Gods Quotes - page 42
Were I to concentrate exclusively on the body of Prometheus, I would be seriously limiting the scope of my rendering of the demigod; but because I concentrate also on the myth of Prometheus, on all that the great poets have written about him, I expand the meaning of the demigod's physical form and try to communicate.... the basic message of the legend of Prometheus, who stole fire from the gods and taught man to cook his foods, to smelt metal ore and to forge his tools and weapons.
Ossip Zadkine
The word `Sanskrit' means "prepared, pure, refined or prefect”. It was not for nothing that it was called the `devavani' (language of the Gods). It has an outstanding place in our culture and indeed was recognized as a language of rare sublimity by the whole world. Sanskrit was the language of our philosophers, our scientists, our mathematicians, our poets and playwrights, our grammarians, our jurists, etc. In grammar, Panini and Patanjali (authors of Ashtadhyayi and the Mahabhashya) have no equals in the world; in astronomy and mathematics the works of Aryabhata, Brahmagupta and Bhaskara opened up new frontiers for mankind, as did the works of Charaka and Sushruta in medicine.
Pāṇini
Panini was a Sanskrit grammarian who gave a comprehensive and scientific theory of phonetics, phonology, and morphology. Sanskrit was the classical literary language of the Indian Hindus and Panini is considered the founder of the language and literature. It is interesting to note that the word "Sanskrit" means "complete" or "perfect" and it was thought of as the divine language, or language of the gods.
Pāṇini
There are legends of the metamorphosis of men: with you the gods also are metamorphosed. Rhea becomes a tree; Zeus a dragon, on account of Persephone; the sisters of Phaethon are changed into poplars, and Leto into a bird of little value, on whose account what is now Delos was called Ortygia. A god, forsooth, becomes a swan, or takes the form of an eagle, and, making Ganymede his cupbearer, glories in a vile affection. How can I reverence gods who are eager for presents, and angry if they do not receive them? Let them have their Fate!
Tatian
The two sets of sources, textual and nontextual, reveal bits of history to us in different ways, like the lame man riding on the shoulders of the blind man. When it comes to history, you can't trust anyone: The texts lie one way, while images and archeology mislead us in other ways. On the one hand, the gods did not fly around in big palaces, as the texts insist that they did, and we cannot know if women really did speak up as Gargi does in the Upanishads, or Draupadi in the Mahabharata.
Wendy Doniger
But when I do think about religious problems, I think in Hindu categories. When my father died, it was the first time something really terrible happened to me-and Christianity and Judaism were of absolutely no use to me. My Jewish and Christian friends would take me to synagogues and churches, and it didn't help at all. And then I started thinking about the myths I was translating at the time, which were about death-why there is death, how death came into the world, what happens when we die, speculations about karma and rebirth. The Hindu version of it made more sense to me than anything. It just seemed like Shiva as a god was more likely to be responsible for the world the way I knew it than the gods of Judaism and Christianity. Capricious, beautiful, violent, it just made more sense.
Wendy Doniger
...Sooltan Mahmood now attacked one of the forts in the Koombulmere district, defended by Beny Ray, the deputy of Rana Koombho of Chittor. In front of the gateway was a large temple which commanded the lower works. This building was strongly fortified, and employed by the enemy as a magazine. Sooltan Mahmood, aware of its importance, determined to take possession of it at all hazards; and having stormed it in person, carried it, but not without heavy loss; after which, the fort fell into his hands, and many Rajpoots were put to death. The temple was now filled with wood, and being set on fire, cold water was thrown on the, stone images, which causing them to break, the pieces were given to the butchers of the camp, in order to be used as weights in selling meat. One large figure in particular, representing a ram, and formed of solid marble, being consumed, the Rajpoots were compelled to eat the calcined parts with pan, in order that it might be said that they were made to eat their gods...
Firishta
The votaries of Pythagoras of Samos have this story to tell of him, that he was not an Ionian at all, but that, once on a time in Troy, he had been Euphorbus, and that he had come to life after death, but had died as the songs of Homer relate. And they say that he declined to wear apparel made from dead animal products and, to guard his purity, abstained from all flesh diet, and from the offering of animals in sacrifice. For that he would not stain the altars with blood; nay, rather the honey-cake and frankincense and the hymn of praise, these they say were the offerings made to the Gods by this man, who realized that they welcome such tribute more than they do the hecatombs note and the knife laid upon the sacrificial basket.
Philostratus
Greek writers of the fifth century B.C. have a way of speaking of, an attitude towards, religion, as though it were wholly a thing of joyful confidence, a friendly fellowship with the gods, whose service is but a high festival for man. In Homer sacrifice is but, as it were, the signal for a banquet of abundant roast flesh and sweet wine; we hear nothing of fasting, of cleansing, and atonement.
Jane Ellen Harrison
They (i. e., the Olympian gods) operate on moral principles. You have to break a promise to them, or break a rule, for them to get power over you.”
Victor commented darkly, "That explains why religions have rules no one can follow. If everyone is a sinner, by definition, everyone is under their power.
John C. Wright
The voice is certainly important and you can hear if it's beautiful or not, it's the gods who decide it's more a question of what you do with the voice, which is the mysterious element. It's the personality behind the voice which makes the artist. The voice is a gift of God, but if you're not able to use this gift, what's left Nothing but a beautiful voice, without nuance or colour.
Cecilia Bartoli
