Facts Quotes - page 76
I cannot see the war as historians see it. Those clever fellows study all the facts and they see the war as a large thing, one of the biggest events in the legend of the man, something general, involving multitudes. I see it as a large thing too, only I break it into small units of one man at a time, and see it as a large and monstrous thing for each man involved. I see the war as death in one form or another for men dressed as soldiers, and all the men who survived the war, including myself, I see as men who died with their brothers, dressed as soldiers. There is no such thing as a soldier. I see death as a private event, the destruction of the universe in the brain and in the senses of one man, and I cannot see any man's death as a contributing factor in the success or failure of a military campaign.
William Saroyan
To me, believing that some correspondence intrinsically just is reference (not as a result of our operational and theoretical constraints, or our intentions, but as an ultimate metaphysical fact) amounts to a magical theory of reference. Reference itself becomes what Locke called a 'substantial form' (an entity which intrinsically belongs with a certain name) on such a view. Even if one is willing to contemplate such unexplainable metaphysical facts, the epistemological problems that accompany such a metaphysical view seem insuperable. For, assuming a world of mind- independent, discourse-independent entities (this is the presupposition of the view we are discussing), there are, as we have seen, many different 'correspondences' which represent possible or candidate reference relations (infinitely many, in fact, if there are infinitely many things in the universe).
Hilary Putnam
«She is able to oscillate between classical allusions to the holy books and the works of great poets like Hölderlin, Baudelaire, Borges, Artaud and Celan, and then she comes to terms with the Beat Generation, with Ferlinghetti, Corso, with the philosophy of the existentialists. With immediate acceptances, repulses, with vast ignitions and immense fires, with echoes of jazz and pop music» (Dante Maffia about Fatti deprecabili/Deprecable Facts)
Caterina Davinio
In the process of dissipating glamour, the way of the greatest potency is to realise the necessity to act purely as a channel for the energy of the soul. If the disciple can make right alignment and consequent contact with his soul, the results show as increased light. This light pours down and irradiates not only the mind, but the brain consciousness as well. He sees the situation more clearly: he realises the facts of the case as against his "vain imaginings"; and so the "light shines upon his way." He is not yet able to see truly in the larger sweeps of consciousness; the group glamour and, of course, the world glamour remain to him as yet a binding and bewildering mystery, but his own immediate way begins to clear, and he stands relatively free from the fog of his ancient and distorting emotional miasmas. Alignment, contact with his soul, and then steadfastness, are the keynotes to success.
Alice Bailey