Express Quotes - page 67
Three cartoons made political points.
One showed Muhammad turning away suicide bombers from the gates of heaven, saying "Stop, stop - we ran out of virgins!" - which I believe was a commentary on Muslims' predilection for violence. Another was a cartoon of Muhammad with horns, which I believe was a commentary on Muslims' predilection for violence. The third showed Muhammad with a turban in the shape of a bomb, which I believe was an expression of post-industrial ennui in a secular - oops, no, wait: It was more of a commentary on Muslims' predilection for violence.
In order to express their displeasure with the idea that Muslims are violent, thousands of Muslims around the world engaged in rioting, arson, mob savagery, flag-burning, murder and mayhem, among other peaceful acts of nonviolence.
Muslims are the only people who make feminists seem laid-back.
Ann Coulter
Perhaps what I would like is a truly democratic culture. Not a polemic nor a moralistic culture in the arts but a culture which permits one man to speak to another honestly and modestly and in freedom and to say what he thinks and what he feels, to express his doubts and his fears, his immoral as well as his moral impulses, to say what he thinks is true and what he thinks is false, and what he likes and what he does not like. What I am against is that we should all engage in the most vigorous and most polemic lying to each other for each other's benefit. - Who could have the conceit, the self-confidence to believe that that is what we should do throughout all the rest of human history?
George Oppen
Better the absence of greatness than the establishing of a false greatness by assumed humility. Not only do these efforts at humility on man's part not express strength, they are, on the contrary, expressions of modesty born of weakness, which springs from a lack of knowledge of the truth of Reality.
Beware of modesty. Modesty, under the cloak of humility, invariably leads one into the clutches of self-deception. Modesty breeds egoism, and man eventually succumbs to pride through assumed humility.
The greatest greatness and the greatest humility go hand in hand naturally and without effort.
Meher Baba
When once true adjustment between spirit and matter is secured there is no phase of life which cannot be utilised for the expression of divinity. No longer is there any need to run away from everyday life and its tangles. The freedom of the spirit, which is sought by avoiding contact with the world and by going to the caves or mountains, is a negative freedom. When such retirement is temporary and is meant to digest worldly experiences and develop detachment it has its own advantages. It gives breathing time in the race of life. But when such retirement is grounded in fear of the world or lack of confidence in the spirit, it is far from helpful towards the attainment of real freedom. Real freedom is essentially positive and must express itself through unhampered dominion of the spirit over matter. This is the true life of the spirit.
Meher Baba
As our blessed Lord has required us to pray that his kingdom may come, and his will be done on earth as it is in heaven, it becomes us not only to express our desires of that event by words, but to use every lawful method to spread the knowledge of his name. In order to this, it is necessary that we should become, in some measure acquainted with the religious state of the world; and as this is an object we should be prompted to pursue, not only by the gospel of our Redeemer, but even by the feelings of humanity, so an inclination to conscientious activity therein would form one of the strongest proofs that we are the subjects of grace, and partakers of that spirit of universal benevolence and genuine philanthropy, which appear so eminent in the character of God himself.
William Carey (missionary)
I first heard of the 23 Enigma from William S. Burroughs, author of Naked Lunch, Nova Express, etc. According to Burroughs, he had known a certain Captain Clark, around 1960 in Tangier, who once bragged that he had been sailing 23 years without an accident. That very day, Clark's ship had an accident that killed him and everybody else aboard. Furthermore, while Burroughs was thinking about this crude example of the irony of the gods that evening, a bulletin on the radio announced the crash of an airliner in Florida, USA. The pilot was another Captain Clark and the flight was Flight 23.
Robert Anton Wilson
The impressionist paintings of Manet, Cezanne and Monsieur Degas, express with exemplary sincerity the new sensations, the new world our eyes experience. Now here the successors to these artists [Seurat & Pissarro ] are trying to perfect the forms created by them. They found in the notes of Delacroix, in the scientific discoveries of Chevreul and Rood, the suggestion for a type of painting in which color impressions are ordered by the combining of little multi-colored brush strokes. But while they were attentive to such improvement of the means, they forgot the true end of art, the sincere and complete expression of vivid sensations. The works of these painters - Pissarro and Seurat are the most notorious - are interesting only as the exercises of highly mannered virtuosos. Their paintings are lifeless for the painters did not strive for sincerity, being too taken up with external formulas.
Georges Seurat
It was because Cézanne could come at reality only through what he saw that he never invented purely abstract forms. Few great artists have depended more on the model. Every picture carried him a little further towards his goal-complete expression; and because it was not the making of pictures but the expression of his sense of the significance of form that he cared about, he lost interest in his work so soon as he had made it express as much as he had grasped. His own pictures were for Cézanne nothing but rungs in a ladder at the top of which would be complete expression. The whole of his later life was a climbing towards an ideal. For him every painting was a means, a step, a stick, a hold, a stepping-stone-something he was ready to discard as soon as it had served his purpose. He had no use for his own pictures. To him they were experiments. He tossed them into bushes, or left them in the open fields to be stumbling-blocks for a future race of luckless critics.
