Pictures Quotes - page 57
Chance as a theme and as method. A method of allowing something objective to come into being; a theme for creating a simile (picture) of our survival strategy:
(1) The living method, which not only processes conditions, qualities and events as they chance to happen, but exists solely as that non-static 'process', and in no other way.
(2) Ideological: denial of the planning, the opinion and the world-view whereby social projects, and subsequently 'big pictures', are created. So what I have often seen as a deficiency on my part – the fact that I've never been in a position to 'form a picture' of something – is not incapacity at all but an instinctive effort to get at a more modern truth: one that we are already living out in our lives (life is not what is said but the saying of it, not the picture but the picturing).
Gerhard Richter
A real mezzo soprano has depth and substance. Madonna´s voice is such a basic material that it can go towards many different colours, depending on the meaning of the song. That is also a great skill. It´s like a good photo model whose face would not attract particular attention without makeup but who can look stunning in different pictures with a skillful makeover. Likewise, Madonna likes to change her voice according to the songs.
Madonna (entertainer)
Art is the magic mirror you make to reflect your invisible dreams in visible pictures. You use a glass mirror to see your face: you use works of art to see your soul. But we who are older use neither glass mirrors nor works of art. We have a direct sense of life. When you gain that you will put aside your mirrors and statues, your toys and your dolls.
George Bernard Shaw
I have dwelt on his [Gainsborough's] early works, since picture-dealers.. ..always decry them, and say he never painted a picture fit to be seen till he left Suffolk - men who, place them in the green fields, cannot tell one tree from another. It is true his early works are less artificial and less academical, but they are far truer to nature, to elevated nature. His early pictures exhibit a remarkable variety of form in his trees; his oaks are inimitable; latterly, all his trees assumed one form; for he mistook system for nature.
Thomas Gainsborough
I'm not always good with words. Some people are poets and have a beautiful way of saying things with words. But cinema is its own language. And with it you can say so many things, because you've got time and sequences. You've got dialogue. You've got music. You've got sound effects. You have so many tools. And so you can express a feeling and a thought that can't be conveyed any other way. It's a magical medium.
For me, it's so beautiful to think about these pictures and sounds flowing together in time and in sequence, making something that can be done only through cinema. It's not just words or music - it's a whole range of elements coming together and making something that didn't exist before. It's telling stories. It's devising a world, an experience, that people cannot have unless they see that film.
David Lynch
At Sangh Parivar functions, a picture of Ambedkar is mostly displayed along with pictures of Maharana Pratap, Shivaji, Guru Govind Singh, Hedgewar, Golwalkar and other more obvious Hindutva heroes. During BJP President L.K. Advani's flopped Rath Yatra (car procession) before the 1996 Lok Sabha elections, his car carried just two pictures: of freedom fighter Subhash Chandra Bose and of Dr. Ambedkar.
Bhimrao Ramji Ambedkar
I hate violent images in the movies. Since I think in pictures, it is difficult to get these images out of my memory. I do not want this bad stuff in my memory. Reading about violence does not upset me, it is seeing it. Cartoon violence and car crashes have no effect. The images I want to avoid are realistic depictions of torture and cruelty.
Temple Grandin
Art had a disquieting power of producing social embarrassment; [...] it caused people to make silly remarks and then laugh self-consciously, as if the pictures, which knew better, could hear them. It could not be just ignorance; displays of armor and mummies and natural-history exhibits did not have that effect. [...] If you were with art long enough, [...] you began to get the feeling that it was looking right at you.
Mary McCarthy
Transport of the mails, transport of the human voice, transport of flickering pictures - in this century, as in others, our highest accomplishments still have the single aim of bringing men together. Do our dreamers hold that the invention of writing, of printing, of the sailing ship, degraded the human spirit?
It seems to me that those who complain of man's progress confuse ends with means. True, that man who struggles in the unique hope of material gain will harvest nothing worth while. But how can anyone conceive that the machine is an end? It is a tool. As much a tool as is the plough. The microscope is a tool. What disservice do we do the life of the spirit when we analyze the universe through a tool created by the science of optics, or seek to bring together those who love one another and are parted in space?
Antoine de Saint Exupéry
I was always very outgoing. I have always loved to be in front of the camera, very talkative, very extraverted, like I am now. My little brother is seven and he is exactly the same. People always told me I should be an actress. I still love working in front of the camera, I love taking photographs and I prefer modeling to acting. Acting is something you have to learn over years. I have a background in fashion and still love doing fashion photography. I also love doing nudes. They are an extension of fashion to me. You can see in my pictures that I love to work the camera. That shows in your face.
Tera Patrick
Some girlfriends of mine wanted to pose for Playboy and they asked me to send my pictures in too. I didn't think anything of it -- I was just like, 'Sure, whatever.' I didn't think they would call me back the next day. They were like, 'You have an exotic look and we are interested in shooting you.' I can't explain it but it must have been in the cards or something. I never did pursue anything mainstream. I went and posed for Playboy, then a week later I ended up meeting Suze Randall who shot me for Penthouse and Hustler -- it was just a whirlwind from there. I ended up only being published in Playboy in a foreign edition because it came out in Penthouse at the same time. I think that had I only been published in Playboy, I might have gone down another road.
Tera Patrick
It is sometimes said that this is a pleasure-seeking age. Whether it be a pleasure-seeking age or not, I doubt whether it is a pleasure-finding age. We are supposed to have great advantages in many ways over our predecessors. There is, on the whole, less poverty and more wealth. There are supposed to be more opportunities for enjoyment: there are moving pictures, motor-cars, and many other things which are now considered means of enjoyment and which our ancestors did not possess, but I do not judge from what I read in the newspapers that there is more content. Indeed, we seem to be living in an age of discontent. It seems to be rather on the increase than otherwise and is a subject of general complaint. If so it is worth while considering what it is that makes people happy, what they can do to make themselves happy, and it is from that point of view that I wish to speak on recreation.
Edward Grey, 1st Viscount Grey of Fallodon
Great as was my wonderment [visiting the 8th Impressionist Exhibition, May/June 1886, at 1, rue Laffitte in Paris] it was tenfold increased on discovering that only six of these pictures were painted by the new man, Seurat, whose name was unknown to me; the other five were painted by my old friend Pissarro.. .The pictures were hung low, so I went down on my knees and examined the dotting in the pictures signed Seurat, and the dotting in those that were signed, Pissarro. After a strict examination I was able to detect some differences, and I began to recognize the well-known touch even through this most wild and most wonderful transformation. Yes, owing to a long and intimate acquaintance with Pissarro and his work, I could distinguish between him and Seurat, but to the ordinary visitor their pictures were identical.
Georges Seurat
If Courbet could only paint what he saw, he saw wonderfully, he saw better than anybody else. His eye was a subtle and assured mirror, where the most fleeting sensations, the most delicate nuances became clear. With this exceptional ability to see, came an exceptional ability to render what he saw. Courbet used paint thickly, but without harshness and without roughness: his pictures are as smooth as ice, and shine like enamel. He achieves relief and movement at the same time by using just the right shade; and this shade, put on flat with a palette knife, acquires an extraordinary intensity. I have never seen any richer or more distinguished use of colour, nor one that gains so much with age.
Gustave Courbet
