John Quotes - page 14
There were mothers and brothers and sisters, and aunts and cousins to express various opinions on the subject, but as to what they severally advised history is silent.
We know only that on a bright May morning in 1888, John, Lord Greystoke, and Lady Alice sailed from Dover on their way to Africa.
A month later they arrived at Freetown where they chartered a small sailing vessel, the Fuwalda, which was to bear them to their final destination.
And here John, Lord Greystoke, and Lady Alice, his wife, vanished from the eyes and from the knowledge of men.
Edgar Rice Burroughs
In 1960, the U. S. population was 89% white. By 1990, it was 76%. Today, it is under 70%. By 2050, white Americans, the most loyal voting bloc the Republican Party has, that provides 90% of all GOP votes, will be just another minority because of an immigration policy championed by Republicans. When John Stuart Mill called the Tories "the Stupid Party," he was not entirely wrong.
Pat Buchanan
Throughout his life he would quote and write in his Notebooks chunks of John Donne, Edward Jones, John Betjeman, Gerard Manley Hopkins, William Dunbar, Shakespeare and his greatest read Dylan Thomas. Dylan became his hero. Sweetly, their paths would later cross and a good friendship would grow.
Richard Burton
Noiselessly Kerchak entered, crouching for the charge; and then John Clayton rose with a sudden start and faced them.
The sight that met his eyes must have frozen him with horror, for there, within the door, stood three great bull apes, while behind them crowded many more; how many he never knew, for his revolvers were hanging on the far wall beside his rifle, and Kerchak was charging.
When the king ape released the limp form which had been John Clayton, Lord Greystoke, he turned his attention toward the little cradle; but Kala was there before him, and when he would have grasped the child she snatched it herself, and before he could intercept her she had bolted through the door and taken refuge in a high tree.
Edgar Rice Burroughs
It must have been in his teens, perhaps rather early, that he and his elder brother John, with William Bell (afterwards of Wylie Hill, and a noted drover) and his brother, all met in the kiln at Eelief to play cards. The corn was dried then at home. There was a fire, therefore, aud perhaps it was both heat and light. The boys had played, perhaps, often enough for trifling stakes, and always parted in good humor. One night they came to some disagreement. My father spoke out what was in him about the folly, the sinfulness, of quarreling over a perhaps sinful amusement. The earnest mind persuaded other minds. They threw the cards into the fire, and (I think the younger Bell told my brother James) no one of the four ever touched a card again through life. My father certainly never hinted at such a game since I knew him. I cannot remember that I, at that age, had any such force of belief. Which of us can?
Thomas Carlyle
Had there not been a natural goodness and indestructible force in my father, I see not how be could have bodied himself forth from these mean impediments. I suppose good precepts were not wanting. There was the Bible to read. Old John Orr, the schoolmaster, used from time to time to lodge with them; be was religious and enthusiastic (though in practice irregular with drink). In my grandfather, also, there seems to have been a certain geniality; for instance, he and a neighbor, Thomas Hogg, read "Anson's Voyages;" also tho "Arabian Nights," for which latter my father, armed with zealous conviction, scrupled not to censure them openly. By one means and another, at an early age he had acquired principles, lights that not only flickered, but shone steadily to guide his way.
Thomas Carlyle
Similarly a work of art vanishes from sight for a beholder who seeks in it nothing but the moving fate of John and Mary or Tristan and Isolde and adjusts his vision to this. Tristan's sorrows are sorrows and can evoke compassion only in so far as they are taken as real. But an object of art is artistic only in so far as it is not real. In order to enjoy Titian's portrait of Charles the Fifth on horseback we must forget that this is Charles the Fifth in person and see instead a portrait - that is, an image, a fiction. The portrayed person and his portrait are two entirely different things; we are interested in either one or the other. In the first case we "live" with Charles the Fifth, in the second we look at an object of art.
