Novel Quotes - page 58
![From the moment he switches on an early-morning news broadcast until he falls asleep at night over a novel or a magazine, he is, like all other people living in modern civilized conditions, swimming in words. Newspaper editors, politicians, salesmen, disc jockeys, columnists, luncheon club speakers, and clergymen; colleagues at work, friends, relatives, wife and children; market reports, direct-mail advertising, books, and billboards -- all are assailing him with words all day long. [...]. (S. I. Hayakawa)](https://cdn.quotesdtb.com/img/quotes_images_webp/14/s-i-hayakawa-advertising-524414.webp)
Goethe said, "The author whom a lexicon can keep up with is worth nothing"; Somerset Maugham says that the finest compliment he ever received was a letter in which one of his readers said: "I read your novel without having to look up a single word in the dictionary." These writers, plainly, lived in different worlds.
Randall Jarrell
Whatever became of Kurt Schwitters' novel 'Franz Müllers Drahtfrühling' [Franz Müller's Wire Spring] several chapters of which we composed together? Is it buried under the bomb ruins of his house on Waldhausenstrasse in Hannover? For hours, Schwitters and I sat together and spun dialogue, in rhapsody. He took these writings and channeled them into his novel...We sat together again, writing 'Franz Müllers Drahtfrühling':.
Jean Arp
His glance commanded in an instant all that was novel in [a] scenery, and a few outlines on paper recorded it unintelligibly to others. He placed these pictorial memoranda upon mill-board, not larger than a sheet of letter-paper, quite a confused mass. How he worked out the details from such sketches seemed to me wonderful. His views around Plymouth, in the engravings from his pictures, were marvelously varied in effect, as well as faithful representations. His first sketches showed little of the after-picture to the unpracticed eye; perhaps he bore much away in memory, and these were only a kind of shorthand, which he deciphered in his studio.
J. M. W. Turner
...But as far as the novel makes reference to that, Miguel seems to be willing to concede to the mother's care more than enforce macho authority over the sickly boy. Miguel is a man of the new millennia. He listens to what his significant other opines. As an educated individual, he also turns to literature for answers. He reflects on his failed marriage and tries to learn from it rather than shut down and repeat his mistakes. There is a deep desire to find spiritual and romantic fulfillment. He's willing to find new ways to do that within the constrictions of society's patriarchal institutions.
Ana Castillo
When so many adult critics were carrying on about the "incredible originality" of the first Harry Potter book, I read it to find out what the fuss was about, and remained somewhat puzzled; it seemed a lively kid's fantasy crossed with a "school novel", good fare for its age group, but stylistically ordinary, imaginatively derivative, and ethically rather mean-spirited.
Ursula K. Le Guin
The novel insists that there is power, and with it, agency, in survival-which includes the interracial tensions you speak of-because trauma is still an integral reality for queer folks. But these bodies do know joy, and they know it by acknowledging and honoring the tribulations they outlived. We often think of survival as something that merely happens to us, that we are perhaps lucky to have. But I like to think of survival as a result of active self-knowledge, and even more so, a creative force.
Ocean Vuong
Look, immigration as a system, as a national policy, is broken. No one on either side of the debate needs me to tell them that. But that's not what the novel is about. It's about the human faces, the human stories, the human lives behind what for many people has become only an issue. As one of the characters says, "We're the unknown Americans, the ones no one even wants to know, because they've been told they're supposed to be scared of us and because maybe if they did take the time to get to know us, they might realize that we're not that bad, maybe even that we're a lot like them. And who would they hate then?”...
Cristina Henríquez
When I was young I longed to write a great novel that should win me fame. Now that I am getting old my first book is written to amuse children. For aside from my evident inability to do anything "great," I have learned to regard fame as a will-o-the-wisp which, when caught, is not worth the possession; but to please a child is a sweet and lovely thing that warms one's heart and brings its own reward.
