Wind Quotes - page 32
First he must gain control over his thoughts, the progeny of the restless, unruly mind, hard to curb as the wind. (Bhagavad Gitâ, vi. 34). Steady, daily practice in meditation, in concentration, had begun to reduce this mental rebel to order ere he entered on the probationary Path, and the disciple now works with concentrated energy to complete the task, knowing that the great increase in thought power that will accompany his rapid growth will prove a danger both to others and to himself unless the developing force be thoroughly under his control. Better give a child dynamite as a plaything, than place the creative powers of thought in the hands of the selfish and ambitious.
Annie Besant
Framework 2 is connected with the creativity and vitality of your world. In your terms, the dead waken in Framework 2 and move through it to Framework 3, where they can be aware of their reincarnational identities and connections with time, while being apart from a concentration on earth realities. In those terms, the so-called dead dip in and out of earth probabilities by travelling through Framework 2, and into those probabilities connected with earth realities. Some others may wind up in Framework 4, which is like Framework 2, except that it is a creative source for other kinds of realities not physically oriented at all and outside of, say, time concepts as you are used to thinking about them. In a way impossible to describe verbally, some portion of each identity also resides in Framework 4, and in all other Frameworks.
Robert Butts
I, who am dead, have ways of knowing
Of the crop of death that the quick are sowing.
I, who was Pompey, cry it aloud
From the dark of death, from the wind blowing.
I, who was Pompey, once was proud,
Now I lie in the sand without a shroud;
I cry to Caesar out of my pain,
"Caesar beware, your death is vowed."
John Masefield
Since humans became self-regarding they have sought, as well, explanations for the common phenomena of procreation, death, the cycle of seasons, the earth, sea, wind and stars, sun and moon, plenty and disaster. With myth, the writer's ancestors, the oral story-tellers, began to feel out and formulate these mysteries, using the elements of daily life - observable reality - and the faculty of the imagination - the power of projection into the hidden - to make stories.
Nadine Gordimer