Figure Quotes - page 80
![Some people have told me that hiding my eyes makes it easier for them to put themselves in my shoes, so I've kind of stuck with it. I'm a nondescript figure; on some level, I'm a cipher. The thing is: I don't want to emote too much when I draw myself. The stories are about other people, not me. I'd rather emphasise[sic] their feelings... (Joe Sacco)](https://cdn.quotesdtb.com/img/quotes_images_webp/75/joe-sacco-cipher-draw-1014175.webp)
All life has a kind of seamlessness. All creatures have to be aware of their environment, and there has been an evolution of the capacities needed for detecting increasingly complex stimuli. I have no problem calling this "meaning," since all creatures pick out meaningful facets of their environment. For the first creatures, these facets were physical and mediated by receptor proteins. Sperm and eggs find each other by protein shapes; photosynthetic bacteria find light by protein shapes. The impetus to figure out what's going on is still very much programmed into our highly complex brains.
Ursula Goodenough
When César died in his sleep at the age of 66 on April 22, 1993, most people in the United States were unaware that his life had set an unsurpassed example of persistent struggle for human rights, day after day, week after week, year after year. Most people would not understand, for example, why César Chávez was compared to Gandhi and Martin Luther King Jr. by more than one speaker at the April 29 funeral, including Rep. Ron Dellums, who said: "César stands with the giants of this planet as an advocate of nonviolence as a way to challenge the powerful." Most people shamefully underestimated a heroic figure in the twentieth-century struggle for social justice, and an extraordinary labor leader.
Cesar Chavez
It takes one kind of heroism to undergo unimaginable pain and suffering as a POW but then persist in loyalty. It takes another kind of heroism to sustain that passion for decades more, to withstand the slings and arrows of politics, the compromises, the disappointments, the defeats, and yet still consider it a joy and an honor to serve. Few have either kind of heroism. John McCain had both. Fortunately, all that intensity came paired with a world-class sense of humor. As we all know, John really hated to lose. The line he used after his Presidential campaigns still makes me laugh. Some would ask how he was coping with defeat. John would say: "Actually, I'm sleeping like a baby. You know--I sleep for two hours, wake up, and cry." Seriously, it is hard to describe this larger-than-life figure without lapsing into what sound like cliches.
Mitch McConnell
I don't think reparations for something that happened 150 years ago, for whom none of us currently living are responsible, is a good idea. We've, you know, tried to deal with our original sin of slavery by fighting a civil war, by passing landmark civil rights legislation. We've elected an African-American president. I think we're always a work in progress in this country, but no one currently alive was responsible for that. And I don't think we should be trying to figure out how to compensate for it. First of all, it would be pretty hard to figure out who to compensate. We've had waves of immigrants, as well, who have come to the country and experienced dramatic discrimination of one kind or another. So, no, I don't think reparations are a good idea.
Mitch McConnell
How then could such a figure, seemingly the least ‘historical' of philosophers, provide thinkers concerned with transformation, novelty, the event, with the wherewithal to advance radical projects of thought? Why is Spinoza repeatedly be invoked in the most urgent of political and ideological polemics? How could a philosophy turned toward the eternity of being (an ontology) link up with the attempt to understand the collective construction of a common political space and the sometimes catastrophic incursion of worldly events?
Baruch Spinoza
The former NSA analyst [Edward Snowden] mentioned the fact that Ecuador got $4.2 billion in funds from the International Monetary Fund in early March as a sign the country was getting closer to the West, and in turn more inclined to give up Assange. "Journalists who have been covering the story haven't really been looking at that, because Julian as an individual is such a tragically flawed figure,” Snowden said. Snowden also criticized people who changed their minds about Assange after the 2016 election."A lot of Americans now hate Julian,” he said. "Even though the sort of people who are on the center to the left part of the spectrum had been singing his praises during the Bush administration, now they're on the other side because of his unfortunate political choices in the 2016 elections.”.
Julian Assange
I'm not tempted to write a song about George W. Bush. I couldn't figure out what sort of song I would write. That's the problem: I don't want to satirise George Bush and his puppeteers, I want to vaporise them. ... And that's not funny. ... OK, well, if I say that, I might get a shock laugh, but it's not really satire.
Tom Lehrer
I began to think about William Shakespeare, the great literary figure. I would reckon he thought of himself as a dramatist. The thought that he was writing literature couldn't have entered his head. His words were written for the stage. Meant to be spoken not read. When he was writing Hamlet, I'm sure he was thinking about a lot of different things: "Who're the right actors for these roles?" "How should this be staged?" "Do I really want to set this in Denmark?" His creative vision and ambitions were no doubt at the forefront of his mind, but there were also more mundane matters to consider and deal with. "Is the financing in place?" "Are there enough good seats for my patrons?" "Where am I going to get a human skull?" I would bet that the farthest thing from Shakespeare's mind was the question "Is this literature?"
Bob Dylan
I Saw the Man.
