Structure Quotes - page 35
There are heroes in education, as there have always been heroes, trying to transcend the limits of the old structure; but their efforts are too often thwarted by peers, administrators, parents. Mario Fantini, former Ford consultant on education, now at the State University of New York, said bluntly, The psychology of becoming has to be smuggled into the schools.
Marilyn Ferguson
The imperative of plasticity requires that advances in productive or destructive powers be achieved through the subversion of fixed plans of social division and hierarchy and of stark contrasts between task setting and task following. All possible combinations have to be tried out, as quickly and as freely as possible. The only structure that can be allowed to subsist is one that offers the fewest obstacles to this principle of pitiless recombination.
Roberto Mangabeira Unger
It may seem strange that there can be a structure for breaking all structures and that it can have a precise, limited form, and be built to particular specifications. Yet we have two major examples of such a structure in our experience. One is the mind as imagination. The other is society, progressively recast on the model of the imaginationː organized to shorten the distance between our context-preserving and context-transforming activities and to diminish the dependence of transformation on crisis.
Roberto Mangabeira Unger
By the structure of society, I mean the institutional and ideological presuppositions that shape the routine practices, conflicts, and transactions in that society, and that are largely taken for granted, even to the point of being invisible, as if they were part of the nature of things. In a free society, this institutional and ideological framework does not present itself as an alien fate beyond the reach of the transformative will and imagination.
Roberto Mangabeira Unger
Openness to the new is the virtue that describes the moral consequence of the doctrine of the relation of spirit to structure. The religion of the future inherits this doctrine from the struggle with the world, and radicalizes it. This virtue acts out the human truth of our relation to the settled contexts of our life and thought. That they are ephemeral and defective, that they cannot accommodate all the experience and insight we have reason to value, that there is always more in us, individually as well as collectively, than is, or ever can be, in them are facts giving us persistent reason to rebel against such structures.
Roberto Mangabeira Unger
To explore the countercurrents of consciousness in a given circumstance-uncertain promises of other futures; to trace the struggle between spirit and structure in every domain of social and cultural life; to show how vision becomes embodied in institutions and practices and, in being embodied, is both undermined and corrected, but in any event transformed; to reveal how we forfeit our freedom to imagine and reconstruct, and then regain it, even against our will; to commandeer alien wisdom the better to criticize the established order and present experience; to give voice to what has lost a voice or not yet gained one; to display in every department of our experience, from the micro to the macro and from passion to calculation, the revolt of the infinite within us against the finite around us-all this is the work of the humanities when they recognize us for what we are and might become.
Roberto Mangabeira Unger
In modern industry the managerial groups in many areas rise to a position more significant than that of the owners or the workers. Decision often rests largely in their hands, providing, of course, they are able to point to a generous measure of financial success in their particular enterprise. Wages to the workers, profits to the owners, prices and goods to the consumers--these are allocated in great measure by the managers of the concern and tolerated on the terms just stated.
The managerial group develops also in other social groups as well as in industry. Labor, agriculture, and professional associations tend to set up a strong structure in which the managerial skills and personalities are very prominent. In the ecclesiastical groupings this form of organization has long been evident, not only in the Catholic church but in other creeds and organizations as well.
Charles Edward Merriam
[Another significant aspect of the concept of growth is the distinction that Mesarovic and Pestel draw between "undifferentiated" and "organic" growth. The former type of growth, according to these authors, consists of mere replication of cells by cellular division, usually expotentially, with an increase in quantity alone. The latter type of growth] involves a process of differentiation, which means that various groups of cells begin to differ in structure and function... During and after differentiation the number of cells can still increase, and the organs grow in size, but while some organs grow, others might celine.
Mihajlo D. Mesarovic
In the course of history the refugee was the first peaceful immigrant. In a social structure offering no place for a stranger, the unfortunate who had" taken the flight and so evaded death and black fate" at the hands of his enemies was sheltered under the sacred law of hospitality, since he came "as a fugative and a suppliant."
