Band Quotes - page 60
I think it is considered bad to be clever, because I think people usually assume that a clever person or a clever band doesn't have substance, doesn't really care about anything. People want music that matters, that believes in something, I think, whether it expresses anger or despair or love. People want to believe that their artists are portraying emotions that they really feel. And I think that's true of Patsy Cline, Johnny Rotten, whoever you want to name. If you believe the artist, you're going to go for it.
John S. Hall
Hail, Columbia! happy land!
Hail, ye heroes! heaven-born band!
Who fought and bled in Freedom's cause,
Who fought and bled in Freedom's cause,
And when the storm of war was gone,
Enjoyed the peace your valor won.
Let independence be our boast,
Ever mindful what it cost;
Ever grateful for the prize,
Let its altar reach the skies!
Joseph Hopkinson
Some of the [band's] work has a genuine feeling behind it. Some of it is probably just being funny for the sake of being funny. Obviously, there are elements to "Detachable [Penis]" about male identity that are there, but not really overtly there. For the person who wants to find it, it's there. I don't know. I don't think... I like to think I'm not obvious about the humor, and I'm not obvious about the feelings, either. There's a certain degree of subtlety to what I'm doing; even in very obvious things, there's something underneath that's interesting. I think [the band is] guilty of being clever at times, to the detriment of conveying something more important, more real, more honest. I'll cop to that. But I will also say that there's also stuff that does have meaning.
John S. Hall
The essential in Christianity, past, present and future, is loving Christ and one another, and if the Quaker finds God in the silence and the Salvation Army in the band, the Roman Catholic in the Mass and the Baptist in immersion; if the High Anglican likes incense and ceremonial, and the Methodist puts his emphasis on personal experience, the fellowship of the authentic class meeting and Charles Wesley's hymns, why talk of disunity?
Leslie Weatherhead
The public-choice theorists would have us believe that nobody ever gets involved in governments or the political arena out of a desire to accomplish public [goals[]].... Needless to say, the notion that citizens would voluntarily band together to fight injustice and poverty in faraway parts of the world is incomprehensible to this kind of thinking. This perhaps explains the frequent attempt to dismiss those in the anti-globalization movement as nothing more than a group of self-seeking opportunists - as if there is some kind of money to be made in championing debt elimination for the Third World.
Linda McQuaig
I have been in Green Day for most of my life, we have been doing this since I was 16 years old, and I just love how this band has evolved from a bunch of 'slackers' to one of the most socially conscious bands out there. It is pretty groovy to see how things have changed and yet it has all been a very natural process for us.
Billie Joe Armstrong
I guess that's my biggest fear for this band. I worry that if it stops, it's going to break down and end up in the junkyard. You can hear it with some bands, man, and you can tell when they haven't been playing together because they're too busy resting on their laurels. Most of the time, those bands are the ones that end up losing it.
Billie Joe Armstrong
God grant you, friends, a helping hand-
In cares of state and private plights,
In rowdy feasts of friendship's band,
In passion's sweet and secret rites!
God grant you, friends, a helping hand-
In daily woes and days of strife,
On vacant sa, in distant land,
In every black abyss of life!
Aleksandr Pushkin
Sometime 30 years ago I wrote a piece for the Stan Kenton Neophonic Band. The night of the concert at the Music Center Auditorium in Los Angeles Stan counted it off much too fast. When it came to the recapitulation at the end, the woodwind instrumentation had changed to mixtures of piccolos, flutes and saxes; and being too fast, it turned into a woodwind knuckle-buster. I was hiding on the floor between the seats. Later, when this was recorded, Stan counted too slowly. That recording was released without my piece. Years later when Stan created his "The Creative World of Stan Kenton" record company, Capitol was so angry that he had left them and released everything they had in the can to jeopardize his market. My piece was released with the first third cut off. I rewrote this for my present instrumentation and when we first went through it, while conducting, I was in tears to finally hear what I had written 30 years ago.
Clare Fischer
I have no idea who that is. It's a terrible performance, the band is horribly out of tune-is that Maynard Ferguson? It starts off at a dynamic peak and never deviates from it. It also starts out with what is supposed to be jazz musicians trying to play some sort of a Latin bag, which is not making it, because there's no solidity of rhythms. Latin rhythm sections being based on the constant contrast of instruments, and it never moves any place. And then that thing on the end-what's that supposed to be? An adaptation of Porgy and Bess of some sort? I guess it was some sort of an allusion toward Porgy and Bess. But then if it is, it's completely escaped all the rest of it. It's like giving a paragraph of reference out of a two-page article and then saying, Well, this is about this.
Clare Fischer
