Painting Quotes - page 68
![Well, I think it [painting] is a life measuring stick. And I'm concerned with being myself, getting to know more and more what that is, what is possible, and what the real meaning of beauty and development is. I'm concerned with development and growth. But I am in my everyday life. I hate to feel deadly. But that does not mean that repetition or experiment isn't in the total picture of growth and development. And I think that pace and place differently at different times for each person. (Helen Frankenthaler)](https://cdn.quotesdtb.com/img/quotes_images_webp/22/helen-frankenthaler-beauty-development-520122.webp)
For the first time, we recognized a medium that takes our ordinary, everyday objects like bowls, baskets, and quilts and elevates them to art forms that rival painting and sculpture in their impact.
(From the forward to "Crafts in America: Celebrating Two Centuries of Artists and Objects.
Jimmy Carter
My recollection of meeting him [ Jackson Pollock ] outside of this one incident, was at a show that John Graham did at the MacMillin Gallery [1942]. He invited someone called Jackson Pollock and myself, and, I believe, de Kooning. There were three unknown Americans put into that show and it turned out we were the three and it was through that source, my trying to track down the other unknown American who was painting abstractly at that point, as though I knew them all in New York City.... and I promptly went up to Pollock's studio and that's when I say I met Pollock for the first time.... And then, you see, after I saw Pollock, met him, saw the work, I said, "I understand the third painter is de Kooning," and he said he didn't know de Kooning and I said, "Well, I do and I'll take you over and introduce you."
Lee Krasner
The thought of becoming a painter never as much as occurred to me. I would have laughed out loud if someone had suggested that I choose painting as a career. To be a painter is not a business, no more than to be an artist, lover, racer, dreamer, or prizefighter. It is a gift of Nature, a gift..
Maurice de Vlaminck
It was only in the evenings that I played the violin [c. 1999-1901, to earn his money for living]. During the day I was free to spend my time as I wished. With a few colours in a box, a canvas and a cheap easel under my arm, I would make my way to the Banks of the Seine... I painted to restore my peace of mind, to calm my desires and, above all, to purify myself a little... Make a career of painting. How I would have laughed if someone had talked to me about that! To be a painter is not a profession, no more than being an anarchist or a lover, a race-track rider..
Maurice de Vlaminck
![[ Picasso is guilty of] having dragged French painting into the most dismal 'impasse' and of having led it into in describable confusion. From 1900 – 1930, he led it towards negation, impotence and death. All alone with himself Picasso is impotence made man. Nature havinf denied him a real character, all his intelligence and malice have been employed to fabricate a personality. (Maurice de Vlaminck)](https://cdn.quotesdtb.com/img/quotes_images_webp/60/maurice-de-vlaminck-character-767560.webp)
All this countryside [along the Seine] was calm and peaceful. The strongest emotions I have experienced on the high roads or on the hill tops whence I could see down into the valleys on tot he roofs of houses which I felt I could reach out and touch with my hand.. And then I was tempted to begin painting [c. 1893 - 17 years old]... I composed instinctively and awkwardly. I applied colors with only one idea which justified everything: to express what I felt. I painted hesitantly and exclusively for myself and no one else. It seemed to me that water, sky, clouds and trees understood the happiness they gave me.
Maurice de Vlaminck
[with painting] directly tube against canvas, one soon becomes too slick... I regretfully realized that my composition was reduced to no more than a series of coloured rhythms, harmonious, discordant, monotonous and that, from simplification to simplification, I was falling into the trap of decoration. I no longer got to the bottom of things: I no longer cut through to their heart. The decorative spirit was leading me to forget painting.
Maurice de Vlaminck
But if politics is an art, it is not like sculpture or painting, where one side acts and the other is passive material. It is more like drama without a script, or dance without choreography - in other words, improvisation. Either player may surprise us again with a new move.
Thomas Flanagan (political scientist)
As Amish say "There is a vast difference between putting your nose in other people's business and putting your heart in other people's problems,” and there is also a vast difference between using the ‘grammar of language' and the ‘grammar of painting'. In a language we have subjects, adjectives, verbs, and so on, and in painting we have light, composition, geometric planes, and lines. It is by using this grammar that one can understand a work of art. This is very similar to Ferdinand Saussure's, distinction between "la langue” and "la parole” for interpretation of written words.
Guity Novin
As for the value of color I am close to the philosophy of Fauvists: Matisse, Raoul Dufy, and Vlaminck. In other words, color for me is the most important constituent of painting. The composition and form extract themselves from the depth of color. My colors are the spirit of my paintings. For example, when the space is sad it is my pallet of colors that convey this sadness first.
Guity Novin
Does art have a future? Performance genres like opera, theater, music and dance are thriving all over the world, but the visual arts have been in slow decline for nearly 40 years. No major figure of profound influence has emerged in painting or sculpture since the waning of Pop Art and the birth of Minimalism in the early 1970s.
Camille Paglia
