Pure Quotes - page 21
Instead of opposing comic and tragic characters [as Molière and Shakespeare] and contrary scenic states, I organize the opposition of contrasting values, lines, and curves. I oppose curves to straight lines, flat surfaces to molded forms, pure local colors to nuances of gray. These initial plastic forms are either superimposed on objective elements or not, it makes no difference to me. There is only a question of variety.
Fernand Léger
Of the various plastic orientations developed over the past twenty-five years, abstract art is the most important, the most interesting.. .It is an extreme state which only a few creators and admirers are capable of achieving. The danger of this formula lies in the very elevation of its intention. Modelings, contrasts, objects have disappeared, leaving only very pure, very precise relations, and a few colors, a few lines; blank spaces, without depth. Add to this a respect for the vertical plane – thin, rigid, sharp. It is a true, incorruptible purism.
Fernand Léger
What is the "cost of capital" to a, firm in a world in which funds are used to acquire assets whose yields are uncertain; and in which capital can be obtained by many different media, ranging from pure debt instruments, representing money-fixed claims, to pure equity issues, giving holders only the right to a pro-rata share in the uncertain venture? This question has vexed at least three classes of economists: (1) the corporation finance specialist concerned with the techniques of financing firms so as to ensure their survival and growth; (2) the managerial economist concerned with capital budgeting; and (3) the economic theorist concerned with explaining investment behavior at both the micro and macro levels.
Merton Miller
The most important subject, and the first problem of philosophy, is the restoration in man of the lost image of God; so far as this relates to science.
Should this restoration in the internal consciousness be fully understood, and really brought about, the object of pure philosophy is attained.
Friedrich Schlegel
There are necessities and impossibilities in reality which do not obtain in fiction, any more than the law of gravity to which we are subject controls what is represented in a picture. ... It is the same with pure good; for a necessity as strong as gravity condemns man to evil and forbids him any good, or only within the narrowest limits and laboriously obtained and soiled and adulterated with evil. ... The simplicity which makes the fictional good something insipid and unable to hold the attention becomes, in the real good, an unfathomable marvel.
Simone Weil
If people were told: what makes carnal desire imperious in you is not its pure carnal element. It is the fact that you put into it the essential part of yourself-the need for Unity, the need for God - they wouldn't believe it. To them it seems obvious that the quality of imperious need belongs to the carnal desire as such. In the same way it seems obvious to the miser that the quality of desirability belongs to gold as such, and not to its exchange value.
Simone Weil
Was it the culmination of a process of fatigue brought about by the proliferation of an easy tachism in the world? A reaction to escape anarchic informalism? An attempt to flee abstract excess and the urge for something more concrete? Did I see the possibility to reach even more primordial levels, the most extremely pure elements, the most essential elements of painting that the masters from the preceding generation had stimulated me to seek?
Antoni Tàpies
I like people to go away from a Queen show feeling fully entertained, having had a good time. I think Queen songs are pure escapism, like going to see a good film - after that, they can go away and say that was great, and go back to their problems. I don't want to change the world with our music. There are no hidden messages in our songs, except for some of Brian's.
Freddie Mercury
As Wishaupt lived under the tyranny of a despot & priests, he knew that caution was necessary even in spreading information, & the principles of pure morality.... He proposed to initiate new members into his body by gradations proportioned to his fears of the thunderbolts of tyranny. This has given an air of mystery to his views, was the foundation of his banishment, the subversion of the masonic order, & is the colour for the ravings against him of Robinson, Barruel & Morse, whose real fears are that the craft would be endangered by the spreading of information, reason, & natural morality among men.
Adam Weishaupt
The development of plastic art is determined by the will to visualize. Art of the past represented the subjective vision of 'naturalistic relationships'. Neoplasticism embodies a subjective vision of 'plastic' relationships... Pure thought, which does not signify a concept derived from natural phenomena but which is contained in numbers, measures, relationships and abstract lines, is revealed conceptually (as Reason) by Chinese, Greek and German philosophy, and aesthetically by contemporary Neoplasticism [= De Stijl.
Theo van Doesburg
White
This is the spiritual colour of our times, the clearness which directs all our actions. It is neither grey nor ivory white, but pure white.
White This is the colour of modern times, the colour which dissipates a whole era; our era is one of perfection, purity and certitude.
White It includes everything. We have superseded both the 'brown' of decadence and classicism and the 'blue' of divisionism, the cult of the blue sky, the gods with green beards and the spectrum.
White pure white...
Theo van Doesburg
But the projects with which the architects of Russian proletarian architecture present us are not only based on pure imagination, but their construction would, if they were fitted for realization, entail enormous waste of space and materials. The dwelling complex 'Wolkenbügel' [architecture, designed by Lissitzky, with the help of [ w:Emil Roth - Swiss architect, 1924] (assuming that one could live here without either freezing or melting!), shaped like a 4, stands in a very un-constructive way on three legs in which the elevators are located. The latter take up as much space as would one or more skyscrapers. And these 'architects' are to teach the West what architecture is!
Theo van Doesburg
Quite possibly this aesthetic contemplation coincides with religious feeling or with the uplift of the religious spirit, since in a work of art it is the deepest inwardness that expresses itself. It is necessary however, to bear in mind the essential distinction that the contemplation or uplift in art – i. e., the experience of pure art – contains nothing dreamy or vague. It is exactly the contrary; true artistic experience is altogether real and conscious.
Theo van Doesburg
We speak of concrete and not 'abstract painting', because we have finished with the period of research and speculative experience. In their search for purity artists were obliged to abstract from 'natural forms' in which the plastic elements were hidden, in order to eliminate natural forms and to replace them with 'artistic forms'. To-day the idea of 'artistic form' is as obsolete as the idea of 'natural form'. We establish the period of pure painting by constructing 'spiritual form.
Theo van Doesburg
The confidence placed in physical theory owes much to its possessing the same kind of excellence from which pure geometry and pure mathematics in general derive their interest, and for the sake of which they are cultivated. ... We cannot truly account for our acceptance of such theories without endorsing our acknowledgement of a beauty that exhilarates and a profundity that entrances us.
Michael Polanyi
