Finding Quotes - page 17
I'm actually kind of impressed by Iraq's patience right now... I mean, look at it objectively. They've opened their doors to un inspectors, they're being bombed by british and american troops, american forces are massing at their borders, american diplomats are actively looking to assinate [sic] Saddam Hussein, etc. It almost seems like Bush is doing everything he can to taunt Saddam Hussein. Not just if you step over this line I will hit you, but if you step over this line while I put rats on your back and put butter on the floor and make fun of your mom and move the line then I will hit you, in fact I'll hit you even if you just stand there and do nothing. It's painfully clear that iraq should not be allowed to have weapons of mass destruction. But it also seems painfully clear that the bush administration have no intention of finding a peaceful resolution to the situation in Iraq.
Moby
Money spent on vegetative patients is money not spent on preventive care, such as flu shots and mammograms. Each night in an ICU bed for such patients is a night that another patient with a genuine prognosis for recovery is denied such high-end care. Every dollar exhausted on patients who will never wake up again is a dollar not devoted to finding a cure for cancer.
Jacob M. Appel
The failure of a free press in most countries is usually blamed on the readers. Every nation gets the government-and the press-it deserves. This is too facile a remark. The people deserve better in most governments and press. Readers, in millions of cases, have no way of finding out whether their newspapers are fair or not, honest or distorted, truthful or colored....
George Seldes
I feel the conflict still exists in me – but not causing me any difficulty in working, as it did immediately after returning from Italy [in 1925]. In fact I ask myself is this [the] conflict what makes things happen? For it seems to me now that this conflict between the excitement & great impression I got from Mexican sculpture & the love & sympathy I felt for Italian art, represents two opposing sides in me, the 'tough' & the 'tender', & that many other artists have had the same two conflicting sides in their natures.. ..and really I see no difficulty in appreciating both sides & finding them in the same artist. Perhaps an obvious & continuous synthesis will eventually derive in my own work – I can't say – I can only work as I feel & believe at the time I do the work.
Henry Moore
I believe that new art must differ totally in its manifestation from art as we know it, and people may be very reluctant to accept this. It is perhaps true to say, as someone did of cubism, that 'To sum up: since art is a need to create rather than imitate, the 'cubists' rousing themselves from the sentimentality born of the picturesque aspect of some natural spectacle or other, disengage the fleeting aspects from those which are constant and absolute, and with the aid of these two elements, construct a reality equivalent to that which they see before them'. Thus it is a question of finding the true equivalence (that, offered by Cubism is still not true equivalence), and this can only be 'that which is not nature at all, and is nonetheless one with nature.
Piet Mondrian
If one is to take Lulu's twelve-tone chord as the integral totality of complementary harmony, then Berg's allegorical genius proves itself within a historical perspective which makes the brain reel: just as Lulu in the world of total illusion longs for nothing but her murderer and finally finds him in that sound, so does all harmony of unrequited happiness long for its fatal chord as the cipher of fulfillment - twelve-tone music is not to be separated from dissonance. Fatal: because all dynamics come to a standstill within it without finding release. The law of complementary harmony already implies the end of the musical experience of time, as this was heralded in the dissociation of time according to Expressionistic extremes.
Theodor Adorno
A horse in movement is not a stationary horse that moves but a horse in a movement, which is to say something other, that should be conceived and expressed as something completely different. It is a question of conceiving objects in movement over and above the motion they carry within themselves. That is, a question of finding a form which is the expression of this new absolute... A question of studying the aspects that life has taken on in haste and in consequent simultaneity.
Umberto Boccioni
I am a believer and a conformist. Anyone can revolt; it is more difficult silently to obey our own interior promptings, and to spend our lives finding sincere and fitting means of expression for our temperaments and our gifts - if we have any. I do not say "neither God, nor Master," only in the end to substitute myself for the God I have excommunicated..."
Georges Rouault
![Here I am quite alone amongst the Oaks and solitudes of Helmingham Park. I have taken quiet possession of the parsonage finding it quite empty. A woman comes up from the farm house (where I eat) and makes the bed; and I am left at liberty to wander where I please during the day. There are abundance of fine trees of all sort; through the place upon the whole affords good objects [rather] than fine scenery, but I can badly judge yet what I may have to shew You. I have made one of two... drawing that may be useful. I shall not come home yet. (John Constable)](https://cdn.quotesdtb.com/img/quotes_images_webp/85/john-constable-abundance-bed-424085.webp)
Do you know what was great? Finding out that a stupid, ridiculous thing like copying a postcard could lead to a picture. And then the freedom to paint whatever you felt like. Stags, aircraft, kings, secretaries. Not having to invent anything anymore, forgetting everything you meant by painting – color, composition, space – and all of the things you previously knew and thought. Suddenly none of this was a prior necessity for art.
Gerhard Richter
It is instinctive to search for something. Abstract art is inherently about the search - and about not finding anything. My gray monochromes have the same illusionistic implications as my landscapes. I want them to be seen as narratives - even if they are narratives of nothingness. Nothing is something. You might say they are like photographs of nothing.
Gerhard Richter
