Favorite Quotes - page 18
Forget the 18th century, the 19th century, even at the birth of the 20th century. Here's my favorite example, here: 1928, my hero, Walt Disney, created this extraordinary work, the birth of Mickey Mouse in the form of Steamboat Willie. But what you probably don't recognize about Steamboat Willie and his emergence into Mickey Mouse is that in 1928, Walt Disney, to use the language of the Disney Corporation today, "stole" Willie from Buster Keaton's "Steamboat Bill."
It was a parody, a take-off; it was built upon Steamboat Bill. Steamboat Bill was produced in 1928 - no 14 years - just take it, rip, mix, and burn, as he did to produce the Disney empire.
Lawrence Lessig
There is much to be said concerning retirement. Some men cannot survive it because they have not prepared themselves for it. For the man who has retained his curiosity, retirement in old age can be the most enjoyable period of his life; but he must be aware of the emptiness of public renown and desire the peace of obscurity; he must still have the wish to learn and understand; in his village, his garden, or his house, he must have some restricted personal occupation. The wise man, after having given all his time to his public activities, now devotes himself entirely to his personal affairs and development; and this will be easier for him if he has been able to interest himself in poetry and the beauties of nature, even during his busiest years. For myself, I cannot imagine a pleasanter old age than one spent in the not too remote country where I could reread and annotate my favorite books. "The mind," says Montaigne, "must thrive upon old age as the mistletoe upon a dead oak."
André Maurois
After the war [1918] etching became Kirchner's favorite medium. He attributed this to its responsiveness. 'Etchings', he wrote, 'develop in the first states the most immediate hieroglyphs. Rich in lively handwriting and rich in variety of motifs, the etchings are like a diary of the painter.
Ernst Ludwig Kirchner
Suppose we took a thousand negatives and made a gigantic montage: a myriad-faceted picture containing the elegances, the squalor, the curiosities, the monuments, the sad faces, the triumphant faces, the power, the irony, the strength, the decay, the past, the present, the future of a city – that would be my favorite picture.
Berenice Abbott
