving upon a Christian Government to preserve the monuments of a pagan art, or the sanctuaries of an alien faith, I cannot pause to argue with such a man. Art and beauty, and the reverence that is owing to all that has evoked human genius or has inspired human faith, are independent of creeds, and, in so far as they touch the sphere of religion, are embraced by the common religion of all mankind.... There is no principle of artistic discrimination between the mausoleum of the despot and the sepulchre of the saint. What is beautiful, what is historic, what tears the mask off the face of the past, and helps us to read its riddles, and to look it in the eyes-these, and not the dogmas of a combative theology, are the principle criteria to which we must look.52.
George Curzon, 1st Marquess Curzon of Kedleston
Taft was cheerful, friendly, a typical hail-fellow-well-met with an infectious chuckle. Always popular, he had many friends but, surprisingly, few intimates. "One of the astonishing things about Taft's four years in the White House," wrote biographer Henry F. Pringle, "was the almost total lack of men, related or otherwise, upon whom he could lean... For the most part he faced his troubles alone." He was not happy as President. The break with his predecessor and former mentor, Theodore Roosevelt, weighed heavily on his mind; he was often irritable, depressed, at least once in tears. He regained his good spirits in retirement and as chief justice.
William Howard Taft
In the middle of Tom Cruise's speech, there's this sudden, dramatic pull-in to his face, and there's tears in his eyes, and he says, "we live in a cynical world," and that's when my brother went, "FUCK YOU!" at the top of his... oh, my God. That was... it was such a horrible, rude thing to yell, and I was laughing so hard. I could not get the air in to make the sound of laughter. People ask me, "what is your favorite comedy of all time?" Jerry Maguire, when my brother yells, "fuck you!" at Tom Cruise. It is a 90-minute setup to one punchline. It's like not jerking off for ten years, and then painting the garage! Oh, my God, I'm seeing dead kings!
Patton Oswalt
The cookery programmes that everybody watches are ridiculous, and so are the house programmes. You know you do not need a fish tank in the atrium you haven't got. And people now, feel under pressure to perform in their lives. Who has the time though? Who really has the time to skin the baby rabbit and dip it in the duck's tears and nail it to the garden roof and get to work with the blow torch so it has just the right texture to match the squash you made that morning using just your elbows. Who has the time? Nobody lives like this! We go around thinking that everybody else does, you know? Because what happens is you come in from work, and you think... maybe at most, if you're getting very adventurous, you will think "TONIGHT, we will eat something that has two colours in it!" BUT YOU DON'T! You end up sitting in front of the television, watching these programmes, eating bread from the bag, dipping it in anything runnier than bread, because there's isn't time for this horse shit!
Dylan Moran
Once the curtain is raised, the actor ceases to belong to himself. He belongs to his character, to his author, to his public. He must do the impossible to identify himself with the first, not to betray the second, and not to disappoint the third. And to this end the actor must forget his personality and throw aside his joys and sorrows. He must present the public with the reality of a being who for him is only a fiction. With his own eyes, he must shed the tears of the other. With his own voice, he must groan the anguish of the other. His own heart beats as if it would burst, for it is the other's heart that beats in his heart. And when he retires from a tragic or dramatic scene, if he has properly rendered his character, he must be panting and exhausted.
Sarah Bernhardt
How strong were the feelings surging in my heart may be seen in a brief extract from an article published second week of January, 1885: "Christian charity? We know its work. It gives a hundred-weight of coal and five pounds of beef once a year to a family whose head could earn a hundred such doles if Christian justice allowed him fair wage for the work he performs. It plunders the workers of the wealth they make, and then flings back at them a thousandth part of their own product as 'charity.' It builds hospitals for the poor whom it has poisoned in filthy courts and alleys, and workhouses for the worn-out creatures from whom it has wrung every energy, every hope, every joy. Miss Cobbe summons us to admire Christian civilisation, and we see idlers flaunting in the robes woven by the toilers, a glittering tinselled super-structure founded on the tears, the strugglings, the grey, hopeless misery of the poor." Chapter XIII Socialism.
Annie Besant