Pictures Quotes - page 58
It was because Cézanne could come at reality only through what he saw that he never invented purely abstract forms. Few great artists have depended more on the model. Every picture carried him a little further towards his goal-complete expression; and because it was not the making of pictures but the expression of his sense of the significance of form that he cared about, he lost interest in his work so soon as he had made it express as much as he had grasped. His own pictures were for Cézanne nothing but rungs in a ladder at the top of which would be complete expression. The whole of his later life was a climbing towards an ideal. For him every painting was a means, a step, a stick, a hold, a stepping-stone-something he was ready to discard as soon as it had served his purpose. He had no use for his own pictures. To him they were experiments. He tossed them into bushes, or left them in the open fields to be stumbling-blocks for a future race of luckless critics.
Paul Cézanne
He and I should not in the least agree, of course, in our ideas of novels and heroines. Pictures of perfection, as you know, make me sick and wicked; but there is some very good sense in what he says, and I particularly respect him for wishing to think well of all young ladies; it shows an amiable and a delicate mind. And he deserves better treatment than to be obliged to read any more of my works.
Jane Austen
in East Hampton where Pollock lived .. ..if we [the couple then Helen Frankenthaler and Clement Greenberg arrived in mid-afternoon [for a weekend-stay with the Pollock's] the activity would be going out soberly, everyone, to look at Jackson's new pictures. He always had a very immaculate studio in that barn and would unroll one after another of what he'd been working on and each would walk around it on the floor and occasionally hold a picture up and talk about it. And then, say, if it was a Friday, we'd do the same thing with the same pictures Saturday. And then look again Sunday. And maybe something that didn't look good Friday afternoon had a double take on Sunday.
Jackson Pollock
Many artists, as Vasari likewise observes, have ignorantly imagined they are imitating the manner of Titian when they leave their colours rough, and neglect the detail: but not possessing the principles on which he wrought, they have produced what he calls goffe pitture, absurd, foolish pictures; for such will always be the consequence of affecting dexterity without science, without selection, and without fixed principles.
Titian
It was the habit of Titian to paint pictures for the places they were intended to fill, and in this he fol- lowed the traditions of all the schools. Sketching and laying in the subjects so far as he was able in his workshop at home, he took the canvas to the spot in which it was to hang, and finished it there.
Titian
![..as is also another [painting] of Diana, who, bathing in a fount with her Nymphs, transforms Actaeon into a stag.. ..He also painted Europa passing over the sea on the back of the Bull. All these pictures are in the possession of the Catholic King, held very dear for the vivacity that Tiziano has given to the figures with his colors, making them natural and as if alive. It is true, however, that the method of work which he employed in these last pictures is no little different from the method of his youth, for the reason that the early works are executed with a certain delicacy and a diligence that are incredible, and they can be seen both from near and from a distance, and these last works are executed with bold strokes and dashed off with a broad and even coarse sweep of the brush, insomuch that from near little can be seen, but from a distance they appear perfect. (Titian)](https://cdn.quotesdtb.com/img/quotes_images_webp/55/titian-appear-bathing-bold-1016055.webp)
For millions of American women, reading the news this morning was like stepping into a time machine and going back 50 years, seeing the headlines and the photos of this all-male panel in the House talking about a woman's right to access birth control, and no women on the panel. It turns out the chairman of the House oversight committee decided he was not going to allow a young woman who had been asked by the minority to testify and tell her story--actually of a friend who had lost an ovary because of her lack of contraception coverage. So this 19-year-old woman was left to watch, like the rest of us, as all five men addressed the committee about how they supported efforts to restrict access to care. I am sure by now many of my colleagues here have seen this picture of this all-male panel, the picture that says a thousand words. It is one that most women thought was left behind when pictures only came in black and white.
Sandra Fluke
In a nicely set up little work by Rembrandt of 'John the Baptist preaching', I can remember seeing a wonderful attention in (the faces) of the listeners, in all sorts of positions, this was really praiseworthy. But one could also see how a dog indecently jumps on a bitch. You can say that this happens and is normal, but I say this is an abominable impropriety in this story. But I want to state here that this scene belongs more to a preaching by the dog-like Diogenes than by John the Baptist.. .Pictures like this serve to illustrate the stupidity of the Master and become even more ridiculous as they drift into ever more trivial additions.
