Painting Quotes - page 80
Here's what I wanted to say about the white and the black [tones]. Let's take 'The Sower'. The painting is divided into two; one half is yellow, the top; the bottom is violet. Well, the white trousers [Van Gogh darked them later!] rest the eye and distract it just when the excessive simultaneous contrast of yellow and violet would annoy it. That's what I wanted to say.
Vincent van Gogh
Dear mother and sister - This is the first time that I can bring myself to write after 2 months' indisposition. Until today I could bring myself neither to read your letters nor to write.. .For a few days now I've been busy painting a field in the full sunshine with yellow dandelions ['Flowering meadow with trees and dandelions']. And while my illness was at its worst, I still painted, among other things a reminiscence of Brabant, cottages with mossy roofs and beech hedges on an autumn evening with a stormy sky, the sun setting red in reddish clouds. And a turnip field with women lifting turnips in the snow.
Vincent van Gogh
A painting by Rembrandt not only stops the time that made the subject flow into the future, but makes it flow back to the remotest ages. By means of this operation Rembrandt achieves solemnity. He thus discovers why, at every moment, every event is solemn: he knows it from his own solitude.
Rembrandt
In The Night Watch, again in Amsterdam, we have the feeling of communication: that something dramatic is happening before our very eyes. This scene of a company of guards painted as a group portrait was very popular in Rembrandt's day. The only other Dutch painter who could do anything at all with the subject was Frans Hals, who did it several times and rather well. But the conventions prevailing at the time were for such a group portrait to consist of an inert line of figures which was boring in the extreme. Rembrandt, tackling this subject, sees it as a dramatic event but also as an entirely realistic everyday occurrence... It was probably the most ambitious painting in size and scope that Rembrandt had painted up to that time, but it began his downfall among his contemporaries and from then his popularity waned. As his painting got better and better, he got poorer and poorer - so much for the Dutch public of his day and their taste in art! p. 404.
Rembrandt
Rembrandt was already deeply involved in his attachment to Rubens - at once adopting him as his model and fighting to have the differences noticed. His [painting] 'Descent from the Cross', also painted in 1631 for the Stadholder, was directly taken from the engraving after Rubens's greatest masterpiece in Antwerp Cathedral', while at the same time being a calculated Protestant response to the immense diapason of the [catholic] Flemish master's altar-piece.
Rembrandt
Two aphorisms about Rembrandt's paintings were drawn from his early biographies and repeatedly attributed to the artist by the French writers: 'A painting is finished when the artists says that it is finished' and 'A painting is not made to be sniffed', but contemplated from a distance.. .These paintings were identified with the latter years of Rembrandt's life, the period in which critics said he suffered most from financial pressures and a lack of public acclaim. Works identified with these final years were the most popular in France during the last decades of the nineteenth century.
Rembrandt
Can you imagine a music in which tonality (that is, the adherence to any key) is completely suspended? I was constantly reminded of Kandinsky's large composition which also permits no trace of tonality.. ..and also of Kandinsky's 'jumping spots' in hearing this music [of Schönberg ], which allows each tone sounded to stand on its own (a kind of white canvas between the spots of color). Schönberg proceeds from the principle that the concepts of consonance and dissonance do not exist at all. A so-called dissonance is only a mere remote consonance – an idea which now occupies me constantly while painting..
Wassily Kandinsky
They very often would let me paint, you know, instead of doing some of the other lessons, because I didn't speak English well enough. So I had a lot of painting. And I brought the paintings home with great pride, and my mother kept them for years, so I do know that I sort of...That was a place that I actually remember the smell of those materials and the texture of the surfaces and just, you know, kind of having this real visceral love of moving that color around -- which is, I think, you know, I still have that...
Judy Baca
Roberto also tried to get Mazeroski to stay in baseball longer. Bill was having problems with his weight, and just thought he couldn't continue to fight the battle anymore. It was in his genes. His mother was very overweight, and Bill battled his weight from start to finish. Clemente told him, "Cash is OK and Stennett is OK, but you're still a better second baseman. You can come down to Puerto Rico with me and get in shape." Bill told him, "I think I can still play, but I can't fight this weight thing anymore." Maz had his own pride. But he didn't understand the pride thing with Clemente. Clemente was painting a picture every time he played. He didn't want to play unless he could perform at his absolute best.
Roberto Clemente
There are so many things to paint in the world – in the cities – so much to see. Does art need to represent this variety and contribute to its proliferation? Can art be that free? The difficulties begin when you understand what it is that the soul will not permit the hand to make. To paint is always to start at the beginning again, yet being unable to avoid the familiar arguments about what you see yourself painting. The canvas you are working on modifies the previous ones in an unending, baffling chain which never seems to finish. (What sympathy is demanded of the viewer! He is asked to 'see' the future links).
Phillip Guston
It is by deciding what is real for him and portraying it convincingly that the painter serves the true ends of art. The question of "social” reality does not arise on this profoundly personal level. On the other hand the question of personal salvation and our relationship to God does. Art, if it is successful in the task of questioning reality, if it is good painting and not merely a performance of dexterity, will be an affirmation of God.
Patrick Swift
You are Great, Little Man, when you are not small and petty. You are great when you carry on your trade lovingly, when you enjoy carving and building and painting and decorating and sowing, when you enjoy the blue sky and the deer and the dew and music and dancing, your growing children and the beautiful body of your woman or your man, when you learn to understand and think about life.
Wilhelm Reich
Friends are not primarily absorbed in each other. It is when we are doing things together that friendship springs up – painting, sailing ships, praying, philosophizing, fighting shoulder to shoulder. Friends look in the same direction. Lovers look at each other - that is, in opposite directions. To transfer bodily all that belongs to one relationship into the other is blundering.
C. S. Lewis
