Personality Quotes - page 57
...He [Lessing] even felt that the highest compliment he could confer on his friend Moses Mendelssohn, whom he greatly admired, was to call him a "second Spinoza." Mendelssohn, one of the fathers of the modern German enlightenment, was an adherent of Leibnitz. As such he could not be a follower of Spinoza, although he, too, admired his personality. Furthermore, he failed to understand Spinoza, for he could never free himself from Bayle's presentation of Spinoza's doctrine. Nevertheless, this very Mendelssohn, by his controversy with Jacobi about Lessing's relationship to Spinoza, was instrumental in making the latter a potent force in German letters. It is interesting to observe that even those thinkers who dedicated their lives to the cause of anti-Spinozism paid the highest tribute to his personality.
Baruch Spinoza
Once the curtain is raised, the actor ceases to belong to himself. He belongs to his character, to his author, to his public. He must do the impossible to identify himself with the first, not to betray the second, and not to disappoint the third. And to this end the actor must forget his personality and throw aside his joys and sorrows. He must present the public with the reality of a being who for him is only a fiction. With his own eyes, he must shed the tears of the other. With his own voice, he must groan the anguish of the other. His own heart beats as if it would burst, for it is the other's heart that beats in his heart. And when he retires from a tragic or dramatic scene, if he has properly rendered his character, he must be panting and exhausted.
Sarah Bernhardt