Built Quotes - page 16
The earth has no doubt wobbled through the years. The North Pole has moved around. Today the earth is tilted over 23.5 degrees. That is why they always mount the globe on that 23.5 degree angle. Stonehenge is an interesting stone building. Apparently it was built to worship the sun at summer solstice. But today, Stonehenge does not line up. The Egyptian Temple Amen Ra was apparently built to worship the sun at summer solstice, the longest day of the year. But it doesn't line up. Eudoxus, same thing. The earth is tilted over today, and that's what causes the seasons. [...] Today the earth is pretty stable. The North Pole doesn't move around very much. But could it be that something actually struck Planet Earth about the time of Noah's flood? Well that's what the scientific evidence points towards. Today the earth is tilted over and that's what causes the seasons.
Kent Hovind
There were no roads connecting different colonies and different parts of the same colony in a manner that made sense with regard to Africa's needs and development. All roads and railways led down to the sea. They were built to extract gold or manganese or coffee or cotton. They were built to make business possible for the timber companies, trading companies, and agricultural concession firms, and for white settlers. Any catering to African interests was purely coincidental.
Walter Rodney
The number of stands I invented for these telescopes it would not be easy to assign. ...In 1781 I began to construct a thirty foot aërial reflector, and having made a stand for it, I cast the mirror thirty-six inches in diameter. This was cracked in cooling. I cast it a second time, and the furnace I had built in my house broke.
William Herschel
What makes the Pastor-CFR [Council on Foreign Relations] plan remarkable is that those who would abolish America are out of the closet. The penultimate step to world government, a North American Union built on the model of the European Union, to one day merge with it in a World Union of Nations and Peoples, is before us on the table.
Pat Buchanan
On the whole, ought I not to rejoice that God was pleased to give me such a father; that from earliest years I had the example of a real man of God's own making continually before me? Let me learn of him. Let me write my books as he built his houses, and walk as blamelessly through this shadow world; if God so will, to rejoin him at last. Amen.
Thomas Carlyle
The force that had been lent my father he honorably expended in manful well-doing. A portion of this planet bears beneficent traces of his strong hand and strong head. Nothing that he undertook to do but he did it faithfully and like a true man. I shall look on the houses he built with a certain proud interest. They stand firm and sound to the heart all over his little district.
Thomas Carlyle
Human virtue, if we went down to the roots of it, is not so rare. The materials of human virtue are everywhere abundant as the light of the sun: raw materials,-O woe, and loss, and scandal thrice and threefold, that they so seldom are elaborated, and built into a result! that they lie yet unelaborated, and stagnant in the souls of wide-spread dreary millions, fermenting, festering; and issue at last as energetic vice instead of strong practical virtue!
Thomas Carlyle
Behold therefore, this England of the Year 1200 was no chimerical vacuity or dreamland, peopled with mere vaporous Fantasms, Rymer's Foedera, and Doctrines of the Constitution, but a green solid place, that grew corn and several other things. The Sun shone on it; the vicissitude of seasons and human fortunes. Cloth was woven and worn; ditches were dug, furrowfields ploughed, and houses built. Day by day all men and cattle rose to labour, and night by night returned home weary to their several lairs. In wondrous Dualism, then as now, lived nations of breathing men; alternating, in all ways, between Light and Dark; between joy and sorrow, between rest and toil, between hope, hope reaching high as Heaven, and fear deep as very Hell. Not vapour Fantasms, Rymer's Foedera at all!
Thomas Carlyle
The second conception of the world via the medium of matter required both a visual and a tactile perception of things. In this case the whole design process tends to emanate from the specific characteristics of the respective medium used. The leader of this movement (Tatlin) assumed.... that the intuitive and artistic mastery of materials would lead to inventions on the basis of which objects could be constructed. He believed he could prove this theory with his design for the 'Monument to the Third International' (1920), [never built]. He accomplished this task without having any special technical knowledge of construction.
El Lissitsky
It proved to be essential to clear the site for the new building. This idea was a forerunner of futurism which exposed the relentless nature of its motivating power. Revolutions had started undercover, everything grew more complicated. Painting economical in its creative output was still very complicated and uneconomical in its expression. cubism and futurism seized upon the purity of form treatment and colour and built a complicated and extensive system with them combining them without any regard for harmony. The rebuilding of life cast aside the old concept of nations classes patriotism and imperialism which had been completely discredited.
El Lissitsky
Those who seek a pro-life culture must accept that we will never persuade all 300 million Americans to agree with us. A pro-life culture can be built only from the ground up, person by person. For too long we have viewed the battle as purely political, but no political victory can change a degraded society. No Supreme Court ruling by itself can instill greater respect for life. And no Supreme Court justice can save our freedoms if we don't fight for them ourselves.
Ron Paul
We analyzed the first stage of our construction, confined to two-dimensional space, and found it to be as durable and resistant as the earth itself. We build in this space just as we would on the ground, and therefore must take as our point of departure the concepts of gravity and force of attraction, as the foundation of everything built on the land. In PROUN the reciprocity of the effects of gravity [Newton, 'for every action an equal and opposite reaction'] manifests itself in a new capacity. We see that on the surface (plane) of the picture, the PROUN ceases to exist as such and becomes a building surveyed from every direction - considered from above or examined from below. The result of this turns out to be the destruction of the single axis that leads to the horizon.
El Lissitsky
A deep and serene silence filled her structures composed of colors and surfaces. The exclusive use of horizontal and vertical rectangular planes in the work of art, the extreme simplification, exerted a decisive influence on my work. Here I found, stripped down to the limit, the essential elements of all earthly constructions: the bursting, upward surge of the lines and the planes toward the sky, the verticality of pure life, and the vast equilibrium, the sheer horizontality and expansiveness of dreamlike peace. Her work was for me a symbol of a divinely built 'house' which man in his vanity has ravaged and sullied.
Jean Arp
For with what eyes of the mind was your Plato able to see that workhouse of such stupendous toil, in which he makes the world to be modelled and built by God? What materials, what bars, what machines, what servants, were employed in so vast a work? How could the air, fire, water, and earth, pay obedience and submit to the will of the architect? From whence arose those five forms, of which the rest were composed, so aptly contributing to frame the mind and produce the senses? It is tedious to go through all, as they are of such a sort that they look more like things to be desired than to be discovered.
Cicero
Nevertheless I like being in Norway [to escape the Nazi threat Schwitters fled to Norway, c. 1937], for it is a country of unparalleled beauty... I paint landscapes and portraits, model portrait, glue and paint abstract pictures and glue abstract plastic art; besides, I write poetry in German... What distresses me most of all is that I cannot live in my 'Merzraum' [a sculptured studio-space, Schwitters had built in Germany in the 1920's, but bomb-damaged in the war] and that it may be given up to destruction. For that reason I ask you once more, can you keep your ear to the ground again, to see if anyone in America is willing to give me an opportunity to shape a three-dimensional room?
Kurt Schwitters
