Scene Quotes - page 52
There were a lot of utopias in the nineteenth century, wonderful societies that we might possibly construct. Those went pretty much out of fashion after World War I. And almost immediately one of the utopias that people were trying to construct, namely the Soviet Union, threw out a writer called Zamyatin who wrote a seminal book called We, which contains the seeds of Orwell and Huxley. Writers started doing dystopias after we saw the effects of trying to build utopias that required, unfortunately, the elimination of a lot of people before you could get to the perfect point, which never arrived. ... I don't believe in a perfect world. I don't believe it's achievable, and I believe the people who try to achieve it usually end up turning it into something like Cambodia or something very similar because purity tests set in. Are you ideologically pure enough to be allowed to live? Well, it turns out that very few people are, so you end up with a big powerful struggle and a mass killing scene.
Margaret Atwood
A landscape of uncommon merit has been painted lately by Mr. Gainsborough. It is a picturesque scene, and although limited in extent of country is beautifully romantic. It contains a rustic history that cannot fail to impart delight to every beholder. Three peasant children are introduced; one of them, a young girl, has an infant brother in her arms; the other, a little boy of about six years, appears to have been engaged in the task of collecting the broken branches of trees for fire-wood; he is resting on a bank in conversation with his sister. A pastoral innocence and native sensibility give inexpressible beauty to these charming little objects. They cannot be viewed without the sensations of tenderness and pleasure, and an interest for their humble fate.
Thomas Gainsborough
It's so rare to find a movie that doesn't take sides. Conflict is said to be the basis of popular fiction, and yet here is a film that seizes us with its first scene and never lets go, and we feel sympathy all the way through for everyone in it. To be sure, they sometimes do bad things, but the movie understands them and their flaws. Like great fiction, House of Sand and Fog sees into the hearts of its characters, and loves and pities them. ... "House of Sand and Fog" relates not a plot with its contrived ups and downs but a story. A plot is about things that happen. A story is about people who behave.
To admire a story you must be willing to listen to the people and observe them, and at the end of House of Sand and Fog, we have seen good people with good intentions who have their lives destroyed because they had the bad luck to come across a weak person with shabby desires.
Roger Ebert
He talks in a soft voice with a country accent, almost a pure country accent, only crackling and rasping and cheese-grated over the two-foot hookup, talking about -
"-there's been no creativity," he is saying, "and I think my value has been to help create the next step. I don't think there will be any movement off the drug scene until there is something else to move to -"
- all in a plain country accent about something - well, to be frank, I didn't know what in the hell it was all about. Sometimes he spoke cryptically, in aphorisms. I told him I had heard he didn't intend to do any more writing. Why? I said.
"I'd rather be a lightning rod than a seismograph," he said.
He talked about something called the Acid Test and forms of expression in which there would be no separation between himself and the audience. It would be all one experience, with all the senses opened wide, words, music, lights, sounds, touch -
lightning.
Tom Wolfe
I'm a little nervous about saying anything about "the Artist" because it kind of sticks him right between the eyes, but he deserves it. Warhol really fucked up a great many people's - young people's - lives. My introduction to heavy drugs came through the Factory. I liked the introduction to drugs I received. I was a good target for the scene; I blossomed into a healthy young drug addict.
Edie Sedgwick
...What's different on TV and film is that you get to grow into it even in the scene. Because you do various takes and you start with one idea, and you work on it – but the one thing that you never know is how it's going to affect that other person's energy. It's been very organic for the both of us in terms of how the dynamic between the two characters has developed.
Lauren Vélez
Even when I'm in a scene I don't think of myself as being in the scene. I'm very conscious of myself being an outsider. I think that has to do with my upbringing outside of the US – not just my heritage but that I grew up differently. I moved to a different country every year or every other year...a lot of different places due to my father's occupation.
Mitski
If you don't fund the State Department fully, then I need to buy more ammunition, ultimately. So I think it's a cost-benefit ratio. The more that we put into the State Department's diplomacy, hopefully the less we have to put into a military budget as we deal with the outcome of an apparent American withdrawal from the international scene.
