Evidence Quotes - page 63
Love alone is credible; nothing else can be believed, and nothing else ought to be believed. This is the achievement, the "work” of faith: to recognize this absolute prius, which nothing else can surpass; to believe that there is such a thing as love, absolute love, and that there is nothing higher or greater than it; to believe against all the evidence of experience ("credere contra fidem” like "sperare contra spem”), against every "rational” concept of God, which thinks of him in terms of impassibility or, at best, totally pure goodness, but not in terms of this inconceivable and senseless act of love.
Hans Urs von Balthasar
Well, if I were thus rationed in this article and could have but one adjective for George Gershwin, that adjective would be "ingenuous." Ingenuous at and about his piano. Once an occasional composer named Oscar Levant stood beside that piano while those sure, sinewy, catlike Gershwin fingers beat their brilliant drum-fire-the tumultuous cascade of the "Rhapsody In Blue," the amorous languor of "The Man I Love," the impish glee of "Fascinating Rhythm," the fine, jaunty, dust-spurning scorn of "Strike Up the Band." If the performer was familiar with the work of any other composer, he gave no evidence of it. Levant (who, by the way, makes a fleeting appearance in the new Dashlell Hammett book, under the guise of Levi Oscant) could be heard mutterIng under his breath, "An evening with Gershwin Is a Gershwln evening." "I wonder," said our young composer dreamily, "if my music will be played a hundred years from now." "It certainly will be," said the bitter Levant,"if you are still around."
George Gershwin