Hundred Quotes - page 79
For four hundred years the human race has not made a step but what has left its plain vestige behind. We enter now upon great centuries. The sixteenth century will be known as the age of painters, the seventeenth will be termed the age of writers, the eighteenth the age of philosophers, the nineteenth the age of apostles and prophets. To satisfy the nineteenth century, it is necessary to be the painter of the sixteenth, the writer of the seventeenth, the philosopher of the eighteenth; and it is also necessary, like Louis Blane, to have the innate and holy love of humanity which constitutes an apostolate, and opens up a prophetic vista into the future. In the twentieth century war will be dead, the scaffold will be dead, animosity will be dead, royalty will be dead, and dogmas will be dead; but Man will live. For all there will be but one country-that country the whole earth; for all there will be but one hope-that hope the whole heaven.
Victor Hugo
Just incredible! Look at Hope Solo celebrate! There is an American party going on, all around the terraces! Surely the whistle's going to go any second, and it will be a penalty shootout. Abby Wambach in the one hundred and twenty-second minute. Well that does match the drama of the men's World Cup last year, and the Landon Donovan goal which saved the USA against Algeria, doesn't it? Well, well, well! And the goal was scored in the time added on for the largely bogus injury, we think, to Érika. Is there some kind of poetic justice in that? It's not finished yet, though. Still the referee plays on, and here's Marta again! Solo beats it away; it will be a corner. How much more of this can there possibly be? It is over! It will be a penalty shoot-out! An incredible finish, one of the great climaxes to any World Cup match! Brazil are denied at the death! A ten-woman USA save it! Wow, we need to get our breath back. So let's go back to Bob Ley for a moment.
Ian Darke
There's a knock at the door, and Valentino and Dr. Emeterio enter. This is it. Suspense really isn't good for someone with my condition, and every second of silence is brutal. "What's up?" I ask, wanting to get this over with, one way or the other. "It's nice that something good will come out of this," Valentino says, pressing his hand to his chest. My heart skips a beat, two, ten, a hundred, a thousand, a million, and somehow, I don't die on the spot. In fact, I'm going to live. I'm going to live, live, liv, live, live, live, live, live, live, live, live, live.
But first, he has to die.
Adam Silvera
Well, as you know, I was blessed to do over a hundred events for my dear brother [Bernie Sanders]. And this is the first time I've had a chance to publicly endorse him again, but yes, indeed. I'll be in his corner that we're going to win this time. And it has to do with the Martin Luther King like criteria of assessing a candidate namely the issues of militarism, poverty, materialism, and racism, xenophobia in all of its forms that includes any kind of racism as you know against black people, brown people, yellow people, anybody, Arabs, Muslims, Jews, Palestinians, Kashmirians, Tibetans and so forth. So that there's no doubt that the my dear brother Bernie stands shoulders above any of the other candidates running in the Democratic primary when it comes to that Martin Luther King-like standards or criteria.
Cornel West
Poetry is not; or seems not to be. But it appears that among the great conflicts of this culture, the conflict in our attitude toward poetry stands clearly lit. There are no guards built up to hide it. We call see its expression, and we can see its effects upon us. We can see our own conflict and our own resource if we look, now, at this art, which has been made of all the arts the one least acceptable.
Anyone dealing with poetry and the love of poetry must deal, then, with the hatred of poetry, and perhaps even Ignore with the indifference which is driven toward the center. It comes through as boredom, as name-calling, as the traditional attitude of the last hundred years which has chalked in the portrait of the poet as he is known to this society, which, as Herbert Read says, "does not challenge poetry in principle it merely treats it with ignorance, indifference and unconscious cruelty."
Poetry is foreign to us, we do not let it enter our daily lives.
Muriel Rukeyser