Feet Quotes - page 76
Of pure American breed, of reckless health, his body perfect, free from taint from top to toe, free for ever from headache and dyspepsia, full-blooded, six feet high, a good feeder, never once using medicine, drinking water only-a swimmer in the river or bay or by the seashore- neck open, shirt collar flat and broad, countenance of swarthy transparent red, -face not refined or intellectual, but calm and wholesome-a face of an unaffected animal-a face that absorbs the sunshine and meets savage or gentleman on equal terms-a face of one who eats and drinks and is a brawny lover and embracer -a person singularly beloved and welcomed, especially by young men and mechanics- there you have Walt Whitman, the begetter of a new offspring out of literature...
Walt Whitman
"Anxiety," Kierkegaard said, "is the dizziness of freedom." This freedom of which men speak, for which they fight, seems to some people a perilous thing. It has to be earned at a bitter cost and then - it has to be lived with. For freedom makes a huge requirement of every human being. With freedom comes responsibility. For the person who is unwilling to grow up, the person who does not want to carry his own weight, this is a frightening prospect.
We must all face an unpalatable fact that we have, too often, a tendency to skim over; we proceed on the assumption that all men want freedom. This is not as true as we would like it to be. Many men and women who are far happier when they have relinquish their freedom, when someone else guides them, makes their decisions for them, takes the responsibility for them and their actions. They don't want to make up their minds. They don't want to stand on their own feet.
Eleanor Roosevelt
The possibilities of the art of combination are not infinite, but they tend to be frightful. The Greeks engendered the chimera, a monster with heads of the lion, the dragon and the goat; the theologians of the second century, the Trinity, in which the Father, the Son and the Holy Ghost are inextricably tied; the Chinese zoologists, the ti-yiang, a vermilion supernatural bird, endowed with six feet and four wings, but without a face or eyes; the geometers of the nineteenth century, the hypercube, a figure with four dimensions, which encloses an infinite number of cubes and has as its faces eight cubes and twenty-four squares. Hollywood has just enriched this vain museum of horrors: by means of an artistic malignity called dubbing, it proposes monsters that combine the illustrious features of Greta Garbo with the voice of Aldonza Lorenzo.
Jorge Luis Borges