Rembrandt
I would never apologize for photographing rocks. Rocks can be very beautiful. But, yes, people have asked why I don't put people into my pictures of the natural scene. I respond, "There are always two people in every picture: the photographer and the viewer.” That usually doesn't go over at all.
Ansel Adams
The magaicians of the 19th century, enthralled by the science of optics, photography and electricity, opened the door to motion pictures and thereby rendered themselves obsolete. Any amateur with a pair of scissors can cut and edit a strip of film in order to make a woman vanish, sever a head, burn a body down to the skeleton and reverse time. Talent went out of style.... People either didn't believe Houdini when he said that his tricks on film were real, or they didn't care. Illusion became big bigness, and the magicians were out of work.
John Leonard (critic)
We were in Cooperstown (NY) a few years ago. Baseball's Hall of Fame Museum was full of visitors on a sunny morning. Among them were Pirates and Tigers players in baseball uniforms, sans spikes. They were to meet in an exhibition game an hour later. Roberto Clemente had a small camera whirring every few minutes. He was taking pictures of the enshrined plaques and other mementos of yesteryear's super stars ... Honus Wagner, Ty Cobb, Christy Mathewson, Tris Speaker, Grover Alexander ... to name a few. A Pittsburgher said to Roberto, "This is where you belong. Some day they will be taking pictures of your shrine here." "Thank you," he replied. "I guess a fellow like me has to die to get voted in by the writers."
Roberto Clemente
We are talking over telephones, as Shakespeare could not talk;
We are riding out in motor-cars where Homer had to walk;
And pictures Dante labored on of mediaeval Hell
The nearest cinematograph paints quicker, and as well. But ye copy, copy always; - and ye marvel when ye find
This new beauty, that new meaning, - while a model stands behind,
Waiting, young and fair as ever, till some singer turn and trace
Something of the deathless wonder of life lived in any place.
Hey, my masters, turn from piddling to the turmoil and the strife!
Cease from sonneting, my brothers; let us fashion songs from life.
James Branch Cabell
The grandest operations, both in nature and in grace, are the most silent and imperceptible. The shallow brook babbles or. its passage, and is heard by every one; but the coming on of the seasons is silent and unseen. The storm rages and alarms; but its fury is soon exhausted, and its effects are partial and soon remedied; but the dew, though gentle and unheard, is immense in quantity, and the very life of large portions of the earth. And these are pictures of the operations of grace in the church and in the soul.
Richard Cecil
They (Extreme) surround themselves with these professional, dickhead, commercial rock and roll guys...when they show up at an airport, their manager runs ahead of them and yells at the people greeting them, 'No video! We want a path straight to the van! We don't want any pictures taken!' Y'know, I'm like, "So what?"
Kurt Cobain
Over at our place, we're sure of just one thing: everybody in the world was once a child. So in planning a new picture, we don't think of grown-ups, and we don't think of children, but just of that fine, clean, unspoiled spot down deep in every one of us that maybe the world has made us forget and that maybe our pictures can help recall.
Walt Disney
But it is quite easy to express the solution in words, thus: the plurality that we perceive is only an appearance; it is not real. Vedantic philosophy, in which this is a fundamental dogma, has sought to clarify it by a number of analogies, one of the most attractive being the many-faceted crystal which, while showing hundreds of little pictures of what is in reality a single existent object, does not really multiply the object...
'You may suddenly come to see, in a flash, the profound rightness of the basic conviction of Vedanta: ... knowledge, feeling and choice are essentially eternal and unchangeable and numerically one in all men, nay in all sentient beings.'
Erwin Schrödinger
Now at least 'artists have the upper hand' in the town (Vitebsk). They get totally engrossed in their disputes about art (between constructivists and suprematists), I am utterly exhausted and 'dream' of 'abroad'.. .After all, there is no more suitable place for artists to be (for me, at least) than at the easel, and I dream of being able to devote myself exclusively to my pictures. Of course, little by little one paints something, but it's not the real thing. (Chagall was director of the Art School of Vitebsk, including many conflicts)
Marc Chagall
