Novel Quotes - page 24
Of course, Pupkin would never have thought of considering himself on an intellectual par with Mallory Tompkins. That would have been ridiculous. Mallory Tompkins had read all sorts of things and had half a mind to write a novel himself-either that or a play. All he needed, he said, was to have a chance to get away somewhere by himself and think. Every time he went away to the city Pupkin expected that he might return with the novel all finished; but though he often came back with his eyes red from thinking, the novel as yet remained incomplete.
Stephen Leacock
I was heavily influenced by my first attempt at a novel. I started a fantasy novel back in high school, and.... well... it really sucked. It was a plotless, clichéd mess. When I sat down to write this book, I wanted to make something much, much better. I wanted to write something that was pretty much the opposite of that first novel.
Also, I read Cyrano De Bergerac, right before I started writing the book. Cyrano's character reminded me of some important things, namely, what it really means to be a tragic hero. You don't need a lot of the cliché fantasy trappings to have that cool character.
I also read Giacomo Casanova's memoirs soon after starting this project. That opened my eyes to how interesting an autobiography could be, provided the person telling it has a way with words and has lived a sufficiently adventurous life....
Patrick Rothfuss
What used to be called a Canadian novel was a kind of prairie frontier story, but it was phony. In the plot, people came to the land; the land loved them; they worked and struggled and had lots of children. There was a Frenchman who talked funny and a greenhorn from England who was a fancy-pants but when it came to the crunch he was all courage. Those novels would make you retch.
Robertson Davies
The principle behind the cinema, like that behind all the arts, rests on a choice. It is, in Camus' words, "the revolt of the artist against the real."
If one holds to this principle, what difference can it make by what means reality is revealed? Whether the author of a film seizes on the real in a novel, in a newspaper story or in his own imagination, what counts is the way he isolates it, stylizes it, makes it his own.
Michelangelo Antonioni