Paul Cézanne
One of Spinoza's most important conclusions is that of the human being's necessity to overcome the contradiction between the finite and the infinite. Spinoza was able to express the very nature of the Judaeo-Christian way of thought and, at the same time, to remain outside it and even negate it. Both in the Jewish and the Christian traditions, God creates the world but is outside it. Spinoza, on the other hand, would not say that God creates the world, but that He produces it – in philosophical terms, He causes it. God, for Spinoza, is not outside the world and this view was the object of very harsh criticism by his contemporaries. The Jewish community in Holland even saw fit to excommunicate him. The God of Judeao-Christian thought, according to Spinoza, is an invention of man, who imagines that God thinks and acts as human beings do.
Baruch Spinoza
To express myself briefly, Goethe was the Spinoza of poetry. The whole of Goethe's poetry is filled with the same spirit that is wafted toward us from the writings of Spinoza. There is no doubt whatsoever that Goethe paid undivided allegiance to Spinoza's doctrine. At any rate, he occupied himself with it throughout his entire life; in the first part of his memoirs as well as in the last volume, recently published, he frankly acknowledged this. I don't remember now where I read that Herder once exploded peevishly at the constant preoccupation with Spinoza, "If Goethe would only for once pick up some other Latin book than Spinoza!" But this applies not only to Goethe; quite a number of his friends, who later became more or less well-known as poets, paid homage to pantheism in their youth, and this doctrine flourished actively in German art before it attained supremacy among us as a philosophic theory.
Baruch Spinoza
I dread everything for him [Lord Edward Fitzgerald], and my only consolation is in speculations of revenge. If the blood of this brave young man be shed by the hands of his enemies, it is no ordinary vengeance that will content the people whenever the day of retribution arrives. I cannot express the rage I feel at my own helplessness at this moment, but what can I do! Let me if possible think no more; it sets me half mad.
Theobald Wolfe Tone
l paint what cannot be photographed, and l photograph what l do not wish to paint. lf it is a portrait that interests me, a face, or a nude, I will use my camera. It is quicker than making a drawing or a painting. But if it is something I cannot photograph, like a dream or a subconscious impulse I have to resort to drawing or painting. To express what I feel I use the medium best suited to express that idea, which is also always the most economical one. l am not at all interested in being consistent as a painter, and object-maker or a photographer. I can use several different techniques, like the old masters who were engineers, musicians and poets at the same time. I have never shared the contempt shown by painters for photography: there is no competition involved, painting and photography are two media engaged in different paths. There is no conflict between the two.
Man Ray
Standing in the presence of the Unknown, all have the same right to think, and all are equally interested in the great questions of origin and destiny. All I claim, all I plead for, is liberty of thought and expression. That is all. I do not pretend to tell what is absolutely true, but what I think is true. I do not pretend to tell all the truth.
I do not claim that I have floated level with the heights of thought, or that I have descended to the very depths of things. I simply claim that what ideas I have, I have a right to express; and that any man who denies that right to me is an intellectual thief and robber. That is all.
Robert G. Ingersoll
Music would take over at the point at which words become powerless, with the one and only object of expressing that which nothing but music could express. For this, I need a text by a poet who, resorting to discreet suggestion rather than full statement, will enable me to graft my dream upon his dream - who will give me plain human beings in a setting belonging to no particular period or country. ... Then I do not wish my music to drown the words, nor to delay the course of the action. I want no purely musical developments which are not called for inevitably by the text. In opera there is always too much singing. Music should be as swift and mobile as the words themselves.
Claude Debussy
There is a law higher than men can make. The facts as they exist in this poor world -- the absolute consequences of certain acts -- they are above all. And this higher law is the breath of progress, the very outstretched wings of civilization, under which we enjoy the freedom we have. Keep that in your minds. There never was a legislature great enough -- there never was a constitution sacred enough, to compel a civilized man to stand between a black man and his liberty. There never was a constitution great enough to make me stand between any human being and his right to express his honest thoughts. Such a constitution is an insult to the human soul, and I would care no more for it than I would for the growl of a wild beast.
Robert G. Ingersoll
What an unlikely pair of antagonists! The British have always fought, to be sure. No nation on Earth can be taken seriously in historical circles unless it has had at least one war with the British; it's like not having an American Express card. And yet the very idea of Britain in a contemporary war is a shock. Britain, one feels, fights in history books and not on TV.
Diana Gould
He had a reservoir of learning, from which he drew gracefully and effortlessly. But the most marked quality of his judicial and non-judicial writing was not the ability to borrow an apt quotation or to find an idea well expressed by one who had written before him; it was the ability to think brilliantly in original and bold fashion and to express his thoughts in forceful and eloquent English of a style inimitably his own. His writing was pithy and pungent; yet he never sacrificed clarity of thought for a well-turned phrase. He was a master of the paradox; he had a great love of alliteration and his antithetical statements were gems. Yet his wit never descended to the frivolous; it always added a barb to the telling point. His wit was especially telling when turned upon himself or his Court.
Robert H. Jackson
