Novel Quotes - page 36
Why must a novel-writer be either a "realist” or a "romantist”? And, if the latter, why "romanticist” any more than "realisticist”? Why should a good novel not combine romance and reality in just proportions? Is there any reason to suppose that the one element must necessarily shut out the other?
Francis Marion Crawford
A novel is a marketable commodity, of the class collectively termed "luxuries,” as not contributing directly to the support of life or the maintenance of health. It is of the class "artistic luxuries" because it does not appeal to any of the three material senses - touch, taste, smell; and it is of the class "intellectual artistic luxuries,” because it is not judged by the superior senses - sight and hearing.
Francis Marion Crawford
There are indeed certain names and prefixes to names which suggest serious reading, independently of the words printed on the title-page of the book. If the Archbishop of Canterbury, or General Booth, or the Emperor William published a novel, for instance, the work might reasonably be expected to contain an exposition of personal views on some question of the day. But in ordinary cases the purpose-novel is a simple fraud, besides being a failure in nine hundred and ninety-nine cases out of a thousand.
Francis Marion Crawford
It may fairly be claimed that humanity has, within the past hundred years, found a way of carrying a theatre in its pocket; and so long as humanity remains what it is, it will delight in taking out its pocket-stage and watching the antics of the actors, who are so like itself and yet so much more interesting. Perhaps that is, after all, the best answer to the question, "What is a novel?” It is, or ought to be, a pocket-stage. Scenery, light, shade, the actors themselves, are made of words, and nothing but words, more or less cleverly put together. A play is good in proportion as it represents the more dramatic, passionate, romantic, or humorous sides of real life. A novel is excellent according to the degree in which it produces the illusions of a good play-but it must not be forgotten that the play is the thing, and that illusion is eminently necessary to success.
Francis Marion Crawford
There is a much more subtle and completely novel threat to man's survival that looms, every year more menacingly, beside that of an atomic holocaust; the cluster of world-wide problems - not only material in nature - growing at an incredible speed when viewed in historical perspective, and called by The Club of Rome the "problématique humaine. In fact, we believe that even without the atomic world war, human existence as we know it is threatened if no way can be found to resolve this crisis syndrome.
Mihajlo D. Mesarovic
The Chinese language lacked terms capable of conveying Buddhist meanings; and not until the fifth century did a handful of scholars become sufficiently at home in both Chinese and Indian learning to be able to translate Buddhist texts into Chinese with a modicum of adequacy. ...the novel and initially alien outlook of the Indian faith had somehow to come to terms with the various strands already woven into Chinese culture, ranging... from Confucian and Taoist learning to local sub-literate peasant magic. ...while accommodating themselves to older Chinese expectations, Buddhist doctrines and practices simultaneously widened and redefined traditional Chinese sensibilities and aspirations.
William H. McNeill
There was a time when the average reader read a novel simply for the moral he could get out of it, and however nave that may have been, it was a good deal less nave than some of the limited objectives he has now. Today novels are considered to be entirely concerned with the social or economic or psychological forces that they will by necessity exhibit, or with those details of daily life that are for the good novelist only means to some deeper end.
Flannery O’Connor
Within months after reading the novel 'The Hunger Games,' I went from telling my mom that I could see myself as this character to actually getting the role. My mother reminds me that if I could manifest such an important role just because I wanted it so much, all of my dreams are possible.
Amandla Stenberg
I read Claire Messud's 'The Emperor's Children,' I read Joseph O'Neill's 'Netherland' - but to me, they're not 9/11 novels. In 'The Emperor's Children,' 9/11 felt to me like a piece of the plot; the novel wasn't wrestling with what 9/11 meant. And 'Netherland' felt the same way. I liked both books a lot but I don't see them as 9/11 novels.
Amy Waldman