James Mattis
There is a new song, too complex to get all of first time around. It could come only out of the ferment that characterizes today's pop music scene. Brian Wilson, leader of the famous Beach Boys, and one of today's most important musicians, sings his own 'Surf's Up.'
Poetic, beautiful even in its obscurity, 'Surf's Up' is one aspect of new things happening in pop music today. As such, it is a symbol of the change many of these young musicians see in our future.
Brian Wilson
The more I saw, the more I admired the Master's genius - his uncanny ability, through the magic of his brush to depict mood, emotion and atmosphere and to encapsulate the whole story in the selected scene. I felt even then that a state of the art folio on his works needed to be brought out. Only, I never imagined that it was I who would eventually be doing it.
Raja Ravi Varma
These great 'Waves' – the one in Berlin ['The Wave' (La Vague), 1869] is prodigious, one of the marvels of the century, far more swollen and palpitating than this one [the painting 'Stormy Sea', Cézanne saw in the Louvre]; a muddier green and a dirtier orange [in 'The Wave' of Berlin] – a tangle of flying spray, a tide drawn from depths of eternity, a ragged sky, the livid sharpness of the whole scene. It seems to hit you full in the chest, you stagger back, the whole room reeks of sea-spray.
Gustave Courbet
Without doubt the most dangerous devices for active defense among the Dinosauria emerged in Triceratops. The scene has been portrayed in paintings, drawings, and illustrations hundreds of times, but it remains thrilling. Tyrannosaurus, the greatest dinosaur toreador, confronts Triceratops, the greatest set of dinosaur horns. No matchup between predator and prey has ever been more dramatic. It's somehow fitting that those two massive antagonists lived out their co-evolutionary belligerence through the very last days of the very last epoch in the Age of Dinosaurs. Tyrannosaurus stood over twenty feet tall when fully erect, and a large adult was as heavy as a small elephant - five tons. No predatory dinosaur, no predatory land animal of any sort, had more powerful jaws. Withstanding a Tyrannosaurus's attack required either tanklike armor – the approach taken by Ankylosaurus – or most powerful defensive weapons - the approach taken by Triceratops.
Robert T. Bakker
We're not really the authors of our work: we're channels, tuning into another frequency, another dimension, and bringing that information down into the physical world, where - using the tools, the talents and perspectives that are uniquely ours - we transcribe and embellish that information, transforming it into that wonderful creature called a Story.
In the end, it doesn't matter whether the transmission is instant or unfolds slowly, it's the opening up that's so magical. That moment of realizing that you're connected to something so much bigger than yourself. I remember, years ago, when I was just beginning work on Moonshadow, standing in the shower - mouth open, eyes glazed, still as a statue - watching the ending of the series play out on the movie screen of my psyche. Make no mistake: I didn't create the scene, I just witnessed and transcribed it.
J. M. DeMatteis
A writer is always so conflicted about their work, so it was liberating to be able to be in this space of my words, without being judgmental or changing anything. I vividly remembered the ideas that I had, where I was when I had them, how I imagined this moment of holding this book, I was emotionally connected to it. I reflected on the story of my arrival, and then my time as a young woman. I cried during the scene of my rape, and I found myself rooting for my character as I read on! I laugh about it now because I am the character, she is me! The process of narrating completely transformed my relationship to the memoir, even after I never imagined that it would.
Maria Hinojosa
The world is a scene changing so rapidly that it takes every bit of intuitive ability you have, every brain cell each one of you has, to make the sensible decision about what to do next. You cannot rely upon what you have been taught. All you have learned from history is old ways of making mistakes. There is nothing that history can tell you about what we must do tomorrow. Only what we must not do.
Edwin H. Land
As I visualize it, the business of the future will be a scientific, social and economic unit. It will be vigorously creative in pure science where its contributions will compare with those of the universities... the machinist will be proud of and informed about the company's scientific advances; the scientist will enjoy the reduction to practice of his basic perceptions. ... year by year our national scene would change in the way, I think, all Americans dream of. Each individual will be a member of a group small enough so that he feels a full participant in the purpose and activity of the group. His voice will be heard and his individuality recognized.
Edwin H. Land