José Ortega y Gasset
I met him Cummingham around 1953 after a performance I saw. He was teaching and making dances for his company and was already working with John Cage. What interested me initially wasn't just the movement but also the music he worked with, which was unfamiliar to me... Later Bob Rauschenberg had been doing sets and costumes for the Cunningham Company... I can't say exactly how, but for a period of time, Cage, Cunningham, Rauschenberg, and I saw each other frequently and exchanged ideas. John [Cage] was very interested in presenting his ideas to other people, so it was impossible to be around and not to learn... He could apply his ideas on space and time to painting, or music or architecture... I don't have a clear sense of cause and effect in my painting, but it is probably there.
Jasper Johns
Once, I made a kind of sculpture of a flag in bronze: it was an edition of three, I think. One of them was given on some occasion to President Kennedy. I became very upset that this was happening. It was given on Flag Day! (he laughs). It seemed to me to be such a terrible thing to happen. I complained bitterly to my very good friend John Cage, [the composer]. He said: "Don't let it worry you. Just consider it as a pun on your work."
Jasper Johns
In my tender years and bairn-age, at schools, having on the one part contracted a loving familiaritie with a certain gentleman a papist, and on the other part being attentive to the sermons of that worthy man of God, Maister Christopher Goodman, teaching upon the Apocalyps, I was moved in admiration against the blindness of papists that could not most evidentlie see their seven hilled Citie of Rome, painted out there so lively by Saint John, as the Mother of all Spiritual Whoredome: that not onlie bursted I oute in continuall reasoning against my said familiar, but also from thence forth I determined with myself by the assistance of God's spirit to employ my study and diligence to search out the remanent mysteries of that holy booke (as to this houre praised be the Lord I have bin doing at all such times as convenientlie I might have occasion) &c.
John Napier
It was the ultimate possible statement of powerlessness and desperation [Richter is referring to w:John Cage's famous 'Lecture on Nothing']. Nothing, absolutely nothing left, no figures, no color, nothing. Then you realize after you've painted three of them that one's better than the others and you ask yourself why is that. When I see eight pictures together I no longer feel that they're sad, or if so, they're sad in a pleasant way.
Gerhard Richter
The photo can insist on reviewing moments that were unseen, or not know they were seen but passed in viewing. John Cage said (I don't know if they were his own remarks or Zen) his goal was not to get somewhere; he just wanted to enjoy the trip. That's the quality I want in all of my work, that a specific goal or accomplishment would be allied to the fact. I noticed a long time age, when I went to a strange country, that I had the best time and the greatest experiences when I thought I was lost, because when you are lost you look so much harder.
Robert Rauschenberg
There's no record industry, and so musicians I know, because I get mail from young musicians, I mean, they're really just struggling to survive, because they're not gonna get a record contract! So what are they doing? To survive? Like I did? I mean, okay I drove trucks, and sold caviar and repaired instruments just to survive. But in the end, you know, I'm in the studio, you know, recording rock music, pop music, whatever! Whatever gives me money to put in my, you know, food in my mouth. And so there's a lot of great musicians today, they're just looking for a gig! And what are the gigs that are going around? The gigs with pop bands or with smooth jazz, funky jazz, you know, a lot of this kind of cliched music. I'm sorry to criticize it like that, but I grew up with Tony (Williams) and you know Miles (Davis), (John) Coltrane, and real things, where there's blood all over the floor, blood all over the stage, that's what the passion's all about.
John McLauglin
You were so kind to us yesterday. Never have I seen such magnanimity and such tenderness.
Can you imagine the gift you gave me? To return to the White House privately with my little ones while they are still young enough to rediscover their childhood - with you both as guides - and with your daughters, such extraordinary young women.
What a tribute to have brought them up like that in the limelight. I pray I can do half the same with my Caroline. It was good to see her exposed to their example, and John to their charm!
You spoiled us beyond belief . . . I have never seen the White House look so perfect. There is no hidden corner of it that is not beautiful now.
Jacqueline Kennedy Onassis