Eugene M. Kulischer
The geneticists, if you read their papers, have long been using code words. They sort of dropped the term "race" about 1980 or earlier, and instead you see code words like "population" or "population structure." Now that they're able to define race in genetic terms they tend to use other words, like "continental groups" or "continent of origin," which does, indeed, correspond to the everyday conception of race. When I'm writing I prefer to use the word race because that's the word that everyone understands. It's a word with baggage, but it's not necessarily a malign word.
Nicholas Wade
I don't know who decided on a structure of 36 states, but I say, if we decide to review it, why shouldn't we? Those states, you and I must understand, were mainly punitive creations rather than a need for economic advancement of Nigeria or Nigerians. Let us stop burying our heads in the sand. We have had national emergencies and managed to get out of it. Let us look at each other eyeball to eyeball and decide the type of country that we want to live in. I believe that is essential.
Chukwuemeka Odumegwu Ojukwu
At first, I thought I had found in this second figure [a bronze Orpheus, Zadkine made shortly after his return from New York to Paris, in 1944] the perfect solution, but a surprise awaited me. One day my coal merchant delivered to me, here in my studio, some wood for heating; among these logs I found a rudimentary but completely mysterious wooden figure of a man. He seemed to be walking in great strides, his torso suggested by only two simple boards which, in their structure, were very much like an ancient lyre. I immediately began working on a new 'Orpheus', in which the [music-]instrument had truly become part of the man.
Ossip Zadkine
Ashtadhyayi distinguishes between usage in the spoken language and usage that is proper to the language of the sacred texts. The Ashtadhyayi is generative as well as descriptive. With its complex use of metarules, transformations, and recursions, the grammar in Ashtadhyayi has been likened to the Turing machine, an idealized mathematical model that reduces the logical structure of any computing device to its essentials.
Pāṇini
The grammar of Panini stands supreme among the grammars of the world, alike for its precision of statement, and for its thorough analysis of the roots of the language and of the formative principles of words. By employing an algebraic terminology, it attains a sharp succinctness unrivalled in brevity, but at times enigmatical. It arranges, in logical harmony, the whole phenomena which the Sanskrit language presents, and stands forth as one of the most splendid achievements of human invention and industry. So elaborate is the structure, that doubts have arisen whether its complex rules of formation and phonetic change, its polysyllabic derivatives, its ten conjugations with their multiform aorists and long array of tenses, could ever have been the spoken language of a people.
Pāṇini
Wars always were contests of similar competing powers, and the deepest structure of society remained the same, whether one won or the other. Contests of classes are fights for new principles, and the victory of the rising class transfers the society to a higher stage of development. Hence, compared with real war, the moral forces are of a superior kind: voluntary devoted collaboration instead of blind obedience, faith to ideals instead of fidelity to commanders, love for the class companions, for humanity, instead of patriotism. Their essential practice is not armed violence, not killing, but standing steadfast, enduring, persevering, persuading, organizing; their aim is not to smash the skulls but to open the brains. Sure, armed action will also play a role in the fight of the classes; the armed violence of the masters cannot be overcome in Tolstoian fashion like by patient suffering. It must be beaten down by force; but, by force animated by deep moral conviction.
Antonie Pannekoek
If consumer society is to continue to exist in the manner to which it has become accustomed, it is essential that this latent power be appropriated, tamed and made docile. The ways in which contemporary capitalism undermines women's bodies, from advertising to pornography to the structure of gendered labour and domestic conflict, are not private troubles with no bearing upon the wider world. They are necessary fetters in a superstructure of oppression that has become so fundamental to the experience of femininity that it is effectively invisible. This superstructure is vital to the very survival of the patriarchal capitalist machine. If women on earth woke up tomorrow feeling truly positive and powerful in their own bodies, the economies of the globe would collapse overnight.
Laurie Penny
To achieve the structure it takes a damn long time, so my paintings are always in work for a very long time-sometimes a year. Not that I work on them every day. I will have them, and then come back to them after a year, and also return intermittently. It's not easily done. I am not able to do "one, two, a painting.” I try to do it very quickly, but it doesn't work with me. I simply can't do it. Very often people look and say, 'Ah, fantastic! That's a beautiful painting.'
Per Kirkeby
