Sight Quotes - page 24
The sun was almost down on the mountain tops, and the shadows of the whole group fell upon the snow. I saw the Count lying within the box upon the earth, some of which the rude falling from the cart had scattered over him. He was deathly pale, just like a waxen image, and the red eyes glared with the horrible vindictive look which I knew so well. As I looked, the eyes saw the sinking sun, and the look of hate in them turned to triumph. But, on the instant, came the sweep and flash of Jonathan's great knife. I shrieked as I saw it shear through the throat. Whilst at the same moment Mr. Morris's bowie knife plunged into the heart. It was like a miracle, but before our very eyes, and almost in the drawing of a breath, the whole body crumbled into dust and passed from our sight. I shall be glad as long as I live that even in that moment of final dissolution, there was in the face a look of peace, such as I never could have imagined might have rested there.
Bram Stoker
We spent Friday evening with our friends at the boarding-house, and our curiosity was gratified by the sight of their fellow-inmates, Mrs. Drew and Miss Hook, Mr. Wynne and Mr. Fitzhugh; the latter is brother to Mrs. Lance, and very much the gentleman. He has lived in that house more than twenty years, and poor man, is so totally deaf that they say he could not hear a cannon, were it fired close to him; having no cannon at hand to make the experiment, I took it for granted, and talked to him a little with my fingers, which was funny enough.
Jane Austen
As an artistic style, mannerism conformed to a divided outlook on life which was, nevertheless, spread uniformly all over Western Europe; the baroque is the expression of an intrinsically more homogeneous worldview, but one which assumes a variety of shapes in the different European countries. Mannerism, like Gothic, was a universal European phenomenon, even if it was restricted to much narrower circles than the Christian art of the Middle Ages; the baroque, on the other hand, embraces so many ramifications of artistic endeavour, appears in so many different forms in the individual countries and spheres of cultures, that it seems doubtful at first sight whether it is possible to reduce them all to a common denominator.
Arnold Hauser
In heav'n, the saint nor pity feels, nor care,
For those thus sentenced - pity might disturb
The delicate sense and most divine repose
Of spiritus angelical
Blessed be God,
The measure of his judgments is not fixed
By man's erroneous standard. He discerns
No such inordinate difference and vast
Betwixt the sinner and the saint, to doom
Such disproportion'd fates.
Compared with him,
No man on earth is holy called: they best
Stand in his sight approved, who at his feet
Their little crowns of virtue cast, and yield,
To him of his own works the praise, his due.
Charles Lamb
Painting is the most beautiful of all arts. In it, all sensations are condensed, at its aspect everyone may create romance at the will of his imagination, and at a glance have his soul invaded by the most profound memories, no efforts of memory, everything summed up in one moment. Complete art which sums up all the others and completes them. Like music, it acts on the soul through the intermediary of the senses, the harmonious tones corresponding to the harmonies of sounds, but in painting, a unity is obtained which is not possible in music, where the accords follow one another, and the judgement experiences a continuous fatigue if one wants to reunite the end and the beginning. In the main, the ear is an inferior sense to the eye. The hearing can only grasp a single sound at one time, whereas the sight takes in everything and at the same time simplifies at its will.
Paul Gauguin