Design Quotes - page 21
While it is true that we are paying out far more money and maintaining a much stronger Military Establishment than ever before, because of the conditions stated, we have been able to pursue a moderate course. Our people have had all the war, all the taxation, and all the military service that they want. They have therefore wished to emphasize their attachment to our ancient policy of peace. They have insisted upon economy. They have supported the principle of limitation of armaments. They have been able to do this because of their position and their strength in numbers and in resources. We have a tremendous natural power which supplements our arms. We are conscious that no other nation harbors any design to put us in jeopardy.
Calvin Coolidge
It is but natural that such a design should begin with George Washington, for with him begins that which is truly characteristic of America. He represents our independence, our Constitution, our liberty. He formed the highest aspirations that were entertained by any people into the permanent institutions of our Government. He stands as the foremost disciple of ordered liberty, a statesman with an inspired vision who is not outranked by any mortal greatness.
Calvin Coolidge
Always, the rulers of an order, consistent with their own interests and solely of their own design, have employed what to them seemed to be the most optimal and efficient means of maintaining unquestioned social and economic advantage. Clear-cut superiority in things social and economic-by whatever means-has been a scruples-free premise of American ruling class authority from the society's inception to the present. The initial socioeconomic advantage, begotten by chattel slavery, was enforced by undaunted violence and the constant threat of more violence.
Huey P. Newton
John Bell devoted most of his efforts to conceptual and theoretical questions. Would he have liked that I also stress the importance of the technological revolutions that were, and will be, enabled by the conceptual revolutions? I cannot tell, but we know that he started his career in accelerator design, and that he always showed a profound respect for technological achievements. I like to think that he would have loved quantum-jumps-based atomic clocks, as well as entangled qubits.
Alain Aspect
By an express from Major Clark, stationed at Dobbs's Ferry, I find the enemy are encamped right opposite, to the number of between three and four thousand; and the Major adds, from their disposition and search after boats, they design to cross the river. A frigate and two transports or provision-ships passed the chevaux-de-frise night before last.
Nathanael Greene
Look round the world: contemplate the whole and every part of it: You will find it to be nothing but one great machine, subdivided into an infinite number of lesser machines, which again admit of subdivisions, to a degree beyond what human senses and faculties can trace and explain. All these various machines, and even their most minute parts, are adjusted to each other with an accuracy, which ravishes into admiration all men, who have ever contemplated them. The curious adapting of means to ends, throughout all nature, resembles exactly, though it much exceeds, the productions of human contrivance; of human design, thought, wisdom, and intelligence.
David Hume
You need only look around you, replied PHILO, to satisfy yourself with regard to this question. A tree bestows order and organisation on that tree which springs from it, without knowing the order; an animal in the same manner on its offspring; a bird on its nest; and instances of this kind are even more frequent in the world than those of order, which arise from reason and contrivance. To say, that all this order in animals and vegetables proceeds ultimately from design, is begging the question; nor can that great point be ascertained otherwise than by proving, a priori, both that order is, from its nature, inseparably attached to thought; and that it can never of itself, or from original unknown principles, belong to matter.
David Hume
I like a chapter to have design of tone, as well as of form. A chapter should be a perfect cell in the whole book and should be almost able to stand alone. If this is done then the breaks we call chapters are not arbitrary but rather articulations which allow the free movement of the story.
John Steinbeck
There were two problems which had to be faced. One was spatial and the other methodological. In the first case I had to do something about relational painting, i. e. the balancing of the various parts of the painting with and against each other. The obvious answer was symmetry – make it the same all over. The question still remained, though, of how to do this in depth. A symmetrical image or configuration symmetrically placed on a open ground is not balanced out in the illusionistic space. The solution I arrived at, and there are probably quite a few, although I only know of one other, color density, forces illusionistic space out of the painting at constant intervals by using a regulated pattern. The remaining problem was simply to find a method of paint application which followed and complemented the design solution. This was done by using the house painters technique and tools.
Frank Stella
Well I think that my main concern is that there is a market lack of desire for quote-unquote art that people are creating and appreciating. I think because there's a lack of desire for that, which translates to the creation and elevation of art that then thereby lack substance because there's no desire for it, there's no appreciation for it. It self-perpetuates a world in which the hollow, the vapid and the greedy are elevated and revered. That bothers me because art is so important whether it's design, fine art, film, fashion, things that are important to the world. It's what makes me want to wake up in the morning, it drives me.
Davey Havok
When I thought of myself as a writer in the 1960s, I questioned what made me go from the left to the right margin, from one page to another. As I thought of the space I was also thinking about time. Then I thought: ‘Why am I limiting myself to a piece of paper when there's a world out there?' I focused on performance in the early 1970s because the common language of the time was ‘finding oneself.' In a time like that, what else could I do but turn in on myself and then go from me to you? Photography, film, and video were sidesteps–spaces in front of you–whereas I was more interested in the space where you were in the middle. Now I'm involved with peopled spaces–that's design and architecture.
Vito Acconci
Ben Stein: What do think is the possibility that intelligent design might turn out to be the answer to some issues in genetics, or in evolution?
Richard Dawkins: Well, it could come about in the following way: it could be that at some earlier time, somewhere in the universe, a civilization evolved by probably some kind of Darwinian means to a very, very high level of technology, and designed a form of life that they seeded onto, perhaps, this planet. Now that is a possibility, and an intriguing possibility. And I suppose it's possible that you might find evidence for that if you look at the details of our chemistry, molecular biology, you might find a signature of some sort of designer, and that designer could well be a higher intelligence from elsewhere in the universe. But that higher intelligence would itself have had to have come about by some explicable, or ultimately explicable, process. It couldn't have just jumped into existence spontaneously. That's the point.
Richard Dawkins
The absolute morality that the religious person might profess would include what, stoning people for adultery, death for apostasy, punishment for breaking the Sabbath; these are all things which are religiously based absolute moralities. I don't think I want an absolute morality. I think I want a morality that is thought-out, reasoned, argued, discussed-based upon, almost say-intelligent design. Can we not design our society which has the sort of morality, the sort of society we want to live in?
Richard Dawkins
