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Expression Quotes - page 79 - Quotesdtb.com
Expression Quotes - page 79
Those who have in any sense realised that God is around them, in them, and in everything, will be able to understand how a place or an object may become "sacred" by a slight objectivisation of this perennial universal Presence, so that those become able to sense Him who do not normally feel His omnipresence... This is the rationale of places of pilgrimage, of temporary retreats into seclusion; the man turns inward to seek the God within him, and is aided by the atmosphere created by thousands of others, who before him have sought the same in the same place....The effect produced will, of course, vary with the relative strengths of the vibrations... the laws of vibration are the same in the higher worlds as in the physical, and thought vibrations are the expression of real energies.
Annie Besant
Other Venetians may, in one or the other way, more irresistibly enlist our sympathies, or may shine out for the moment more brilliantly in some special branch of their art; yet, after all, we find ourselves invariably comparing them to Titian, not Titian to them, taking him as the standard for the measurement of even his greatest contemporaries and successors. ..
.He is the greatest painter of the sixteenth century, just because, being the greatest colorist of the higher order, and in legitimate mastery of the brush second to none, he makes the worthiest use of his unrivaled accomplishment, not merely to call down the applause due to supreme pictorial skill and the victory over self-set difficulties, but, above all, to give the fullest and most legitimate expression to the subjects which he presents, and through them to himself.
Titian
Poetry is not; or seems not to be. But it appears that among the great conflicts of this culture, the conflict in our attitude toward poetry stands clearly lit. There are no guards built up to hide it. We call see its expression, and we can see its effects upon us. We can see our own conflict and our own resource if we look, now, at this art, which has been made of all the arts the one least acceptable.
Anyone dealing with poetry and the love of poetry must deal, then, with the hatred of poetry, and perhaps even Ignore with the indifference which is driven toward the center. It comes through as boredom, as name-calling, as the traditional attitude of the last hundred years which has chalked in the portrait of the poet as he is known to this society, which, as Herbert Read says, "does not challenge poetry in principle it merely treats it with ignorance, indifference and unconscious cruelty."
Poetry is foreign to us, we do not let it enter our daily lives.
Muriel Rukeyser