His figure reached from earth to heaven and was clad in a purple mantle. He stood deep in foliage and flowers and his head, on which was the head-band of an initiate, seemed to disappear mysteriously in infinity.
Before him on a cube-shaped altar were four symbols of magic - the sceptre, the cup, the sword and the pentacle.
His right hand pointed to heaven, his left to earth. Under his mantle he wore a white tunic girded with a serpent swallowing its tail.
His face was luminous and serene, and, when his eyes met mine, I felt that he saw most intimate recesses of my soul. I saw myself reflected in him as in a mirror and in his eyes I seemed to look upon myself.
And I heard a voice saying:
-"Look, this is the Great Magician!
P. D. Ouspensky
An unexpected vision appeared to me. A circle not unlike a wreath woven from rainbow and lightnings, whirled from heaven to earth with a stupendous, velocity, blinding me by its brilliance. And amidst this light and fire I heard music and soft singing, thunderclaps and the roar of a tempest, the rumble of falling mountains and earthquakes.
The circle whirled with a terrifying noise, touching the sun and the earth, and, in the centre of it I saw the naked, dancing figure of a beautiful young woman, enveloped by a light, transparent scarf, in her hand she held a magic wand.
Presently the four apocalyptical beasts began to appear on the edges of the circle; one with the face of a lion, another with the face of a man, the third, of an eagle and the fourth, of a bull.
P. D. Ouspensky
We hold; that seeing there is not any man of the Church of England but the same man is also a member of the commonwealth; nor any man a member of the commonwealth, which is not also of the Church of England; therefore as in a figure triangular the base doth differ from the sides thereof, and yet one and the selfsame line is both a base and also a side; a side simply, a base if it chance to be the bottom and underlie the rest: so, albeit properties and actions of one kind do cause the name of a commonwealth, qualities and functions of another sort the name of a Church to be given unto a multitude, yet one and the selfsame multitude may in such sort be both, and is so with us, that no person appertaining to the one can be denied to be also of the other.
Richard Hooker
In literature and in art, alike, this gloomy fashion of regarding Death has been characteristic of Christianity. Death has been painted as a skeleton grasping a scythe, a grinning skull, a threatening figure with terrible face and uplifted dart, a bony scarecrow shaking an hourglass – all that could alarm and repel has been gathered round this rightly-named King of Terrors. Milton, who has done so much with his stately rhythm to mould the popular conceptions of modern Christianity, has used all the sinewy strength of his magnificent diction to surround with horror the figure of Death.
Annie Besant
We will study first the historical Christ; secondly, the mythic Christ; thirdly, the mystic Christ. And we shall find that elements drawn from all these make up the Jesus Christ of the Churches. They all enter into the composition of the grandiose and pathetic Figure which dominates the thoughts and the emotions of Christendom, the Man of Sorrows, the Saviour, the Lover and Lord of Men.
Annie Besant
In the circus known as the American presidential campaign, Donald Trump is being presented as a lunatic, a fascist. He is certainly odious; but he is also a media hate figure. That alone should arouse our scepticism.
Trump's views on migration are grotesque, but no more grotesque than those of David Cameron. It is not Trump who is the Great Deporter from the United States, but the Nobel Peace Prize winner, Barack Obama.
According to one prodigious liberal commentator, Trump is "unleashing the dark forces of violence" in the United States. Unleashing them?
John Pilger
(On Timothy McVeigh references) In terms of DOKTOR SLEEPLESS (I don't remember much of TRANSMET), it's just a nod to how quickly we assimilate our monsters. How many years was it between Charlie Manson being the terror of California and Charlie Manson being an image on joke t-shirts? I have a shirt somewhere with a pic of his face and, underneath it, the words CHARLIE DON'T SURF. Hitler's a cartoon figure now. Eminem dressed up as bin Laden within a couple of years of 9/11. It's interesting to me how we defang our nightmares -- by mocking them, but also by wearing their skins.
Warren Ellis
The artist worked at his lithographs [on stone!] on the easel, the stone placed like a canvas. He manipulated his crayons like brushes and never sharpened them. He remained standing, walking backwards and forwards every other minute to judge his effects. Usually he covered the whole stone with a uniform gray tone and then removed with a scraper those parts which were to appear light: here a head, a figure; there a horse, a bull. Next, the crayon was again employed to strengthen the shadows, the accents, or to indicate the figures and give them movement..
Francisco Goya
The whole point of art, for me, is to give us tools to explore feelings or situations or dilemmas that defeat our other ways of making meaning. When a situation is so vertiginous, so ethically complex, so emotionally fraught, that I feel like I'm staring into an abyss-that's when I feel moved to make art, when I feel I need the peculiar tools of fiction to figure out what I think. I mean, to inhabit my bewilderment. I think art is the realm in which we can give full rein to the ambiguity, uncertainty, and doubt that we often feel we have to suppress in other kinds of expression-in our political speech, say. I think an ability to dwell in ambiguity, uncertainty, and doubt is a central virtue of humanness. I think it's crucial to any thinking that might adequately capture the complexity of reality.
Garth Greenwell
