College Quotes - page 27
In like manner the Reverend Dr. William A. Smith, President of the Randolph-Macon College in Virginia, in his work upon the Philosophy and Practice of Slavery, deliberately repudiates Mr. Jefferson's view of slavery as a 'grossly offensive error', and attributes the anti-slavery movement to him – which is as wise as to attribute the motion of the earth to Galileo. Judge Wayne, in his late charge at Savannah upon the law against the slave-trade, confirms Mr. Stephens's statement. And, as if to establish it by the most unexpected testimony, Mr. Edward Everett, in his late discourse upon Daniel Webster, said, 'In common with all, or nearly all, the statesmen of the last generation, he believed that free labor would ultimately prevail throughout the continent'.
George William Curtis
After one of those terrible lovers' quarrels that leave one in a state of incomprehensible despair. I came out of the theater, tears streaming, and overheard the petulant voice of a college girl complaining to her boyfriend, "Well I don't see what was so special about that movie." I walked up the street, crying blindly, no longer certain whether my tears were for the tragedy on the screen, the hopelessness I felt for myself, or the alienation I felt from those who could not experience the radiance of Shoeshine. For if people cannot feel Shoeshine, what can they feel?... Later I learned that the man with whom I had quarreled had gone the same night and had also emerged in tears. Yet our tears for each other, and for Shoeshine did not bring us together. Life, as Shoeshine demonstrates, is too complex for facile endings.
Pauline Kael
Vito Acconci's extraordinary career-poetry, art, architecture: a sort of triathlon of the arts-began in the Bronx, where as an aspiring author of seven years he wrote stories about cowboys and athletes. At his Catholic college, he published sexy stuff about priests and nuns that got the school magazine banned for three issues running. He went on to write fiction in the Iowa Writers' Workshop. But when he came back to New York in the early '60s, something changed, and he began writing poems. Highly conceptual constructions, they did not tell stories, express feelings, or evoke a fictional world. They were not representational. Maybe you could call them presentational: this is a word, this is a sentence, you are reading.
Shelley Jackson