Design Quotes - page 18
In order to this, I found it absolutely necessary to consider this Subject entirely anew, as if it had never been treated of before; the Principles of the old Perspective being so narrow, and so confined, that they could be of no use in my Design: And I was forced to invent new Terms of Art, those already in use being so peculiarly adapted to the imperfect Notions that have hitherto been had of this Art, that I could make no use of them in explaining those general Principles I intended to establish.
Brook Taylor
It is the greatest injustice done to Mondrian that people who are plastically blind see only decorative design instead of the plastic perfection which characterizes his work. The whole De Stijl group from which Mondrian's art was derived must be considered a protest against such blindness.
Hans Hofmann
He has made contributions to many areas of science; among them are agronomy, anthropology, astronomy, bacteriology, botany, economics, forestry, meteorology, psychology, public health, and-above all-genetics, in which he is recognized as one of the leaders. Out of this varied scientific research and his skill in mathematics, he has evolved systematic principles for the interpretation of empirical data; and he has founded a science of experimental design. On the foundations he has laid down, there has been erected a structure of statistical techniques that are used whenever people attempt to learn about nature from experiment and observation.
Ronald Fisher
So, human beings complain that the world is ill-made, do they? But ill-made for whom? For Man, who, in the immense design of the Universe is no more than an unimportant mould! The probability is that everything in this world which we think is botched or erroneous has its reasons at a totally different level of existence. The mould endures, no doubt, a small amount of suffering, but somewhere there are giants who, huge in stature as in mind, live in a state of semi-divinity. This is Voltaire's answer to the problem of evil. It is not very satisfactory because the mould need never have been created, and, in the eyes of God, it may well be that mere size is of no importance.
André Maurois
Let an ultraintelligent machine be defined as a machine that can far surpass all the intellectual activities of any man however clever. Since the design of machines is one of these intellectual activities, an ultraintelligent machine could design even better machines; there would then unquestionably be an "intelligence explosion", and the intelligence of man would be left far behind. Thus the first ultraintelligent machine is the last invention that man need ever make.
I. J. Good
But a class of structures fraught with much greater evils exist in great abundance throughout the country-namely, those in which the faults of an unscientific design have been so far counteracted by massive strength, good materials, and careful workmanship, that a temporary stability has been produced, but which contain within themselves sources of weakness, obvious to a scientific examination... that must inevitably cause their destruction within a limited number of years.
William John Macquorn Rankine
For in spite of much greater public interest in all aspects of visual culture, including design and architecture, the challenge posed by contemporary art has not evaporated. We have only to recall the headlines for last year's Turner Prize. "Eminence without merit" (The Sunday Telegraph). "Tate trendies blow a raspberry" (Eastern Daily Press), and my favourite, "For 1,000 years art has been one of our great civilising forces. Today, pickled sheep and soiled bed threaten to make barbarians of us all" (The Daily Mail). Are these papers speaking the minds of their readers? I have no delusions. People may be attracted by the spectacle of new buildings, they may enjoy the social experience of visiting a museum, taking in the view, an espresso or glass of wine, purchasing a book or an artist designed t-shirt. Many are delighted to praise the museum, but remain deeply suspicious of the contents.
Nicholas Serota
The ill-success of the projects of misdirected ingenuity has very naturally the effect of driving those men of practical skill, who, though without scientific knowledge, possess prudence and common sense, to the opposite extreme of caution, and of inducing them to avoid all experiments, and to confine themselves to the careful copying of successful existing structures and machines; a course which, although it avoids risk, would, if generally followed, stop the progress of all improvement. A similar course has sometimes... been adopted by men possessed of scientific as well as practical skill: such men having, in certain cases, from deference to popular prejudice, or from a dread of being reputed us theorists, considered it advisable to adopt the worse and customary design for a work in preference to a better but unusual design.
William John Macquorn Rankine
In my search for these values I like to work both realistically and abstractly. In my drawing and painting I turn from one to the other as a necessity or impulse and not because of a preconceived design of action. When drawing what I see I am usually most conscious of the underlying principle of abstract form in human beings and their relationship one to the other. In making my abstract drawings I am most often aware of those human values which dominate the structure and meaning of abstract forms. Sculpture is the fusion of these two attitudes and I like to be free as to the degree of abstraction and realism in carving. The dominant feeling will always be the love of humanity and nature; and the love of sculpture for itself.
Barbara Hepworth
I believe...all the enduring institutions which human societies have attained have been reached, not of the set design and forethought of some group of statesmen, but by that unbidden and unconscious convergence of many thoughts and wills in successive generations to which, as it obeys no single guiding hand, we may give the name of "drifting."
Robert Gascoyne-Cecil, 3rd Marquess of Salisbury
Designed as a companion volume to the acclaimed Object-Oriented Analysis, this book focuses on the middle part of the software lifecycle: the activity of design. It shows readers how to apply object-oriented design, and how to tailor and expand the method to suit specific organization and project needs. Readers will explore the major issues in OOD; the role of OOD in the systems lifecycle; how to use graphical notation; strategies for creating design; and hints for evaluating the efficiency of a design created with OOD. For software engineers and other users undertaking real-world systems development projects and designing overall software architecture for systems will find this reference approach to improving systems design indispensable.
Ed Yourdon
