Piece Quotes - page 77
They dug too far into physics and it bit them. Physics will do that. It's an ungrateful piece of shit. It's a fickle lover that will always betray you. It courts you, gives you rewards, coughs up little treats like fire and the wheel, telescopes and the secret of starflight, makes you think you're worth it, that you're the special one, that you really, really matter to it....All the while it's saving up this nasty little truth: that every thought, every deed, every hope you've ever held is futile. That the universe will end, and forget itself. That there is no such thing as meaning....
"Do you believe it?” Goma asked.
"Of course I believe it. Physics doesn't give a damn about how we feel. It doesn't give a damn about a sleeping soundly in our beds, thinking we matter.
Alastair Reynolds
I was thinking, earlier, how there's this stigma attached to "writing for money" and how odd that is, as though writing is akin to sex (another "creative" act?) and writing for money is akin to prostitution in the minds of so many people. Whoring with adjectives, so to speak. Do I give good prose? Look up the definition of "hack." So, there must be the perception that writing, like the priesthood, comes with some higher purpose in tow. Getting paid well somehow sullies the purer cause. I've heard writers dismiss something or another that they've written by explaining, "Oh, yes, I know that sucked, but I only wrote it because they paid me so much money." And then we might even forgive them a piece of crap, because we have a sensible explanation. That wasn't a real orgasm. I was only faking the plot. Dorothy Parker and F. Scott Fitzgerald and William Faulkner in Hollywood.
Caitlín R. Kiernan
We hide this universality if we can, but it appears at all points. We are as ungrateful as children. There is nothing we cherish and strive to draw to us but in some hour we turn and rend it. We keep a running fire of sarcasm at ignorance and the life of the senses; then goes by, perchance, a fair girl, a piece of life, gay and happy, and making the commonest offices beautiful by the energy and heart with which she does them; and seeing this we admire and love her and them, and say, "Lo! a genuine creature of the fair earth, not dissipated or too early ripened by books, philosophy, religion, society, or care!" insinuating a treachery and contempt for all we had so long loved and wrought in ourselves and others.
Ralph Waldo Emerson
And I walked in and sat down and they gave me a piece of paper, said, "Kid, see the psychiatrist, room 604." And I went up there, I said, "Shrink, I want to kill. I mean, I wanna, I wanna kill. Kill. I wanna, I wanna see, I wanna see blood and gore and guts and veins in my teeth. Eat dead burnt bodies. I mean kill, Kill, KILL, KILL." And I started jumping up and down yelling, "KILL, KILL," and he started jumping up and down with me and we was both jumping up and down yelling, "KILL, KILL." And the Sargent came over, pinned a medal on me, sent me down the hall, said, "You're our boy."
Arlo Guthrie
Experiences like that led the band to develop the Retaliation Song. The way it worked was, if they were forced to perform a song they hated, they'd retaliate by playing a song that was even worse. For example, if the band had to play "My Way," it would counterattack with Bobby Goldsboro's sap-oozing piece of dreck, "Honey" (She wrecked the car and she was sad, and so afraid that I'd be mad, but what the heck!). One night, at a wedding reception, an extremely drunk man ordered the band to perform "The Ballad of the Green Berets," and then, a half hour later, demanded that it be played again. That night, Arrival struck back with the hydrogen bomb of retaliation songs: "In the Year 2525," the relentlessly ugly Zager and Evans song with the disturbingly weird lyrics (You won't find a thing to chew! Nobody's gonna look at you!). Some guests actually fled the room. (Chapter 3)
Dave Barry