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Manner Quotes - page 41 - Quotesdtb.com
Manner Quotes - page 41
England, as I persuade myself, still contains in it many kings; possesses, as old Rome did, many men not needing "election" to command, but eternally elected for it by the Maker Himself. England's one hope is in these, just now. They are among the silent, I believe; mostly far away from platforms and public palaverings; not speaking forth the image of their nobleness in transitory words, but imprinting it, each on his own little section of the world, in silent facts, in modest valiant actions, that will endure forevermore. They must sit silent no longer. They are summoned to assert themselves; to act forth, and articulately vindicate, in the teeth of howling multitudes, of a world too justly maddened into all manner of delirious clamors, what of wisdom they derive from God.
Thomas Carlyle
Ascetic rigor? This doesn't mean something like ‘renounce' or even a ‘lack' of something. No, it means, in philosophical manner (and especially in the historic Greek sense of ‘Askesis'), a special kind of internal yearning, a special power wherein, despite all depressions, defeats, and failures you develop a new power to ‘keep' to something, to create something. It's something like an obsession. Bach, Mozart, Schubert, they all (and their oeuvre) are filled from this phenomenon, and it's this spirit which keeps this music so vivid and alive – and fashioned for all times and generations.
Burkard Schliessmann
As we all know, the singularity in the art of Bach is the fusion of both levels and lines, the horizontal and vertical line. It's a real wonder to see that the creation and forming of the horizontal line, the polyphonic structure, also results in this perfect, beautiful vertical line, the harmonic line. As we also know, Bach already used the full harmonic range and radius as no composer before him. My artistic aim of course is to point out the horizontal line in soloistic manner in a dynamically elastic way, but in the same breath to form the harmonic line in a bright field of color (I would call it "harmonic articulation”), to achieve a particular atmosphere of emotions and moods, drama, velocity, vividness, and so on. As we can imagine, these are high demands ...
Burkard Schliessmann