Talent Quotes - page 58
Widespread intellectual and moral docility may be convenient for leaders in the short term, but it is suicidal for nations in the long term. One of the criteria for national leadership should therefore be a talent for understanding, encouraging, and making constructive use of vigorous criticism.
Carl Sagan
No talent is required to reproduce. Nature has done a tremendous job in creating this extraordinary piece - the body. The body does not want to learn anything from culture. It doesn't want to know anything from us. We are always interested in telling this body how to function. All our experiences, spiritual or otherwise, are the basic cause of our suffering. The body is not interested in your bliss or your ecstasies. It is not interested in your pleasure. It is not in interested in anything that you are interested in. And that is the battle that is going on all the time. But there seems to be no way out.
U. G. Krishnamurti
I am not thinking of those shining precepts which are the registered property of every school; that is to say - learn as much by writing as by reading; be not content with the best book; seek sidelights from the others; have no favourites; keep men and things apart; guard against the prestige of great names; see that your judgments are your own; and do not shrink from disagreement; no trusting without testing; be more severe to ideas than to actions; do not overlook the strength of the bad cause of the weakness of the good; never be surprised by the crumbling of an idol or the disclosure of a skeleton; judge talent at its best and character at its worst; suspect power more than vice, and study problems in preference to periods.
John W. Campbell
I would rather see Rome ruled by a man who once had to ask his accountant tricky questions before his steward could pay the butcher's bill than by some mad limb like Nero, who was brought up believing himself the son and the grandson of gods, and who thought wearing the purple gave him free rein to indulge his personal vanities, execute real talent, bankrupt the Treasury, burn half of Rome – and bore the living daylights out of paying customers in theatres!
Lindsey Davis
[I] launched a new offensive against the fortress of painting. First, white thinned out in linseed oil as a general base. Second, color the entire surface lightly by applying very large areas of different colors that swim into one other and that must remain free of any effect of chiaroscuro. Third, a drawing, independent of and substituting for the unformulated tonal values. Then, at the end, some bass notes to ward off flabbiness, not too dark, but colored bass notes. This is the style that connects drawing and the realm of color, a saving transfer of my fundamental graphic talent into the domain of painting.
Paul Klee
