Vision Quotes - page 19
My drawings [c. 1945 - 1955] were almost always figures, many pseudo-self-portraits, which I often set against a kind of sun or focus, as if the whole universe radiated from my head, from a point between my eyes. My few oils make even clearer this vision of an axial character, centrally placed, facing the spectator, or turned around, with symmetrical postures, as one in prayer; they show the influence of [medieval] Catalan Romanesque art. In general, molecular rays from the periphery appear to form the central figure and converge in his head, or come out of it, and give life to his surroundings.
Antoni Tàpies
I made the decision that I couldn't not run. I had to run. This country is in great danger. It's in great difficulty. It's being taken the wrong way by a leadership team that has no real vision for the country other than trying to posture and pose and aim for winning the next election. I think Americans deserve a more visionary, a more selfless and a more dedicated leadership than that.
Wesley Clark
The development of plastic art is determined by the will to visualize. Art of the past represented the subjective vision of 'naturalistic relationships'. Neoplasticism embodies a subjective vision of 'plastic' relationships... Pure thought, which does not signify a concept derived from natural phenomena but which is contained in numbers, measures, relationships and abstract lines, is revealed conceptually (as Reason) by Chinese, Greek and German philosophy, and aesthetically by contemporary Neoplasticism [= De Stijl.
Theo van Doesburg
The mad road, lonely, leading around the bend into the openings of space towards the horizon Wasatch snows promised us in the vision of the West, spine heights at the world's end, coast of blue Pacific starry night - nobone halfbanana moons sloping in the tangled night sky, the torments of great formations in mist, the huddled invisible insect in the car racing onwards, illuminate. - The raw cut, the drag, the butte, the star, the draw, the sunflower in the grass - orangebutted west lands of Arcadia, forlorn sands of the isolate earth, dewy exposures to infinity in black space, home of the rattlesnake and the gopher the level of the world, low and flat: the charging restless mute unvoiced road keening in a seizure of tarpaulin power into the route.
Jack Kerouac
The first impulse towards painting, or toward art in general, stems from the need to communicate, the effort to fix one's own vision, to deal with appearances (which are alien and must be given names and meanings.) Without this, all work would be pointless and unjustified, like Art for Art's Sake.
Gerhard Richter
My first informed impression, and what I would like to achieve, I can perhaps only realize when I am impelled as in a vision. One of my figures, perhaps one from the Temptation, sang his strange song to me one night –.. We are playing hide-and-seek, we are playing hide-and-seek across a thousand seas, we gods.... when the skies are red in the middle of the night, when the skies are red at night. You cannot see us, you cannot see us but you are ourselves.... that is what makes us laugh so gaily... Stars are our eyes and nebulae our beards.... we have people's souls for our hearts. We hide ourselves and you cannot see us, which is just what we want.
Max Beckmann
An epidemic of destruction sweeps the world today. The mind of civilized man is set to stop it. What the enemy would destroy, however, he must first see. To confuse and paralyze this vision is the role of camouflage. Here the artist and more particularly the modern artist can fulfill a vital function for opposed to this vision of destruction is the vision of creation. Historically, it has been the artist's role to make manifest the beautiful inherent in all the objects of nature and man. In the study of the object, as a thing seen, he has acquired a profound understanding and sensibility concerning its visual aspects..
Arshile Gorky
[President George W. Bush] has a vision which can be described with two other words: Manichaean paranoia... the notion that he is leading the forces of good against the empire of evil, that in that setting, the fact that we are morally superior justifies us committing immoral acts. And that is a very dangerous posture for the country that is the number one global power. ... The fact is he squandered our credibility, our legitimacy, and even respect for our power.
Zbigniew Brzezinski
[S]egments of the Right, who denounced phrases like "economic patriotism” when it passed Barack Obama's lips but nod and cheer when similar phrases come out of the mouths of "nationalists.” They see the state as the key to fostering a new social solidarity because it alone speaks for their new idol - or "strong god” - of the Nation. Passionate nationalists, like passionate socialists, ultimately believe that the State can love you, and if the right people take it over, the divisions that are inevitable in a free society will be knitted together by some government initiative. But that is not love, it is lust. It is a lust for power and victory for your vision over all others.
Jonah Goldberg
![The need for abstraction and symbols is a characteristic sign of the intensity and rapidity with which life is lived today. It often happens that a word, [or] a phrase, will serve to synthesize a complete action, an entire psychology. In the same way, one gesture, one essential feature, may, by suddenly throwing light upon our intuition, succeed in presenting to our vision the total reality. (Gino Severini)](https://cdn.quotesdtb.com/img/quotes_images_webp/21/gino-severini-abstraction-action-322121.webp)
Art is not to be looked at. Art is looking at us. What is art to others is not necessarily art to me. Nor for the same reason and vice versa. What was art to me or was not some time ago might have lost that value or gained it in the meantime and maybe again though art is not an object but experience. To be able to perceive it we need to be receptive. Therefore art is there where art meets us now. The content of art is visual formulation of our relation to life. The measure of art, the ratio of effort to effect, the aim of art revelation and evocation of vision.
Josef Albers
I have received a question I have expected, 'Don't you deal with accidents?' Yes, I deal with accidents, just as Arp admits it all the time. And I admit it, too. But I like to have them under my command and not sign them because they are accidents. If it remains only accident then sign it 'accident' or 'fate' or 'the Lord', whatever you prefer. It's not you because you have not visioned it. You see visual formulation deals with vision, visual information and visual reaction. So I speak differently from all those who deliver themselves to uncontrolled accidents.
Josef Albers
