European Quotes - page 19
And therefore we can see just how constructive this Spinozian difference is, just how constructive this negativity really is! The organic interweaving of these two motifs is fundamental in the history of European philosophy. Spinoza is the first to mold this logical mechanism that bourgeois philosophy would constantly and continually try to abrogate during its subsequent development. In Kantianism, as in classical idealism, Spinoza continually remains the object of opposition and polemic: What is destroyed is precisely the intersection between the negation of the ideology and the construction of the world, the inherence of the limit, of the materiality, to the infinite.
Baruch Spinoza
Disarmament conference. Many times I have expressed my desire to see the work of the Washington Conference on Limitation of Armaments appropriately supplemented by further agreements for a further reduction M for the purpose of diminishing the menace and waste of the competition in preparing instruments of international war. It has been and is my expectation that we might hopefully approach other great powers for further conference on this subject as soon as the carrying out of the present reparation plan as the established and settled policy of Europe has created a favorable opportunity. But on account of proposals which have already been made by other governments for a European conference, it will be necessary to wait to see what the outcome of their actions may be. I should not wish to propose or have representatives attend a conference which would contemplate commitments opposed to the freedom of action we desire to maintain unimpaired with respect to our purely domestic policies.
Calvin Coolidge
We want to take into account the latest debates on the so-called Welfare State, to be found in the documents of the United Nations and of the European Union, in order to avoid sterile imitations and the most common dysfunction's of this model: very high social expenditure, heavy-handed State control and an excessive bureaucracy, lack of efficiency in the distribution of resources, an excessive protectionism that engenders the dependency of the citizens, and the demobilization of social initiatives.
Marc Forné Molné
As an artistic style, mannerism conformed to a divided outlook on life which was, nevertheless, spread uniformly all over Western Europe; the baroque is the expression of an intrinsically more homogeneous worldview, but one which assumes a variety of shapes in the different European countries. Mannerism, like Gothic, was a universal European phenomenon, even if it was restricted to much narrower circles than the Christian art of the Middle Ages; the baroque, on the other hand, embraces so many ramifications of artistic endeavour, appears in so many different forms in the individual countries and spheres of cultures, that it seems doubtful at first sight whether it is possible to reduce them all to a common denominator.
Arnold Hauser
Rousseau's ideas were in the air; he only expressed what many of his contemporaries knew, namely that they were faced with a choice and had to decide either for Voltairianism, with its reasonableness and respectability, or for the surrender of historical traditions and a completely new beginning. There is no personal relationship in the whole history of European culture with more profound symbolic significance than that between Voltaire and Rousseau.
Arnold Hauser
Intellectual leadership in the eighteenth century passes from France to economically, socially and politically more progressive England. The great romantic movement starts here about the middle of the century, but the enlightenment also receives its decisive impulse from this country. The French writers of the period see in English institutions the quintessence of progress and build up a legend around English liberalism-a legend which only partly corresponds to reality. The displacement of France as the upholder of culture by England proceeds hand in hand with the decadence of the French royal house as the leading European power and, hence, the eighteenth century sees the ascent of England both in politics and in the arts and sciences.
Arnold Hauser
The mania for self-observation and self-admiration in literature and the view that a work is the more true and the more convincing, the more directly the author reveals himself in it, are part of the intellectual inheritance of Rousseau. In the next hundred to hundred and fifty years everything of importance in European literature is stamped with this subjectivism. Not only Werther, René, Obermann, Adolphe, Jacopo Ortis, are among the successors of Saint-Preux, but also the heroes in later novels- from Balzac's Lucien de Rubempré, Stendhal's Julien Sorel, Flaubert's Frédéric Moreau and Emma Bovary to Tolstoy's Pierre, Proust's Marcel and Thomas Mann's Hans Castorp-are derived from it. They all suffer from the discrepancy between dream and reality and are the victim of the conflict between their illusions and practical, commonplace, middle-class life.
Arnold Hauser
The convention by which the great events in biblical or secular history could be enacted only by magnificent physical specimens, handsome and well-groomed, went on for a long time - till the middle of the nineteenth century. Only a very few artists - perhaps only Rembrandt and Caravaggio in the first rank - were independent enough to stand against it. And I think that this convention, which was an element in the so-called grand manner, became a deadening influence on the European mind. It deadened our sense of truth, even our sense of moral responsibility.
Kenneth Clark
We are freeing ourselves of the impediments of memory, association, nostalgia, legend, myth, or what have you, that have been the devices of western European painting. Instead of making 'cathedrals' out of Christ, man, or 'life', we are making it out of ourselves, out of our own feelings..
Barnett Newman
You are always related [as an artist] to something. I'm related to the more geometric, or simpler, painting, but the motivation doesn't have anything to do with that kind of European geometric painting. I think the obvious comparison with my work would be Vasarely, and I can't think of anything I like less.. ..the 'Groupe de recherché d'Art visuel' actually painted all the patterns before I did – all the basic designs that are in my painting – I didn't even know about it.. ..it still doesn't have anything to do with my painting. I find all that European geometric painting – sort of post Ma Bill school – a kind of curiosity, very dreary.
Frank Stella
Ken Noland has put things in the center [of the painting] and I'll use a symmetric pattern, but we use symmetry in a different way. It's non-relational. In the newer American painting [in contrast to European geometric art] we strive to get the thing in the middle, and symmetrical, but just to get a kind of force, just to get the thing on the canvas. The balance factor isn't important.
Frank Stella
I accept the fact that the important painting of the last hundred years was done in France. American painters have generally missed the point of modern painting from beginning to end... Thus the fact that good European moderns [European artists who lived in the U. S. because of the Nazi-regime] are now here is very important, for they bring with them an understanding of the problems of modern painting. I am particularly impressed with their concept of the source of art being the unconscious. These idea interests me more than these specific artists do, for the two artists I admire most, Picasso and Joan Miró, are still abroad.
Jackson Pollock
The rulers of western Africa prior to the European empires were not running some kind of scout camp. They were engaged in the slave trade. They showed zero sign of developing the country's economic resources. Did Senegal ultimately benefit from French rule? Yes, it's clear. And the counterfactual idea that somehow the indigenous rulers would have been more successful in economic development doesn't have any credibility at all.
Niall Ferguson
European centrists are deeply confused about immigration. Many, especially on the centre-left, want to have both open borders and welfare states. But the evidence suggests that it is hard to be Denmark with a multicultural society. The lack of social solidarity makes high levels of taxation and redistribution unsustainable.
Niall Ferguson
Increasingly, I believe that the issue of migration will be seen by future historians as the fatal solvent of the EU. In their accounts Brexit will appear as merely an early symptom of the crisis. Their argument will be that a massive Völkerwanderung overwhelmed the project for European integration, exposing the weakness of the EU as an institution and driving voters back to national politics for solutions.
Niall Ferguson
Whoever has approved this idea of order, of the form of European, of English literature, will not find it preposterous that the past should be altered by the present as much as the present is directed by the past. And the poet who is aware of this will be aware of great difficulties and responsibilities.
T. S. Eliot
How would the world respond if a European prime minister called for the mass deportation of all Turks? Yet Erdogan's xenophobic demagoguery attracted precisely no condemnation from Washington or Brussels. He probably overestimated the number of "tolerated" economic refugees from neighboring and former Soviet Armenia, but is it not interesting that he keeps a count in his head? And a count of the tiny number of surviving Turkish Armenians as well? The outburst strengthens the already strong case for considering Erdogan to be somewhat personally unhinged.
Recep Tayyip Erdoğan