L. Frank Baum
I think that art is the commemoration of life in its variety. The novel, for instance, is "historic” in its embodiment in a specific place and time and its suggestion that there is meaning to our actions. Without the stillness, thoughtfulness and depths of art, and without the ceaseless moral rigors of art, we would have no shared culture - no collective memory. As it is, in contemporary societies, where so much concentration is focused on social media, insatiable in its myriad, fleeting interests, the "stillness and thoughtfulness” of a more permanent art feels threatened.
Joyce Carol Oates
Observe good faith and justice towards all Nations; cultivate peace and harmony with all. Religion and Morality enjoin this conduct; and can it be, that good policy does not equally enjoin it? It will be worthy of a free, enlightened, and, at no distant period, a great Nation, to give to mankind the magnanimous and too novel example of a people always guided by an exalted justice and benevolence. Who can doubt, that, in the course of time and things, the fruits of such a plan would richly repay any temporary advantages, which might be lost by a steady adherence to it? Can it be, that Providence has not connected the permanent felicity of a Nation with its Virtue?
George Washington
What wonder if the novel claim had clashed
With old requirement, seemed to supersede
Too much the customary law? But, brave,
Thou at first prompting of what I call God,
And fools call Nature, didst hear, comprehend,
Accept the obligation laid on thee,
Mother elect, to save the unborn child,
As brute and bird do, reptile and the fly,
Ay and, I nothing doubt, even tree, shrub, plant
And flower o' the field, all in a common pact
To worthily defend the trust of trusts,
Life from the Ever Living: - didst resist -
Anticipate the office that is mine -
And with his own sword stay the upraised arm,
The endeavour of the wicked, and defend
Him who, - again in my default, - was there
For visible providence: one less true than thou
To touch, i' the past, less practised in the right,
Approved less far in all docility
To all instruction, - how had such an one
Made scruple "Is this motion a decree?"
Robert Browning
When, in the autumn of 1947, I was fired from the first and only job I have ever held, I wanted one thing out of life: to become a writer. I left my position as manuscript reader at the McGraw-Hill Book Company with no regrets; the job had been onerous and boring. It did not occur to me that there would be many difficulties to impede my ambition; in fact, the job itself had been an impediment. All I knew was that I burned to write a novel and I could not have cared less that my bank account was close to zero, with no replenishment in sight. At the age of twenty-two I had such pure hopes in my ability to write not just a respectable first novel, but a novel that would be completely out of the ordinary, that when I left the McGraw-Hill Building for the last time I felt the exultancy of a man just released from slavery and ready to set the universe on fire.
William Styron
Woody Allen later wrote in a letter: "My observation was that once a person actually completed a play or a novel, he was well on his way to getting it produced or published, as opposed to a vast majority of people who tell me their ambition is to write, but who strike out on the very first level and indeed never write the play or book. In the midst of the conversation, as I'm now trying to recall, I did say that 80 percent of success is showing up." - 1989 August 13, New York Times, On Language: The Elysian Fields by William Safire.
Woody Allen
When was reviewing Doris Lessing's last two books from the Shikasta series, I found that she has discovered what I, to my great joy, had discovered a little earlier: that (a) if you're writing what they call science fiction, you're absolutely free-you can write anything you damn please, and (b) that if you take seriously the science fiction premise, you are furnished with an inexhaustable supply of absolutely beautiful and complex metaphors for our present situation, for who and where we are now, and I think it's not only women who have found this out. Angus Wilson was one of the first to do this with The Old Man in the Zoo years ago. That is a science fiction novel, if you look at it closely.
Angus Wilson
For the sophisticated falsificationist a scientific theory T is falsified if and only if another theory T' has been proposed with the following characteristics :
(1) T' has excess empirical content over T: that is, it predicts novel facts, that is, facts improbable in the light of, or even forbidden, by T;
(2) T' explains the previous success of T, that is, all the unrefuted content of T is included (within the limits of observable error) in the content of T'; and
(3) some of the excess content of T' is corroborated.
Imre Lakatos
I'd like to be remembered as someone who kept the comic novel going for another generation or so. I fear the comic novel is in retreat. A joke is by definition politically incorrect - it assumes a butt, and a certain superiority in the teller. The culture won't put up with that for much longer.
Martin Amis
